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Singing Lessons for Little Singers
This book is a 3-in-1 compliation to meet children's voice training needs : vocal technique boo, ear-training/sight-singing book and repertoire book all rolled into one!
Singing Lessons for Little Singers
INCLUDES 19 DETAILED WEEKLY LESSON PLANS FOR TEACHERS AND FREE DOWNLOADABLE SING-ALONG TRACKS. Singing Lessons for Little SingersTM “Very Young Beginners” series is tailor-made for children ages 4 to 7 from current research and practical experience. In three progressive levels, it teaches professional singing techniques and total musicianship skills: Breath support and sustain Vocal registration (high/low voice) Vowels and diction Resonate tone quality Intonation (singing in tune) Solfege scale and intervals Beat and rhythm Reading music Expressive movements, gestures and facial expressions Performance strategies Basic piano and percussion playing Level A is the most basic level of Singing Lessons for Little SingersTM and is designed to give young singers of preschool and early elementary age (or older, as needed) a solid foundation in the fundamentals of singing and musicianship.
Singing Lessons for Little Singers
INCLUDES 11 NEW SONGS, 16 RHYTHM CARDS, 29 DETAILED WEEKLY LESSON PLANS FOR TEACHERS, AND 12 FREE DOWNLOADABLE SING-ALONG TRACKS. Singing Lessons for Little SingersTM "Very Young Beginners" series is tailor-made for children ages 4 to 7 from current research and practical experience. In three progressive levels, it teaches professional singing techniques and total musicianship skills: Breath support and sustain Vocal registration (high/low voice) Vowels and diction Resonate tone quality Intonation (singing in tune) Solfege scale and intervals Beat and rhythm Reading music Expressive movements, gestures and facial expressions Performance strategies Basic piano and percussion playing Level B of Singing Lessons for Little SingersTM picks up where Level A left off, with 11 new songs and 29 new lesson plans. Throughout Level B there is a strong emphasis on rhythm and melody reading. The rest of the "Body Scale" steps are introduced along with rhythm reading cards (included) and percussion and piano playing.
Modern Singing Methods (1885) - Expanded Edition
J.F. Botume was perhaps the first published vocal pedagogue to bridge the substantial gap between the “old Italian” and “modern” schools of voice training. Examining the strengths and weaknesses of the various modern “methods” of singing, Botume shows how scientifically-backed understanding and techniques can be integrated with the traditional bel canto method to prepare professional singers for today's unique vocal challenges. In this groundbreaking work, Botume also reveals the core principles upon which the “old Italian school” method rested and how their reintroduction today could revitalize modern singing. “Probably the best summary of the old Italian method offered by any modern teacher is contained in a little booklet by J. Frank Botume, entitled Modern Singing Methods. […] This sums up beautifully the external aspects of the old Italian method, and of modern methods as well.” David Taylor, Psychology of Singing
Observations on the Florid Song (1723) - Expanded Edition
As the first full-length treatise ever to be published on singing, Tosi revealed to the world the secret method that accounted for the unworldly vocal abilities of the famous castrati. Living in a Europe alight with the virtuosic Baroque operas of Handel, Scarlatti and Porpora, Tosi revealed that it was extensive training in the "old Italian school" of singing that cultivated the beautiful tone and expression of their voices, as well as the infamous mezza di voce, trills and runs. What's more, Tosi revealed that the method worked equally well for any voice type, male or female, provided that its principles and techniques were adhered to with exactness and consistency. Written by one of the most famous singers and voice teachers of the early 18th century, Tosi's Opinioni has remained an indispensable text on the bel canto singing method, as well as Baroque stylistic techniques. Original title: "Opinioni de' cantori antichi, e moderni o sieno osservazioni sopra il canto figurato" (1723)
Modern Singing Methods: Their Use and Abuse (1885)
(Extended Edition) J.F. Botume was perhaps the first published vocal pedagogue to bridge the substantial gap between the old Italian and modern schools of voice training. Examining the strengths and weaknesses of the various modern methods of singing, Botume shows how scientifically-backed understanding and techniques can be integrated with the traditional bel canto method to prepare professional singers for today's unique vocal challenges. In this groundbreaking work, Botume also reveals the core principles upon which the old Italian school method rested and how their reintroduction today could revitalize modern singing. Probably the best summary of the old Italian method offered by any modern teacher is contained in a little booklet by J. Frank Botume, entitled Modern Singing Methods. ] This sums up beautifully the external aspects of the old Italian method, and of modern methods as well. (David Taylor, Psychology of Singing)
The Technics of Bel Canto (1905)
As the last of the great master-teachers of the "old Italian school" of singing, Giovanni Battista Lamperti taught his students virtuosic vocal techniques handed down from the great castrati of the 17th century: exquisitely rich chiaroscuro tone, seamless flowing legato phrasing, undetectable passaggi register transitions and the delicately poised appoggio breath technique that allowed the astonishingly rapid coloratura typical of baroque music. In the only treatise he ever wrote, Lamperti the younger shares with all students, teachers and enthusiasts of singing, the techniques and skills that made his students that greatest singers of their time: the arcane secrets of bel canto. Original title: "Die Technik des Bel Canto" (1905)
Observations on the Florid Song (1723)
Opinioni de' cantori antichi, e moderni o sieno osservazioni sopra il canto figurato (1723) -- Extended Edition. As the first full-length treatise ever to be published on singing, Tosi revealed to the world the secret method that accounted for the unworldly vocal abilities of the famous castrati. Living in a Europe alight with the virtuosic Baroque operas of Handel, Scarlatti and Porpora, Tosi revealed that it was extensive training in the old Italian school of singing that cultivated the beautiful tone and expression of their voices, as well as the infamous mezza di voce, trills and runs. What's more, Tosi revealed that the method worked equally well for any voice type, male or female, provided that its principles and techniques were adhered to with exactness and consistency. Written by one of the most famous singers and voice teachers of the early 18th century, Tosi's Opinioni has remained an indispensable text on the bel canto singing method, as well as Baroque stylistic techniques.
The Technics of Bel Canto (1905)
"Die Technik des Bel Canto" (1905) -- Extended Edition.As the last of the great master-teachers of the "old Italian school" of singing, Giovanni Battista Lamperti taught his students virtuosic vocal techniques handed down from the great castrati of the 17th century: exquisitely rich chiaroscuro tone, seamless flowing legato phrasing, undetectable passaggi register transitions and the delicately poised appoggio breath technique that allowed the astonishingly rapid coloratura typical of baroque music. In the only treatise he ever wrote, Lamperti the younger shares with all students, teachers and enthusiasts of singing, the techniques and skills that made his students that greatest singers of their time: the arcane secrets of bel canto.
Raising Her Voice
Each chapter is a biographical sketch of an influential black woman who has written for American newspapers or television news, including Maria W. Stewart, Mary Ann Shadd Cary, Gertrude Bustill Mossell, Ida B. Wells-Barnett, Josephine St.Pierre Ruffin, Delilah L. Beasley, Marvel Cooke, Charlotta A. Bass, Alice Allison Dunnigan, Ethel L. Payne, and Charlayne Hunter-Gault.
