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Chronologically arranged and annotated with information on size, print run and date of publishing, this work features complete prints and posters of Shag. It contains over 175 colour reproductions along with illustrated essays offering insight into the phenomenal success of his work.
When the surf myths become ART. 50 international artistes celebrate the art of surfing and all its mythology, philosophy and symbols!
Born in Los Angeles and raised in the epicentre of the California hot rod explosion, Ed Roth created automotive forms purely from his own imagination. He transformed car design, reinvented American hot rod culture and put Detroit on notice. Each of his creations transcended function and form to turn the American automobile into rolling sculpture.
Ed "Big Daddy" Roth (1932-2001) was a phenomenon. His body of work is still discussed in hot rodding, fine arts and pop culture circles and his cult following remains as devoted as it was during his career. His 1963 Mysterion show car--featuring two big-block Ford V8s--was his masterpiece and the story of its rise and brief existence is legendary. Though it was immortalized as a popular plastic model kit and is featured on several websites, little is known about Roth's magnum opus. There are a number of fanciful stories of its demise--mostly fiction. Combining history and shop class, this book provides a full investigation of Mysterion--both the legend and the machine itself. Drawing on interviews, magazine articles, photos, models and other (sometimes obscure) sources, the author pieces together the true story of the car, while documenting his own faithful bolt-by-bolt recreation of Mysterion.
A lush tropical setting, exotic models and legendary drinking bouts serve as the backdrop to the larger than life story of Edgar Leeteg. Often referred to as the American Gauguin for his idyllic rendering of the Tahitian people in the 30s, 40s and 50s, Leeteg is best known for his rediscovery and mastery of old technique of painting on velevet.
An anthology on American artist Thomas Kincaid, exploring his work and its impact on contemporary art as part of the broader history of American visual culture.
Robert Williams: The Father of Exponential Imagination is a comprehensive career spanning, comprehensive collection of the iconic painter’s fine art, including every one of his remarkable oil paintings along with a presentation of his drawings, sculptures, and works in other media. Simply put, this is the art book of the decade, and the book that Williams has been working toward his entire career. In the late 20th and early 21st century, diverse forms of commonplace and popular art appeared to be coalescing into a formidable faction of new painted realism. The new school of imagery was a product of art that didn’t fit comfortably into the accepted definition of fine art. It embraced some...
A legendary figure of underground comix, Robert Williams (b. 1943) is an important social chronicler of American popular culture. The interviews assembled in Robert Williams: Conversations attest to his rhetorical powers, which match the high level of energy evident in his underground comix and action-filled canvases. The public perception of Williams was largely defined by two events. In 1987, Guns N’ Roses licensed a Williams painting for the cover of their best-selling album Appetite for Destruction. However, Williams’s cover art stirred controversies and was moved to the inside of the album. The second defining event was Williams’s participation in the Helter Skelter exhibition at ...
On the surface, the relationship between comics and the ‘high’ arts once seemed simple; comic books and strips could be mined for inspiration, but were not themselves considered legitimate art objects. Though this traditional distinction has begun to erode, the worlds of comics and art continue to occupy vastly different social spaces. Comics Versus Art examines the relationship between comics and the most important institutions of the art world, including museums, auction houses, and the art press. Bart Beaty's analysis centres around two questions: why were comics excluded from the history of art for most of the twentieth century, and what does it mean that comics production is now more closely aligned with the art world? Approaching this relationship for the first time through the lens of the sociology of culture, Beaty advances a completely novel approach to the comics form.
A comprehensive survey covering 20 years of English's career - from staged photography to neo-Surrealist oil paintings to street art - this is an important look at the work of an artist who has been at the forefront of activist art movements in photography, painting and underground music. Ron English has been called the Robin Hood of Madison Avenue for his seminal work in billboard subvertising and is widely considered to be a founding member of the Culture Jamming movement.' #NAME?'