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Toujours du sentiment
Dem sentimentalen Roman haftet wie keiner anderen Gattung das Vorurteil der trivialen Schwärmerei an, die sich vermeintlich besonders unter Frauen ausbreitet. Er ist jedoch keine »intrinsisch weibliche« Gattung. Vielmehr müssen sich schreibende Frauen um 1800 den Vorgaben des männlich dominierten literarischen Felds anpassen, um ihre Texte drucken lassen zu können. Eine Folge dieser Einschränkung von Kreativität ist, dass die Grenzen des sentimentalen Romans bewusst ausgeweitet und unterminiert werden. Greta Lansen untersucht die Funktionalisierungen sentimentaler Codes am Beispiel von deutsch- und französischsprachigen Autorinnen um 1800. More than any other genre, the sentimental ...
Érotisme et esthétique des larmes / Erotik und Ästhetik der Tränen
Until well into the 20th century, explicit sexual allusions were a taboo subject in European literature and art. The contributions gathered in this volume explore the multi-faceted, oftentimes ambivalent functions of the tear which can serve as an expression of emotions, as an aesthetic element, or as a signal of subtle erotic tension. The authors analyze subtexts in prominent and less prominent French prose texts of the 17th, 18th, and 19th centuries, which have mostly been overlooked in previous research.
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British Film Catalogue
First published in 2001.The standard work on its subject, this resource includes every traceable British entertainment film from the inception of the "silent cinema" to the present day. Now, this new edition includes a wholly original second volume devoted to non-fiction and documentary film--an area in which the British film industry has particularly excelled. All entries throughout this third edition have been revised, and coverage has been extended through 1994.Together, these two volumes provide a unique, authoritative source of information for historians, archivists, librarians, and film scholars.
Mor Eira
Det har varit en lång vinter i byn Mösaryd. Eiras örtförråd sinar och hon kan inte alltid hjälpa dem som söker upp henne. Även om hon inte har svultit som de allra fattigaste har hennes aptit försvunnit, och ibland drabbas hon av ett kraftigt illamående. Eira behöver kraft. I hennes drömmar återkommer byns gamla sägen om jättekvinnan Bockas Sten. Nästan varje natt ser hon sig själv ta sig upp till den bergstopp där det finns en martall. Den kvinna som tar en bit av tallen kommer att förbli stark under hela sitt liv. Men ingen nu levande människa har lyckats ta sig uppför berget. Eira måste vara försiktig, det är många som vill se henne avslöjad som trollpacka. Och nu bär hon dessutom på en hemlighet. CAMILLA GRIPE är en svensk barnboksförfattare, dotter till Maria och Harald Gripe. Mor Eira är fjärde och sista boken i Modernistas återutgivning av hennes populära serie barnböcker om 1600-talsflickan Eira.
New York Magazine
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Germans to America
Volume 67 in a series offering genealogists and family-history researchers an indexed source of German-surname immigrants. The entire project covers the period 1850-1893. The data is based upon original passenger lists filed by vessels entering US ports.
