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Gio Ponti
Architect, magazine editor, artist, academic: Gio Ponti's multifaceted oeuvre blurred boundaries across creative disciplines and lead the evolution of modern design in Italy. Filled with archival images, a timeline, and map of his Milanese buildings, this dedicated introduction traces Ponti's most celebrated works and provides an extensive...
Advances in Industrial Design
This book addresses current research trends and practice in industrial design. Going beyond the traditional design focus, it explores a range of recent and emerging aspects concerning service design, human–computer interaction and user experience design, sustainable design, virtual & augmented reality, as well as inclusive/universal design, and design for all. A further focus is on apparel and fashion design: here, innovations, developments and challenges in the textile industry, including applications of material engineering, are taken into consideration. Papers on pleasurable and affective design, including studies on emotional user experience, emotional interaction design and topics rel...
Gio Ponti, 1891-1979
Italian architect and designer Gio Ponti (18911979) was the creator of a multifaceted oeuvre. Starting off with ceramics and majolika works at the First International Exhibition of Decorative Arts in Monza, he moved on to furniture and interior design and built structures of all kinds, from small residential dwellings to high rise buildings, schools, and office blocks. One of his great interests was the theme of the home, for which he continually sought to find new solutions. Ponti colorful, carefree, elegant spaces were designed to inspire optimism in their occupants. The founder and nearly lifelong editor of domus magazine never stopped developing and reinventing his style. This book provides an introduction to Ponti creative process and gives an overview of the various phases of his career.
Mid-Century Modern – Visionary Furniture Design from Vienna
In 1938, Vienna lost its best and most creative minds. This rupture was manifested in all of the arts and sciences and its mark is felt to this day – not least in the field of furniture design. With inexhaustible creativity the Jewish furniture designers who were forced to flee Vienna continued to work while in exile. They taught at the best universities and spread their ideas and vision throughout the entire world. Their creations became classics of twentieth-century furniture design, the epitome of mid-century modern style. This book honors the memory of the exiled designers with a thorough overview of their work. It details their life stories and their visionary designs, which remain as relevant and contemporary as ever, and brings to light new aspects of the history of Viennese furniture design.
La casa dei poveri
Le condizioni dell’abitare delle classi subalterne sono poco trattate nelle storie dell’architettura, ancora incentrate principalmente sui maestri e sui loro capolavori. Questo libro indaga il tema della casa per i ceti popolari, a partire dalla formazione della città industriale fino a oggi. Nel corso dell’Ottocento, dopo gli esperimenti dei socialisti utopisti, Engels e Marx avviano una riflessione sulla questione delle abitazioni che è contesa tra visioni diverse di politici e di intellettuali, fino a diventare, nel secolo successivo, uno straordinario laboratorio di ricerca e di innovazione sociale e tecnica del Movimento moderno, tra i più fecondi della storia dell’architettu...
Material Imagination
Material Imagination examines the interrelated concepts of matter, materialism, and materiality in postwar European art, from 1946-1972. Provides a unique perspective on European art by prioritizing material dimensions over concept or context, while also paying attention to theoretical and historical concerns Explores artists’ methods and materials in order to better understand the social and cultural environments in which their works of art were made Demonstrates how materials can be harnessed to affect the critical interpretation of artwork Brings together exceptional illustrations and new research in eight essays by art historians and scholars
