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Conradology
A merchant sailor works for a decade, captaining a yacht up and down the coasts of Malaysia, in the hope that his crooked employer will stay true to a promise... Years after a pandemic sweeps across Europe, wiping out its all-white population, a pilgrim returns to his Polish birthplace in search of the only other non-white kid he knew at school... An inscrutable hotelier loses his composure when a secret passage is discovered in his hotel, leading to a mysterious room and a previously hidden existence... Born in what is now Ukraine to Polish parents, naturalised as a British citizen, and schooled on the high seas of international commerce, Joseph Conrad was a true citizen of the world. His n...
Karolina and the Torn Curtain
Print run 20,000.
Melancholic Migrating Bodies in Contemporary Polish Women's Writing
Reading contemporary women’s writing as melancholy texts highlights their often under-explored neuralgic nature and emancipatory value. These “strangers in their own lands,” as most recent Polish women writers and their work were described, are the subject of detailed analysis in this book, and are also positioned as the mirrors in which those lands are reflected. From this perspective, the melancholic strands in women’s writing are drawn together to provide a diagnosis of the current situation in Poland, taking into account unwanted discourses, unwelcomed subjects and unresolved problems. Melancholic Migrating Bodies offers the first systematic overview of Poland’s literary and cultural environment after 1989 from the perspective of women’s writing. It critically surveys the various political and social transformations of this period through a close reading of the foremost Polish female novelists. In this original way, the book adopts a fresh perspective on some of the country’s key questions, such as Catholicism, nationalism, the patriotic ethos, history, romantic mythology and the problem of memory.
One False Move
One fatal mistake, and there’s no turning back. Melanie Starks and her seventeen-year-old son, Charlie, have been running one con job or another for as long as she can remember. Worried that Charlie is starting to enjoy it, Melanie is ready to start over. Then her brother, Jared, reappears in her life. Released on a technicality, Jared Barnett is just out of prison and feeling invincible. He has the perfect plan to rob a local bank, but he needs Melanie and Charlie’s help. Feeling she owes her brother, Melanie agrees. Within seconds, shots are fired. Jared and Charlie race out of the bank with no money, leaving four people dead. When they refuse to tell Melanie what happened in those few desperate moments, she realizes her brother and her son have formed a silent bond. Now they’re on the run, and there’s nothing to lose.
Amy & Isabelle
From the Man Booker Prize longlisted author of My Name is Lucy Barton ? Isabelle Goodrow has been living in self-imposed exile with her daughter Amy for fifteen years. Shamed by her past and her affair with Amy's father, she has submerged herself in the routine of her dead-end job and her unrequited love for her boss. But when Amy, frustrated by her quiet and unemotional mother, embarks on an illicit affair with her maths teacher, the disgrace intensifies the shame Isabelle feels about her own past. Throughout one long, sweltering summer, as the events of the small town ebb and flow around them, Amy and Isabelle exist in silent conflict until a final act leads ultimately to the understanding they both crave.
Notes wydawniczy
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The American Song Book
The American Song Book, Volume I: The Tin Pan Alley Era is the first in a projected five-volume series of books that will reprint original sheet music, including covers, of songs that constitute the enduring standards of Irving Berlin, Jerome Kern, the Gershwins, and other lyricists and composers of what has been called the "Golden Age" of American popular music. These songs have done what popular songs are not supposed to do-stayed popular. They have been reinterpreted year after year, generation after generation, by jazz artists such as Charlie Parker and Art Tatum, Ella Fitzgerald and Louis Armstrong. In the 1950s, Frank Sinatra began recording albums of these standards and was soon follo...
Polish Literature in Transformation
This volume emerged from the conference "Polish Literature Since 1989" held at the University College London School of Slavonic and East European Studies. It shows how the profound political and economic transformation that has taken place in Poland since the end of communism in 1989 has affected literary culture and literary scholarship, such as: changing conceptions of Polish nationhood and identity * the impact of European integration (since 2004) * the effects of migration * revised conceptions of the foreign or the marginal, and new understandings of what is understood by emigre or emigrant literature * sensitivity to issues of gender and sexual identity, as well as the impact of feminism and queer studies * the huge impact of revived interest in the Jewish heritage, in Holocaust memory, and in Polish-Jewish relations. (Series: Polonistik im Kontext - Vol. 2)
From the Land of the Moon
An young unnamed woman reflects the life of her grandmother, a bewitching and eccentric figure whose abiding search for love spans much of the twentieth century. In 1943, as American bombs fall on the city of Cagliari, the young woman's grandmother is thirty and already considered an old maid, unmarried and still living at home with her parents. But when the bombing ceases, and despite her protests, her father forces her to marry the first man to propose, an older widower she doesn't love. After suffering several miscarriages, she is sent for treatment at a spa on the mainland, where she falls in love with an injured Italian army veteran and nine months later gives birth to a son. Attributing the pregnancy to her spa treatment, she returns to her husband and never reveals the affair. Decades later, she returns to the mainland and travels to her former lover's hometown of Milan. Dressed in her finest coat and shoes, she wanders the streets in search of the elusive veteran.
Postcolonial Europe? Essays on Post-Communist Literatures and Cultures
This collective monograph analyzes post-1989 Central and Eastern Europe through the paradigm of postcoloniality. Based on the assumption that both Western and Soviet imperialism emerged from European modernity, the book is a contribution to the development of a global postcolonial discourse based on a more extensive and nuanced geohistorical comparativism. It suggests that the inclusion of East-Central Europe in European identity might help resolve postcolonialism’s difficulties in coming to terms with both postcolonial and neo-colonial dimensions of contemporary Europe. Analyzing post-communist identity reconstructions under the impact of transformative political, economic and cultural experiences such as changes in perception of time and space (landscapes, cityscapes), migration and displacement, collective memory and trauma, objectifying gaze, cultural self-colonization, and language as a form of power, the book facilitates a mutually productive dialogue between postcolonialism and post-communism. Together the studies map the rich terrain of contemporary East-Central European creative writing and visual art, the latter highlighted through accompanying illustrations.
