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The Papacy and the Art of Reform in Sixteenth-Century Rome
From his election in 1572 to his death in 1585, Pope Gregory XIII spent a great deal of money on the building and restoration of Rome's streets, churches and public monuments. One major monument, the three-story apartment rising from the Vatican Palace called the Tower of the Winds, was built to celebrate the most famous achievement of Gregory's papacy, the calendar reform. Its innovations in architecture and decoration and its wider religious and political purpose are the subject of this book.
The Papacy: Gaius-Proxies
For a full list of entries and contributors, a generous selection of sample entries, and more, visit the Papacy: An Encyclopedia website. Routledge is pleased to publish this acclaimed resource in a revised, expanded, and updated English language edition, translated by a team of experts in papal history. This comprehensive three-volume reference not only covers all of the popes (and anti-popes) from St. Peter to John Paul II, but also explores the papacy as an institution. Articles cover the inner workings--both contemporary and historical--of the Holy See, and encompass religious orders, papal encyclicals, historical events, papal controversies, the arts, and more. This set is destined to be the standard English-language reference for all issues concerning the papacy. Also inlcludes five maps.
Certain Tractates
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Palaces of Time
Palaces of Time resurrects the seemingly banal calendar as a means to understand early modern Jewish life. Elisheva Carlebach has unearthed a trove of beautifully illustrated calendars, to show how Jewish men and women both adapted to the Christian world and also forged their own meanings through time.
Early Modern Catholicism and the Printed Book
This collection of essays engages with a variety of aspects of early modern book culture in the 16th-17th centuries, considered in the Catholic context. The contributions reflect on the engagement of institutions and authorities in the process of book production, bringing to the fore the role of networks in this process; show the book as a tool of resistance to the Protestant Reformation; give insight into the content and design of book collections; showcase textual production in the context of cultural appropriation and shed light on the role of the image in the propagation of Catholicism. Together the sixteen contributions demonstrate the diversity of the Catholic book in its forms and functions, in various social and national contexts.
Possessing Nature
In 1500 few Europeans regarded nature as a subject worthy of inquiry. Yet fifty years later the first museums of natural history had appeared in Italy, dedicated to the marvels of nature. Italian patricians, their curiosity fueled by new voyages of exploration and the humanist rediscovery of nature, created vast collections as a means of knowing the world and used this knowledge to their greater glory. Drawing on extensive archives of visitors' books, letters, travel journals, memoirs, and pleas for patronage, Paula Findlen reconstructs the lost social world of Renaissance and Baroque museums. She follows the new study of natural history as it moved out of the universities and into sixteenth- and seventeenth-century scientific societies, religious orders, and princely courts. Findlen argues convincingly that natural history as a discipline blurred the border between the ancients and the moderns, between collecting in order to recover ancient wisdom and the development of new textual and experimental scholarship. Her vivid account reveals how the scientific revolution grew from the constant mediation between the old forms of knowledge and the new.
The Marvel of Maps
Among the most beautiful and compelling works of Renaissance art, painted maps adorned the halls and galleries of princely palaces. This book is the first to discuss in detail the three-dimensional display of these painted map cycles and their full meaning in Renaissance culture. Art historian Francesca Fiorani focuses on two of the most significant and marvelous surviving Italian map murals--the Guardaroba Nuova of the Palazzo Vecchio, Florence, commissioned by Duke Cosimo de’ Medici, and the Gallery of Maps in the Vatican, commissioned by Pope Gregory XIII. Both cycles were not only pioneering cartographic enterprises but also powerful political and religious images. Presenting an original interpretation of the interaction between art, science, politics, and religion in Renaissance culture, the book also offers fresh insights into the Medici and papal courts.
