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Australian Artists
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Star Trek: The Original Series: The Weight of Worlds
The Ephrata Institute is an intellectual think tank at the outer fringes of the final frontier. Dedicated to the arts and sciences, the Institute seems an unlikely target for an invasion, but it proves easy pickings when the Crusade comes from beyond, determined to impose its harsh, unbending Truth on all the worlds of the Federation. Armed with weaponized gravity, the alien Crusaders will stop at nothing to rescue the universe from its myriad beliefs . . . even if it means warping the mind and soul of every sentient being they encounter. Responding to an urgent distress signal, Captain James T. Kirk and the crew of the U.S.S. Enterprise soon find themselves in conflict with the Crusade, and facing individual challenges. When Kirk and Spock are transported to the Crusade’s distant homeland to confront the source of the invasion, Sulu finds himself trapped behind enemy lines, while Lieutenant Uhura is faced with possibly the most difficult decisions of her career. As the Crusade sets its sights beyond Ephrata IV, it is up to the Enterprise and its besieged crew to keep freedom of thought from being crushed beneath the weight of worlds!
The Reflecting Eye
As the first National Portrait Gallery travelling exhibition, The Reflecting Eye: Portraits of Australian Visual Artists represents an important milestone in the history of Australia's National Portrait Gallery. Guest curator Helen Ennis has assembled a lively exhibition of portraits of painters, printmakers and photographers from the turn of the century to the 1990s.
The Boyds
The Boyd family is Australia's most remarkable artistic dynasty. This work traces the emergence of an extraordinary artistic tradition. It places the Boyds in their historical and personal contexts, tells the interwoven stories of their brilliant careers, and analyses the shaping influences on their lives.
Black Flash
A small group of strangers living in different towns across America, each with different backgrounds, is chosen. Some have come willingly, while others have been taken in the dark of night. Stark, shadowy terror suddenly invades their dreams and turns their days into living nightmares. While each begins manifesting startling abilities, uncharacteristic behaviors, and frightening visions, they find themselves running from an unseen, unknown enemy. As the clock ticks down and a web of danger surrounds them, threatening to ensnare them forever, a dark memory forces its way back from their haunting pasts, a forgotten truth so horrific they'll fight for their lives to unravel its clues before their dark enemy silences them forever.
Sharpest
Lowell Tarling recorded Martin Sharp's life, and his effect on his friends, over twenty years. Now two volumes in one, in advance of the film of these books - GHOST TRAIN... Sharp: The Road to Abraxas - Part One, 1942-1979 Sharper: Bringing It All Back Home - Part Two, 1980-2013 'Like the Ancient Mariner, it's also a ghastly tale. I could understand the events at Luna Park a bit. I was trying to understand them and then suddenly there was this poetic language working to say: this is a crucifixion, Golgotha, death by fire. And then it starts to fit into Apocalyptic vision. It was Abraxas if you like - the dark face and the light face. To look upon Abraxas is blindness. To know it is sickness. To worship it is death. To fear it is wisdom. To assist it not is redemption. I don't know what it means. I've never been able to work it out. You get a Pop Art Parallel. It was the Year of the Child, the place of Golgotha, the Place of the Skull, and the Ghost Train. You then get these events that are caused by plotting, not caring for kids, carelessness, living a human life - the way of the world.' - Martin Sharp, 4 March 1984
Sharp: 1942-1979
Martin Sharp was an integral part of international Pop Art in the 1960s, magnified through his covers for OZ magazine in Sydney and London, his covers for Cream, and posters of Dylan, Hendrix and Donovan. His efforts at making The Yellow House and Luna Park cultural precincts were aided by his screen prints and exhibitions to flaunt the work of others, especially the singer Tiny Tim. In this first of two volumes, Lowell Tarling offers us a way into the enigmatic and reclusive artist, through interviews with Sharp and all of his trusted friends, including artists Tim Lewis, Peter Kingston, Garry Shead, photographers Greg Weight, Jonny Lewis and William Yang, film-maker Phillippe Mora, actor L...
Practical Tools for Designing and Weighting Survey Samples
The goal of this book is to put an array of tools at the fingertips of students, practitioners, and researchers by explaining approaches long used by survey statisticians, illustrating how existing software can be used to solve survey problems, and developing some specialized software where needed. This volume serves at least three audiences: (1) students of applied sampling techniques; 2) practicing survey statisticians applying concepts learned in theoretical or applied sampling courses; and (3) social scientists and other survey practitioners who design, select, and weight survey samples. The text thoroughly covers fundamental aspects of survey sampling, such as sample size calculation (w...
Sharper 1980-2013
Martin Sharp was an integral part of international Pop Art in the 1960s, magnified through his covers for OZ magazine in Sydney and London, his covers for Cream, and posters of Dylan, Hendrix and Donovan. His efforts at making The Yellow House and Luna Park cultural precincts, were aided by his screen prints and exhibitions to flaunt the work of others, especially the singer Tiny Tim. In this second of two volumes, Lowell Tarling offers us a way into the enigmatic and reclusive artist, through his extensive interviews with Sharp and all of his trusted friends, touching on the many dramas of life at Sharp's home studio, Wirian; his productions and search for meaning with regard to the Luna Park Fire; his spiritual search and death in 2013. 'I think what Lowell has done here is admirable, removing himself from the narrative. This book will be of interest to a wider audience who don't even know who Martin is. I predict this book will become a genuine hit.' - Peter Kingston.
