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In these moody 1990s tales, Batman emerges from the shadows to battle corruption in Gotham City, and to face foes including Killer Croc, The Scarecrow, Mr. Freeze, Two-Face and more. These tales by the classic Batman creative team of writer Doug Moench and artist Kelley Jones include guest-appearances by Nightwing, Robin, Deadman and Swamp Thing. Collects BATMAN #515-525, 527-532 and 535.
Sam Kieth, renowned illustrator of THE SANDMAN, hasearned a reputation for creating comic-book epics that combine powerfulaction and thought-provoking themes.Now, he brings that vision toBatman in a story that pits the Dark Knight against the Joker-- all under the unforgiving eye of the media. Their confrontation is caught on film, and Gotham City's protector appearsto pummel his archenemy without mercy.The Joker uses this to frame Batmanin the court of public opinion while the media hover like vultures, readyto convict before all the facts are in.
Collects colorized versions of "Beanworld" stories originally published in 1995-1996 and 2008.
"Originally published in single magazine form as Stray Toasters #1-4 by Graphitti Designs"--Indicia.
The stage is set and destiny continues towards its fulfillment at breakneck speed. Southland Tales: The Prequel Saga collects writer/director Richard Kelly's (Donnie Darko) three graphic novels that set the stage to his second film, Southland Tales. Graphitti Designs and View Askew in conjunction with Darko Entertainment are proud to present this special collection prior to the movie release. These first three chapters set the tone and introduces you to the world and characters that comprise the movie events of July 4, 2008. The book and the movie combine to create a rich multimedia experience!
The award-winning debut feature of self-taught US auteur Kevin Smith, Clerks is set in and around that well-known hub of the social universe, a convenience store in suburban New Jersey. It revolves around a day in the amiably bickering friendship of Dante and Randal, hapless clerks who serve time behind the counter. The monotony of work compels these reluctant wage-slaves to resort to simple diversions: shooting the breeze, antagonising their customers and indulging time-honoured masculine obsessions (sex, movie trivia, ice hockey). Clerks showcases Kevin Smith's keen ear for dialogue and his ability to capture ordinary life in the raw, leavening the edge with buoyant down 'n' dirty humour.
This work provides an extensive guide for students, fans, and collectors of Marvel Comics. Focusing on Marvel's mainstream comics, the author provides a detailed description of each comic along with a bibliographic citation listing the publication's title, writers/artists, publisher, ISBN (if available), and a plot synopsis. One appendix provides a comprehensive alphabetical index of Marvel and Marvel-related publications to 2005, while two other appendices provide selected lists of Marvel-related game books and unpublished Marvel titles.
DEADMAN BY KELLEY JONES: THE COMPLETE COLLECTION showcases classic stories featuring the DC horror icon Deadman, written by Mike Baron (THE FLASH) and illustrated by the acclaimed artist Kelley Jones (BATMAN, THE SANDMAN). He has gone from supernatural hero to insane spirit of evil. In this collection, Deadman faces a slew of malicious spirits and the damned humans attacked by these paranormal entities. He must save the souls of murdered carnival freaks trapped in the abandoned remnants of a defunct circus train, rescue kidnapped children and battle a tide of demons. Great power lies within Deadman, but it can only be unlocked if he faces the secrets within himselfÑsecrets that have driven him mad. Can he save the souls of the living and the dead when he cannot save himself? This collects the DEADMAN ACTION COMICS WEEKLY serial ÒGrave Doings,Ó as well as DEADMAN: LOVE AFTER DEATH and DEADMAN: EXORCISM.
"Growing up in the subcultures of urban Japan, a young woman journeys through the underworld of organized crime, secret societies, government operatives, awkward friendships and young romance. A mix of crime fiction and personal duality elegantly told through the masks and metaphors of Japanese mythology and pop culture"--Back cover. v. 6.
Between the 1930s and the invention of the internet, American comics reached readers in a few distinct physical forms: the familiar monthly stapled pamphlet, the newspaper comics section, bubblegum wrappers, and bound books. From Gum Wrappers to Richie Rich: The Materiality of Cheap Comics places the history of four representative comics—Watchmen, Uncle Scrooge, Richie Rich, and Fleer Funnies—in the larger contexts of book history, children’s culture, and consumerism to understand the roles that comics have played as very specific kinds of books. While comics have received increasing amounts of scholarly attention over the past several decades, their material form is a neglected aspect...