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General Idea
An art project that spread AIDS consciousness like a virus, examined by an artist-activist.
Glenn Ligon
An illustrated examination of Glenn Ligon's iconic Untitled (I Am a Man) (1988)—a quotation, an appropriated text turned into an artifact. The iconic work Untitled (I Am a Man) (1988) by the important contemporary American artist Glenn Ligon is a quotation, an appropriated text turned into an artifact. The National Gallery of Art in Washington presents the work as a “representation—a signifier—of the actual signs carried by 1,300 striking African American sanitation workers in Memphis, made famous by Ernest Withers' 1968 photographs.” In this illustrated study of the work, Gregg Bordowitz takes the National Gallery's presentation as his starting point, considering the museum's juxt...
DUETS Stephen Andrews and Gregg Bordowitz in Conversation
Gregg Bordowitz speaks to longtime friend and Visual AIDS artist member Stephen Andrews about painting, poetry, cosmology, and survival.
The AIDS Crisis is Ridiculous and Other Writings
"The HIV epidemic animates this collection of essays by a noted artist, writer, and activist. 'So total was the burden of illness - mine and other - that the only viable response, other than to cease making art entirely, was to adjust to the gravity of the predicament by using the crisis as a lens', writes Gregg Biodowirtz, a film - and videomaker whose most well-known works, 'Fast trip', 'Long drop' (1993) and 'Habit' (2001), address AIDS globally and personalily. In the 'AIDS crisis is ridiculous' - the title essay is inspired by Charles Ludlam, founder of the Ridiculous Theater Company - Bordowitz follows in the tradition of artist-writer Robert Smithson and Yvonne Rainer by making writin...
General Idea
An art project that spread AIDS consciousness like a virus, examined by an artist-activist. In the mid-1980s, the Canadian art group General Idea (AA Bronson, Felix Partz, and Jorge Zontal) created a symbol using the acronym AIDS, arranging the letters in a manner that resembled Robert Indiana's famous LOVE logo. This launched Imagevirus, a project of paintings, sculptures, videos, posters, and exhibitions that investigated the term AIDS as both word and image, using the mechanism of viral transmission. The Imagevirus spread like a virus, producing an image epidemic in urban spaces from Manhattan to Sydney. It was displayed as, among other things, a Spectacolor sign in Times Square, a sculpt...
The AIDS Crisis Is Ridiculous and Other Writings, 1986-2003
The first collection of writings by a noted artist and activist whose work has focused on the AIDS epidemic. The HIV epidemic animates this collection of essays by a noted artist, writer, and activist. "So total was the burden of illness—mine and others'—that the only viable response, other than to cease making art entirely, was to adjust to the gravity of the predicament by using the crisis as a lens," writes Gregg Bordowitz, a film- and video-maker whose best-known works, Fast Trip Long Drop (1993) and Habit (2001), address AIDS globally and personally. In The AIDS Crisis Is Ridiculous—the title essay is inspired by Charles Ludlam, founder of the Ridiculous Theater Company—Bordowit...
Institutional Critique
An anthology of writings and projects by artists from across Europe and throughout the Americas who developed and extended the genre of institutional critique.
Drive
Gregg Bordowitz: Drive presents a series of essays and texts surrounding Gregg Bordowitz's films Fast Trip, Long Drop and Habit. Images from Bordowitz's installation Drive, exhibited at the Museum of Contemporary Art, Chicago April 6-July 7, 2002, are also featured. Bordowitz made a big splash in 1993 with Fast Trip, Long Drop. It featured a blend of documentary footage and fictional narrative to focus on his HIV positive diagnosis, the diagnosis of a friend's breast cancer, and the recent deaths of his grandparents. Instead of creating a somber ode to mortality, Bordowitz offered a darkly humorous essay on history, illness, AIDS activism, and representational strategies. Habit (2002) is the...
Talkin' with Your Mouth Full
Steve Fagin is an artist whose videos incorporate, challenge, and cross over into the realm of literary and cultural studies. Talkin' with Your Mouth Full includes not only scripts of Fagin's works but critical responses to--and meditations on--a variety of his influential videos by a distinguished, if intriguingly disparate, group of artists and scholars. Combining elements of criticism with various modes of artistic expression, these responses take the form of reviews, letters, interviews, and in one case an imaginary TV programming schedule. Interspersed with--and sometimes literally interrupting--the video scripts, these contributions interact with one another on multiple levels and comp...
Robert Blanchon
Photo-based conceptual artist Robert Blanchon left behind an extensive and varied body of work before his untimely death at the age of 34. This publication is the first comprehensive monograph to document his oeuvre and its place within the context of New York City in the 1990s. Like his contemporaries Felix Gonzalez-Torres, Robert Gober, and Zoe Leonard, Blanchon grappled with the legacies of Minimalism and Modernism, the relation between politics and art, and his identification as a gay, HIV-positive artist who nonetheless eschewed identity politics as the basis of an art practice. Blanchon's decade-long exhibition history is marked by a witty, insightful treatment of loss, memory and morality executed primarily through photography but also extending to video, mail art and performance. This publication includes essays by Gregg Bordowitz and Sasha Archibald; selections of the artist's writings and an annotated checklist of his archive.
