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Some vols. also contain reports of cases in the General Court of Virginia.
This new perspective on the First World War offers a concise narrative of the war in its global context, from the first military actions in July 1914 to the signing of the peace treaty by Germany in July 1919, and explores how our understanding of the war has changed over time.
Includes decisions in the Irish courts, 1876-June 1886, and Indian appeals, 1876-1877.
Number One bestselling author Philippa Gregory's new historical novel tracks the rise of the Tidelands family in London, Venice and New England. Midsummer Eve, 1670. A turbulent time to seek the truth . . . A wealthy man waits outside a poor London warehouse to meet with Alinor, the woman he failed twenty-one years before. He has everything to offer: money, land, status. He believes she has the only thing he cannot buy: his son and heir. Meanwhile in New England, Alinor’s brother Ned cannot find justice in the New World, as the King’s revenge stretches across the Atlantic and turns the pioneers against each other and against the American Indians. Then, a beautiful widow, Livia, arrives f...
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House Committee on Naval Affairs, Sixty-Eighth Congress, first session Committee Serial No. No. 81.
Cited in the Chicago Manual of Style The groundbreaking Indigenous style guide every writer needs A new editorial team continues the paradigm-shifting conversation started by the late Gregory Younging in his foundational Elements of Indigenous Style. Trusted by writers, editors, publishers, researchers, scholars, journalists, and communications professionals around the world, the second edition of Elements continues to offer crucial guidance to everyone who works with words on how to accurately, collaboratively, and ethically participate in projects involving Indigenous Peoples. This second conversation updates and annotates Younging’s twenty-two succinct style principles and recommendatio...
Music Divided explores how political pressures affected musical life on both sides of the iron curtain during the early years of the cold war. In this groundbreaking study, Danielle Fosler-Lussier illuminates the pervasive political anxieties of the day through particular attention to artistic, music-theoretical, and propagandistic responses to the music of Hungary’s most renowned twentieth-century composer, Béla Bartók. She shows how a tense period of political transition plagued Bartók’s music and imperiled those who took a stand on its aesthetic value in the emerging socialist state. Her fascinating investigation of Bartók’s reception outside of Hungary demonstrates that Western...