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Finding Nothing
Experimental literature accelerated dramatically in Vancouver in the 1960s as the influence of New American poetics merged with the ideas of Marshall McLuhan. Vancouver poets and artists began thinking about their creative works with new clarity and set about testing and redefining the boundaries of literature. As new gardes in Vancouver explored the limits of text and language, some writers began incorporating collage and concrete poetics into their work while others delved deeper into unsettling, revolutionary, and Surrealist imagery. There was a presumption across the avant-garde communities that radical openness could provoke widespread socio-political change. In other words, the interme...
If Language
Most anagrammaticians satisfy their urge with the rearranged name of a celebrity (Marshall McLuhan = Malls launch harm) or perhaps, if more adventurous, a familiar aphorism (The Medium is the Message = The Media is the Muse's Gem). The true devotees of the clan turn to games like Scrabble and Humbug. Gregory Betts' If Language takes this one-time parlour game to its evolutionary extreme - constructing 56 paragraph-long perfect anagrams of an original seed-text. Each poem is exactly 525 letters: the same letters that echo throughout radically different forms. If Language asks: what are the limits of individuality within a closed system? Betts explores this question with humour, intellect, and with a manic obsession capable of turning a simple game into this wildly original exploration.
Avant Canada
Avant Canada presents a rich collection of original essays and creative works on a representative array of avant-garde literary movements in Canada from the past fifty years. From the work of Leonard Cohen and bpNichol to that of Jordan Abel and Liz Howard, Avant Canada features twenty-eight of the best writers and critics in the field. The book proposes four dominant modes of avant-garde production: “Concrete Poetics,” which accentuates the visual and material aspects of language; “Language Writing,” which challenges the interconnection between words and things; “Identity Writing,” which interrogates the self and its sociopolitical position; and “Copyleft Poetics,” which und...
Counterblasting Canada
Situating the intellectual inheritance of Canadian Vorticists in a multidisciplinary assemblage of authors and artists.
Sweet Forme: Shake-Speare's Perfect Sonnets
Shakespeare built his famous sonnets by a unique sound pattern of rhymes in the final syllable, the tenth column, of each line. What was he doing in the rest of the sonnet?Sweet Forme: Shake-Speare's Perfect Sonnets is part of a broader BardCode project that maps out the full sound pattern of rhymes in all ten columns across all of Shakespeare's sonnets. Colour coding these sound-codes results in a visual text rich with the sonic patterns of the poems. Suddenly, for the first time, you can see the BardCode.Sweet Forme presents seven lush visualizations of this hidden BardCode in a new full-colour, hardcover edition. Following the Bard's own scheme, Sweet Forme reveals the complete rhymes for...
For it is a Pleasure and a Surprise to Breathe
"For thirty-five years Gary Barwin has been opening up new ways of being in poetry. In this long-awaited new and selected collection, For It Is a Pleasure and a Surprise to Breathe, Barwin and his editor, Alessandro Porco, have drawn from his extensive writings in previously published books, chapbooks, small press works, magazine and journal publications, including unpublishing and uncollected works to create this category-defying book. Over the course of the collection Barwin uses a variety of forms and styles to explore themes from aesthetic investigations to questions of identity and culture, from ecopoetics to questions of language. Throughout Barwin stretches language to its fullest extent, whether he's exploring alternative translations or working with images as poems; he continually moves readers from surprise to delight."--
Against Expression
Charles Bernstein has described conceptual "poetry pregnant with thought." Against Expression, the premier anthology of conceptual writing, presents work that is by turns thoughtful, funny, provocative, and disturbing. Editors Craig Dworkin and Kenneth Goldsmith chart the trajectory of the conceptual aesthetic from early precursors such as Samuel Beckett and Marcel Duchamp through major avant-garde groups of the past century, including Dada, Oulipo, Fluxus, and language poetry, to name just a few. The works of more than a hundred writers from Aasprong to Zykov demonstrate a remarkable variety of new ways of thinking about the nature of texts, information, and art, using found, appropriated, and randomly generated texts to explore the possibilities of non-expressive language. --Book Jacket.
Pain and Prosperity
The turn of the millennium has stimulated much scholarly reflection on the historical significance of the twentieth century as a whole. Explaining the century’s dual legacy of progress and prosperity on one hand, and of world war, genocide, and mass destruction on the other, has become a key task for academics and policymakers alike. Not surprisingly, Germany holds a prominent position in the discussion. What does it mean for a society to be so closely identified with both inflicting and withstanding enormous suffering, as well as with promoting and enjoying unprecedented affluence? What did Germany’s experiences of misery and abundance, fear and security, destruction and reconstruction, trauma and rehabilitation have to do with one another? How has Germany been imagined and experienced as a country uniquely stamped by pain and prosperity? The contributors to this book engage these questions by reconsidering Germany’s recent past according to the themes of pain and prosperity, focusing on such topics as welfare policy, urban history, childbirth, medicine, racism, political ideology, consumerism, and nostalgia.
