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The Afghan Whigs' Gentlemen
  • Language: en
  • Pages: 125

The Afghan Whigs' Gentlemen

"In the absence of love, there is loneliness, sorrow and desperation. And that's where I come in." --Greg Dulli, introducing "When We Two Parted" onstage in San Francisco Like no record before or since, Gentlemen is fraught with the psychological warfare, bedroom drama, Catholic guilt, reprehensible deception and uncleansable shame that coincide with relationships gone seriously wrong. This story explores what happens when intellectual sophistication is star-crossed with outspoken braggadocio, a charismatic mixture that managed to alienate the mainstream horde and arms-folded indie scenesters while, for good measure, incited outsider jealousy and condescending rumors advanced by the Fat Greg Dulli 'zine. In addition to dissecting the record's organization, arrangements and lyrics, as well as examining old articles, reviews and interviews, this book delves into the memories, experiences and influences of the Afghan Whigs, most notably those that drive Dulli, a polarizing frontman whose fierce pretentiousness, GQ appearance and gloves-off boisterousness concealed deep-rooted mental depression and chemical dependency.

I Apologize in Advance for the Awful Things I'm Gonna Do
  • Language: en

I Apologize in Advance for the Awful Things I'm Gonna Do

  • Type: Book
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  • Published: 2014-09-23
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  • Publisher: Unknown

I Apologize in Advance for the Awful Things I'm Gonna Do is a 120-page, full-color collection of haiku written by Danny Bland and photographs by Greg Dulli (leader of The Afghan Whigs and The Twilight Singers), with calligraphy by Exene Cervenka (cofounder of the band X).

CMJ New Music Report
  • Language: en
  • Pages: 56

CMJ New Music Report

  • Type: Magazine
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  • Published: 2003-11-03
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  • Publisher: Unknown

CMJ New Music Report is the primary source for exclusive charts of non-commercial and college radio airplay and independent and trend-forward retail sales. CMJ's trade publication, compiles playlists for college and non-commercial stations; often a prelude to larger success.

SPIN
  • Language: en
  • Pages: 124

SPIN

  • Type: Magazine
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  • Published: 2008-03
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  • Publisher: Unknown

From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.

SPIN
  • Language: en
  • Pages: 142

SPIN

  • Type: Magazine
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  • Published: 1996-04
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  • Publisher: Unknown

From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.

SPIN
  • Language: en
  • Pages: 142

SPIN

  • Type: Magazine
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  • Published: 1996-04
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  • Publisher: Unknown

From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.

CMJ New Music Monthly
  • Language: en
  • Pages: 48

CMJ New Music Monthly

  • Type: Magazine
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  • Published: 2007-05
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  • Publisher: Unknown

CMJ New Music Monthly, the first consumer magazine to include a bound-in CD sampler, is the leading publication for the emerging music enthusiast. NMM is a monthly magazine with interviews, reviews, and special features. Each magazine comes with a CD of 15-24 songs by well-established bands, unsigned bands and everything in between. It is published by CMJ Network, Inc.

New York Magazine
  • Language: en
  • Pages: 104

New York Magazine

  • Type: Magazine
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  • Published: 1996-04-22
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  • Publisher: Unknown

New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.

SPIN
  • Language: en
  • Pages: 202

SPIN

  • Type: Magazine
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  • Published: 2000-10
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  • Publisher: Unknown

From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.

A Curious Mix of People
  • Language: en
  • Pages: 361

A Curious Mix of People

"Ask anyone outside of Austin what they know about the city and chances are the first thing they'll mention is the music. While the Armadillo Era has been well-chronicled, there is no book about Austin music in the 90s. Greg Beets and Richard Whymark were part of the scene at that time, making zines, playing in bands, and DJ-ing at the college radio station, and have put together an oral history of the decade. Beets and Whymark are not trying to cover all of the music made in Austin during the 1990s; they're most interested in the underground/punk community in which they participated. While a few of those bands got big (e.g., Spoon), the music remained mostly local, DIY. It was driven by liv...