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A photographic record of Kowloon Walled City - a city within a city, now demolished and its 35,000 inhabitants rehoused. Containing interviews and commentary, the book tells the city's history, and how the self-sufficient community lived and worked in so little space in such apparent harmony.
The third in the trilogy of Greg Girard's journals from his earliest archives 'I first arrived in Tokyo in 1976, intending to stay a day or two on my way to SE Asia. I checked my luggage at the airport, took the train into the city and got off at the bright lights of Shinjuku. I wandered the streets all night and by morning decided I was going to stay' - Greg Girard The photographs in Tokyo 1976-1983 are about the Tokyo I was living in at the time. It would be some years later before I started making a living as a magazine photographer and many years after that before I started to consider this early, mostly unpublished, work from Japan to be significant. These photographs are the result of that decision by a twenty-year-old photographer, and the momentum from that first impression turned me loose in a city I never tire of photographing, both during the years I lived there and on subsequent visits.
In October 2010 Vietnam's vibrant capitol Hanoi will celebrate its millennium anniversary. To commemorate this momentous occasion, Greg Girard was invited to capture the spirit of daily life and the architectural heritage of this unique and complex city. "Hanoi Calling:One Thousand Years Now" takes us through the city's streets and alleys, onto its rooftops and balconies, and into the shops and homes of Hanoi's residents on the eve of the Millennium. Eschewing the city's better-known landmarks, Girard instead explores the usually overlooked features that define daily life for residents, taking us into a private and intimate version of the everyday.
Retainers of Anarchy' is a solo exhibition featuring new work from Howie Tsui that considers wuxia as a narrative tool for dissidence and resistance. Wuxia, a traditional form of martial arts literature that expanded into 20th century popular film and television, was created out of narratives and characters often from lower social classes that uphold chivalric ideals against oppressive forces during unstable times. The people?s republic of china placed wuxia under heavy censorship for fear of arousing anti-government sentiment. However practitioners advanced the form in Hong Kong making it one of the most popular genres of Chinese fiction. The title work, Retainers of Anarchy, is a 25-metre scroll-like video installation that references life during the song dynasty (960?1279 CE), but undermines its idealized portraiture of social cohesion by setting the narrative in Kowloon?s notorious walled city?an ungoverned tenement of disenfranchised refugees in Hong Kong which was demolished in 1994.00Exhibition: Vancouver Art Gallery, Canada (04.03.-28.05.2017).
Fred Herzog's bold use of colour in the 1950s and 60s set him apart at a time when the only art photography taken seriously was in black and white. His early use of color make him a forerunner of "New Colour" photographers such as Stephen Shore and William Eggleston, who received widespread acclaim in the 1970s. Herzog images were all taken on Kodachrome, a slide film with a sharpness and tonal range that, until recently, could not be reproduced in prints, and his choice of medium limited his exhibition opportunities. However, recent advances in digital technology have made high-quality prints of his work possible, and in the past few years his substantial and influential body of work has been available to a wider audience. Fred Herzog: Photographs showcases this innovative artist's impressive oeuvre in a beautifully crafted volume of early color and urban street photography. Providing authoritative texts are four titans of the art community: Jeff Wall anchors Herzog's place in the history of photography, Claudia Gochmann sets his work in an international context and Sarah Milroy and Douglas Coupland provide additional commentary.
Thomas Girard (born 30 December, 1980 in Vancouver, Canada) is a Canadian scholar. Girard was accepted to attend University of Oxford in lectures equivalent to graduate coursework. Girard has received several Emerging Scholar awards, first at the Design Principles and Practices conference in Barcelona, Spain at the prestigious ELISAVA. At Emily Carr University of Art and Design he received his second Emerging Scholar award. Other awards include RBC Emerging Scholar, Royal Bank of Canada Foundation. For 2021, he has been awarded an Emerging Scholar award from the New Directions in the Humanities conference in Madrid, Spain.
Gustaf Aulen's classic work, 'Christus Victor', has long been a standard text on the atonement. Aulen applies history of ideas' methodology to historical theology in tracing the development of three views of the atonement. Aulen asserts that in traditional histories of the doctrine of the atonement only two views have usually been presented, the objective/Anselmian and the subjective/Aberlardian views. According to Aulen, however, there is another type of atonement doctrine in which Christ overcomes the hostile powers that hold humanity in subjection, at the same time that God in Christ reconciles the world to Himself. This view he calls the "classic" idea of the atonement. Because of its predominance in the New Testament, in patristic writings, and in the theology of Luther, Aulen holds that the classic type may be called the distinctively Christian idea of the atonement.
Nocturnal Landscapes: Urban Flows of Global Metropolises is a project that observes and analyzes cities at night from an interdisciplinary perspective. Curated by Iker Gil and organized by MAS Context, it is centered around the remarkable work of Barcelona-based 300.000 Km/s and Minneapolis-based David Schalliol, two MAS Context contributors whose work we first published a decade ago.Architects Mar Santamaria and Pablo Martínez of 300.000 Km/s use Knowledge Discovery in Databases (KDD) methodologies and data about urban life to compare the rhythms and regions of global cities through cartographic representations.Photographer and sociologist David Schalliol captures nighttime in cities around the world with photographs selected from more than a decade of work. The photographs emphasize human interaction, highlight moments of celebration and mourning, protest and labor, memorialization and solitude.Together, the work of 300.000 Km/s and David Schalliol provides an expansive look at global metropolises at night, combining analysis and observation, questioning the correlation of human activity and light, and revealing hidden aspects of our cities.
In The Moderns, we meet the men and women who invented and shaped Midcentury Modern graphic design in America. The book is made up of generously illustrated profiles, many based on interviews, of more than 60 designers whose magazine, book, and record covers; advertisements and package designs; posters; and other projects created the visual aesthetics of postwar modernity. Some were émigrés from Europe; others were homegrown—all were intoxicated by elemental typography, primary colors, photography, and geometric or biomorphic forms. Some are well-known, others are honored in this volume for the first time, and together they comprised a movement that changed our design world.
A representative sampling of Hugo winner Egan's distinctive hard science fiction drawing from previously uncollected stories.