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Centring the Periphery: New Perspectives on Collecting East Asian Objects
Centring the Periphery: New Perspectives on Collecting East Asian Objects, edited by Nataša Vampelj Suhadolnik, explores East Asian collections in "peripheral" areas of Europe and North America and their relationship with the East Asian collections in former imperial and colonial centres. The authors not only present the stories of a number of less well-known individual objects and collections, but also discuss the evolution of fashions and tastes in East Asian objects in areas that were not centres of European colonial power, and the socioeconomic conditions in which they were collected. To date, research on the collecting of East Asian objects in the Euro-American region has focused prima...
The Search for Physics. Infinity.
Well known that mathematics and physics have problems in their development. Only one mathematician, Morris Kline, discovered illogicality of development of mathematics. Despite this, he attempted to justify illogicality in math by fruitfulness of usage of mathematics in physics, instead to stay problem about illogical development of physics. Here is discussing inconsistencies of undefined notions which are reasons of paradoxes. Main initial notion of mathematics is notion of infinity, and it has inconsistence and this inconsistency is distributed to derived notions of infinitesimal and continuity. Those notions related to almost all branches of mathematics which used physics. Also in work is considering miss inconsistencies of Euclid's and non-Euclid's geometries. A lot approaches like "physics is geometry or geometry is physics" was and is ignoring those inconsistencies of geometries.
Queer Then and Now
An essential anthology of leading academics, activists, and artists on the state of queer studies today. Founded in 1992, the David R. Kessler lectures represent the foreground of queer studies in the US, featuring legendary thinkers such as Cherríe Moraga, Samuel Delaney, Barbara Smith, Judith Butler, and more. New Queer Ideas collects the speeches given from 2002 to 2020, as well as two scholarly roundtables, by some of the most influential scholars, artists, and activists of the last two decades, including Gayle Rubin, Cathy J. Cohen, Dean Spade, Sara Ahmed, Jasbir K. Puar, and the late Douglas Crimp and Adrienne Rich. Diverse and dynamic, these intertextual conversations tackle some of today’s most important interventions from the margins—including the growth of trans studies, the synergy and disconnect between theory and activism, the role of LGBTQ+ art and media, the challenge of transnational and postcolonial theory, and more. Tracing the maturation of queer studies after its foundation in the 1990s, New Queer Ideas lays the groundwork in the twenty-first century and beyond.
The Machine that Sings
Examining how Crane's corporeal aesthetic informs poems written across the span of his career, The Machine That Sings focuses on four texts in which Crane's preoccupation with the body reaches its apoge. Tapper treats Voyages, The Wine Merchant, and Possessions as a triptych of erotic poems in which Crane plays out alternative resolutions to the dialectic between purity and defilement, a conceptual dynamic which Tapper argues is central to both Crane's poetics of difficulty and his representations of homosexual desire. Tapper concentrates on the three sections of The Bridge, most concerned with recuperating animality: 'National Winter Garden,' 'The Dance,' and 'Cape Hatteras.'
Rethinking Contemporary Art and Multicultural Education
For over a decade, Contemporary Art and Multicultural Education has served as the guide to multicultural art education, connecting everyday experience, social critique, and creative expression with classroom learning. The much-anticipated Rethinking Contemporary Art and Multicultural Education continues to provide an accessible and practical tool for teachers, while offering new art, essays, and content to account for transitions and changes in both the fields of art and education. A beautifully-illustrated collaboration of over one hundred artists, writers, curators, and educators from in and around the contemporary art world, this volume offers thoughtful and innovative materials that chal...
Rethinking the Power of Maps
A contemporary follow-up to the groundbreaking Power of Maps, this book takes a fresh look at what maps do, whose interests they serve, and how they can be used in surprising, creative, and radical ways. Denis Wood describes how cartography facilitated the rise of the modern state and how maps continue to embody and project the interests of their creators. He demystifies the hidden assumptions of mapmaking and explores the promises and limitations of diverse counter-mapping practices today. Thought-provoking illustrations include U.S. Geological Survey maps; electoral and transportation maps; and numerous examples of critical cartography, participatory GIS, and map art.
Coastal Environments in Popular Song
This book examines how popular music is able to approach subjects of bio-politics, climate change, solastalgia, and anthropomorphisation, alongside its more common diet of songs about love, dancing, and break-ups – all while satisfying its primary remit of being entertaining and listenable. Nearly a thousand books have been published on bioethics since Van Rensselaer Potter’s Bioethics Bridge to the Future (1971), with a marked increase in the past 20 years. However, not one of these books has focused itself on popular music, something Christopher Partridge describes as ‘central to the construction of [our] identities, central to [our] sense of self, central to [our] well-being and, therefore, central to [our] social relations’. This edited collection examines popular music through a range of topics, from romance to climate change. Coastal Environments in Popular Song is perfect for students, scholars, and researchers alike interested in bioethics, social history, and the history of music.
Robert Smithson, Land Art, and Speculative Realities
This book explores the ways Robert Smithson’s art revealed and defamiliarized the constructs of rational reality in order to allow radically speculative alternatives to emerge. In this way, his art is conceived as a true fiction that eradicates a false reality. By tracing the web of correspondences between Smithson and science fictional, speculative and mystical modes of thought, Rory O’Dea explores the aesthetic encounters engendered by his art as a means to warp the contours of reality and loosen the boundaries of being human. Given the current and impending catastrophes of the Anthropocene, which represents the ever-expanding planetary shadow cast by humanism, the possibility of being other-than-human posited by Smithson’s art is a matter of urgent concern. The book will be of interest to scholars working in art history, contemporary art, American studies and environmental humanities.
