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Dreams
Only nightmares come true. Cara Camden is a child star. Her face is on every television, every magazine, every newspaper. But she’s not there because of her movies. She’s there because she is the only witness and sole survivor of one of the most gruesome murders in Hollywood history. Journalists, paparazzi, friends and acquaintances – everyone wants to console her. Everyone wants a sound bite. But Cara can’t tell anyone what really happened, what she really saw. If she did, they might blame her, as she blames herself. How does someone who grows up in the spotlight hide her darkest secret? Dreams continues the saga begun in Weston, Joe, and Freshmankind – the fourth chapter of Gregory Attaway’s The Great Ones. It’s a story of survival and recovery. Loss and hope. True love. Everyone has dreams. But for Cara Camden, they’re all she has.
Freshmankind
Dreams. Friendship. The future. None of it may last... Sarah and Adam have finished high school and are headed for the next chapter of their lives: college. After that, they plan to go to Hollywood together and test their fates - she as an actress and he as a writer. But when one of their closest friends dies in a plane crash, everything changes. Her death ripples through their world, and when they arrive on campus, college isn’t what they thought it would be. Their dreams, their future, their friendship – none of it may last. Freshmankind continues the saga begun in Weston and Joe – the third chapter of Gregory Attaway’s The Great Ones. It’s a story that explores what is left once innocence is shattered. How far the strongest of friendships can go before it breaks. It’s a story of grief, guilt, and hope.
Weston
“The world was never innocent. But I was.” –Benjamin Camden See the world through the eyes of the greatest Hollywood legend that never was.
Desperados
The first full history to describe the development of country rock.
Joe
Even great ones have humble beginnings. Joe continues the saga begun in Weston – the second chapter of Gregory Attaway’s The Great Ones. It’s a story about the theft of innocence by a world that’s anything but. A story of true friendship. Of dreams.
Hilley Cousins
None
The Last One
“Fatima Daas carves out a portrait, like a patient, attentive sculptor...or like a mine searcher, aware that each word could make everything explode.” —Virginie Despentes Drawn from the author’s experiences growing up in a Paris banlieue, a powerful, lyric debut that explores the diverse, often conflicting facets of her identity—French, Algerian, Muslim, lesbian. The youngest daughter of Algerian immigrants, Fatima Daas is raised in a home where love and sexuality are considered taboo, and signs of affection avoided. Living in the majority-Muslim suburb of Clichy-sous-Bois, she often spends more than three hours a day on public transportation to and from the city, where she feels l...
