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Errant Bodies, Mobility, and Political Resistance
This book explores a type of wandering referred to as “errant bodies.” This form of wandering is intentional, without specific destination, and operates as a means of resistance against hegemonic forms of power and cultural prescriptions. Beginning with an examination of the character and particulars of being an errant body, the book investigates historical errant bodies including Ancient Greek Cynics, Punks, Baudelaire, Situationists, Earhart, Kerouac, Fuller, Baudrillard, Hamish Fulton, and Keri Smith. Being an errant body means stepping to the side of dominant culture, creating a potential means of political resistance in the technologically driven twenty-first century.
Stanley Explains Everything*
Middle-Grade Contemporary Adventure
The Life of a Movement Lawyer
Be inspired by this grassroots civil rights lawyer's quest for democracy, equality, and justice Born in 1947 and raised in rural South Carolina, Lewis Pitts grew up oblivious to the civil rights revolution underway across the country. A directionless white college student in 1968, Pitts committed to military service and was destined for Vietnam. Five years later—after a formative period in which he underwent an intellectual and moral awakening, was discharged as a conscientious objector, and graduated from law school—he embarked on an unlikely forty-year career as a crusading social justice attorney. The Life of a Movement Lawyer: Lewis Pitts and the Struggle for Democracy, Equality, and...
The Politics of Spatial Transgressions in the Arts
This book is an anthology of the varied strategies of spatial transgressions and how they have been implemented through the arts as a means to resist, rejuvenate, reclaim, critique or cohabitate. The book is divided into two sections – Displacements and Disruptions. The first section discusses the ramifications of the spatial displacements of bodies, organizations, groups of people and ethnicities, and explores how artists, theorists and arts organizations have an attentive history of revealing and reacting to the displacement of peoples and how their presence or absence radically reconfigures the value, identity, and uses of place. In the second section, each author considers how aesthetic strategies have been utilized to disrupt expected spatial experiences and logic. Many of these strategies form radical alternative methodologies that include transgressions, geographies of resistance, and psychogeographies. These spatial performances of disruption set into motion a critical exchange between the subject, space and materiality, in which ideology and experience are both produced/spatialized and deconstructed/destabilized.
The New Labour Experiment
The book provides a clear assessment of the New Labour public policies and their outcomes in Britain under the leadership of Tony Blair and Gordon Brown from 1997–2009. Authors Florence Faucher-King and Patrick Le Galès argue that New Labour, in contrast to its European counterparts, developed a right-wing economic policy program based upon light financial regulation and strict macroeconomic management. Blair and Brown developed a large controlling bureaucracy, making Britain's government one of the most centralized in the world. While some progressive policies were implemented, Faucher-King and Le Galès point to an overarching program of authoritative controls, massive surveillance, and illiberal social policies. Profound reforms were therefore linked to a new bureaucratic revolution that has subsequently been rejected by the British people. According to the authors, the financial crisis and the collapse of part of the banking system have signaled the end of the New Labour project.
Spewing Pulp
Its irreverent, laugh-out-loud misadventures and musings burst with poetry and profanity, hilarity and heartbreak, unashamed intimacy and engaging universality.
The Politics of Spatial Transgressions in the Arts
This book is an anthology of the varied strategies of spatial transgressions and how they have been implemented through the arts as a means to resist, rejuvenate, reclaim, critique or cohabitate. The book is divided into two sections - Displacements and Disruptions. The first section discusses the ramifications of the spatial displacements of bodies, organizations, groups of people and ethnicities, and explores how artists, theorists and arts organizations have an attentive history of revealing and reacting to the displacement of peoples and how their presence or absence radically reconfigures the value, identity, and uses of place. In the second section, each author considers how aesthetic ...
