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This book considers the relationship between English and Scottish poets and the international concrete poetry movement of the 1950s-1970s, focusing on the work of Ian Hamilton Finlay, Edwin Morgan, Dom Sylvester Houédard and Bob Cobbing. It will be a vital resource for students and scholars of modernism, intermedia art and British literature.
This volume considers the relationship between English and Scottish poets and the international concrete poetry movement of the 1950s-1970s, focusing on the work of Ian Hamilton Finlay, Edwin Morgan, Dom Sylvester Houédard and Bob Cobbing. It will be a vital resource for students and scholars of modernism, intermedia art and British literature.
This book considers the relationship between English and Scottish poets and the international concrete poetry movement of the 1950s-1970s, focusing on the work of Ian Hamilton Finlay, Edwin Morgan, Dom Sylvester Houédard and Bob Cobbing. It will be a vital resource for students and scholars of modernism, intermedia art and British literature.
Sometimes image, sometimes word, and often both or neither, concrete poetry emerged out of an era of groundbreaking social and technological developments. Television, nuclear weapons, radio transistors, space travel, and colour photography all combined to drastically alter the representation of the world in the period following the Second World War. While never fully embraced as poetry or as visual art, and often criticized for an aesthetic that veers too close to commercial design, concrete poetry is an ambitious critical project that strives to break free of national languages and narrow literary traditions. Crossing national and disciplinary borders to highlight connections between poems ...
Candle Poems is a visual poetry eye candy featuring a series of object poems made out of wax from one of the most exciting visual poets today. Greg Thomas reimagines the concrete poem form in malleable liquid wax which echoes the flexuous lines on each object's surface. The collection includes a page-turning afterword by Colin Herd. "The cuteness of the colours of these candles, the flame in a hand approaching a wick, and the language itself melts all those usual mantras that insist on meaning and lifts my arm hairs 'LI/KE/GHT'. I crinkle my nose in anticipation of the scent of a ‘votile / motile / teardrop." —Kimberly Campanello "This is a book, not a candle, but I come away from it feeling as if I’ve held and studied the objects in it, and smelled their burning wax. From a candle marked 'TERRAFORM' which burns down to become 'A FORM', to one called 'sunless' which sits inside the eclipse of its own shadow, there’s imagination and a subtle wit everywhere — in the making of the objects and in all the ways the book finds of showing them in action. Precarious, funny and moving, Candle Poems is a perfect small monument, to candles, to the bees and to us." —Peter Manson
Reconsiders the lyrical norm that predominates in Anglophone accounts of poetry through a multilingual and transnational lensA bold project that departs from a tradition heavily dominated by the lyric to question the very nature of what counts as poetry.A visually exciting text that draws on poetry and art from a wide array of late twentieth and early twenty-first century practitioners.An interdisciplinary approach to poetry and poetics that opens new avenues for understanding how poetry intersects with philosophies of the object, media theory, and visual studies.A transnational frame that responds to a growing scholarly push to situate American studies within the broader context of the Amer...
Utopia is a work of fiction and socio-political satire by Thomas More published in 1516 in Latin. The book is a frame narrative primarily depicting a fictional island society and its religious, social and political customs. Many aspects of More's description of Utopia are reminiscent of life in monasteries.
This book examines how the productive interplay between nineteenth-century literary and visual media paralleled the emergence of a modern psychological understanding of the ways in which reading, viewing and dreaming generate moving images in the mind.
An illuminating new study of modern Polish verse in performance, offering a major reassessment of the roles of poets and poetry in twentieth-century Polish culture. WhatÕs in a voice? Why record oneself reading a poem that also exists on paper? In recent decades, scholars have sought to answer these questions, giving due credit to the art of poetry performance in the anglophone world. Now Aleksandra Kremer trains a sharp ear on modern Polish poetry, assessing the rising importance of authorial sound recordings during the tumultuous twentieth century in Eastern Europe. Kremer traces the adoption by key Polish poets of performance practices intimately tied to new media. In Polish hands, tape ...