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Finding Nothing
Experimental literature accelerated dramatically in Vancouver in the 1960s as the influence of New American poetics merged with the ideas of Marshall McLuhan. Vancouver poets and artists began thinking about their creative works with new clarity and set about testing and redefining the boundaries of literature. As new gardes in Vancouver explored the limits of text and language, some writers began incorporating collage and concrete poetics into their work while others delved deeper into unsettling, revolutionary, and Surrealist imagery. There was a presumption across the avant-garde communities that radical openness could provoke widespread socio-political change. In other words, the interme...
Avant-Garde Canadian Literature
In Avant-Garde Canadian Literature, Gregory Betts draws attention to the fact that the avant-garde has had a presence in Canada long before the country's literary histories have recognized, and that the radicalism of avant-garde art has been sabotaged by pedestrian terms of engagement by the Canadian media, the public, and the literary critics. This book presents a rich body of evidence to illustrate the extent to which Canadians have been producing avant-garde art since the start of the twentieth century. Betts explores the radical literary ambitions and achievements of three different nodes of avant-garde literary activity: mystical revolutionaries from the 1910s to the 1930s; Surrealists/Automatists from the 1920s to the 1960s; and Canadian Vorticists from the 1920s to the 1970s. Avant-Garde Canadian Literature offers an entrance into the vocabulary of the ongoing and primarily international debate surrounding the idea of avant-gardism, providing readers with a functional vocabulary for discussing some of the most hermetic and yet energetic literature ever produced in this country.
This Is Importance
Poet, novelist and teacher Gregory Betts has an ear for a well-turned phrase and an eye for captivating errors. In this highly amusing collection, Betts has pulled together some of the best misinterpretations of literature that he has come across in his years of grading papers. With an introduction on the importance of learning through error in education and a full complement of confusions on authors, styles and the point of reading literature, this book will delight English teachers everywhere.
Avant Canada
Avant Canada presents a rich collection of original essays and creative works on a representative array of avant-garde literary movements in Canada from the past fifty years. From the work of Leonard Cohen and bpNichol to that of Jordan Abel and Liz Howard, Avant Canada features twenty-eight of the best writers and critics in the field. The book proposes four dominant modes of avant-garde production: “Concrete Poetics,” which accentuates the visual and material aspects of language; “Language Writing,” which challenges the interconnection between words and things; “Identity Writing,” which interrogates the self and its sociopolitical position; and “Copyleft Poetics,” which und...
Pain and Prosperity
The turn of the millennium has stimulated much scholarly reflection on the historical significance of the twentieth century as a whole. Explaining the century’s dual legacy of progress and prosperity on one hand, and of world war, genocide, and mass destruction on the other, has become a key task for academics and policymakers alike. Not surprisingly, Germany holds a prominent position in the discussion. What does it mean for a society to be so closely identified with both inflicting and withstanding enormous suffering, as well as with promoting and enjoying unprecedented affluence? What did Germany’s experiences of misery and abundance, fear and security, destruction and reconstruction, trauma and rehabilitation have to do with one another? How has Germany been imagined and experienced as a country uniquely stamped by pain and prosperity? The contributors to this book engage these questions by reconsidering Germany’s recent past according to the themes of pain and prosperity, focusing on such topics as welfare policy, urban history, childbirth, medicine, racism, political ideology, consumerism, and nostalgia.
If Language
Most anagrammaticians satisfy their urge with the rearranged name of a celebrity (Marshall McLuhan = Malls launch harm) or perhaps, if more adventurous, a familiar aphorism (The Medium is the Message = The Media is the Muse's Gem). The true devotees of the clan turn to games like Scrabble and Humbug. Gregory Betts' If Language takes this one-time parlour game to its evolutionary extreme - constructing 56 paragraph-long perfect anagrams of an original seed-text. Each poem is exactly 525 letters: the same letters that echo throughout radically different forms. If Language asks: what are the limits of individuality within a closed system? Betts explores this question with humour, intellect, and with a manic obsession capable of turning a simple game into this wildly original exploration.
Psychic Geographies and Other Topics
Psychic Geographies is a tour de force, an ambitious exploration of the age, its physical and emotional permutations, its tragic contradictions, its joyful transformations. Gregory Betts takes a construct from the Situationists of the last Century as a means of exploring the language and rhetoric of the contemporary global moment as symptomatic of stasis and psychosis. How he does this is what sets Psychic Geographies apart, what makes this a book without precedent in Canadian letters.
Lawren Harris: in the Ward
Bringing to life a snapshot of early North American urbanization, Lawren Harris' modernist poetry and urban paintings are featured together for the first time in this unique historical journey. Including previously unpublished poems, this compendium offers a new view of his artistic period preceding the Group of Seven and presents an exciting window into Canadian urban space at the turn of the century. The juxtaposed poetry and paintings compliment each other to provide a unique view into the artistic workings as Harris confronted Toronto's cold underbelly--searching for a metaphor for the poverty that he encountered in the Ward's world.
Against Expression
Charles Bernstein has described conceptual "poetry pregnant with thought." Against Expression, the premier anthology of conceptual writing, presents work that is by turns thoughtful, funny, provocative, and disturbing. Editors Craig Dworkin and Kenneth Goldsmith chart the trajectory of the conceptual aesthetic from early precursors such as Samuel Beckett and Marcel Duchamp through major avant-garde groups of the past century, including Dada, Oulipo, Fluxus, and language poetry, to name just a few. The works of more than a hundred writers from Aasprong to Zykov demonstrate a remarkable variety of new ways of thinking about the nature of texts, information, and art, using found, appropriated, and randomly generated texts to explore the possibilities of non-expressive language. --Book Jacket.
