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Wayward Shamans tells the story of an idea that humanity’s first expression of art, religion and creativity found form in the figure of a proto-priest known as a shaman. Tracing this classic category of the history of anthropology back to the emergence of the term in Siberia, the work follows the trajectory of European knowledge about the continent’s eastern frontier. The ethnographic record left by German natural historians engaged in the Russian colonial expansion project in the 18th century includes a range of shamanic practitioners, varied by gender and age. Later accounts by exiled Russian revolutionaries noted transgendered shamans. This variation vanished, however, in the translation of shamanism into archaeology theory, where a male sorcerer emerged as the key agent of prehistoric art. More recent efforts to provide a universal shamanic explanation for rock art via South Africa and neurobiology likewise gloss over historical evidence of diversity. By contrast this book argues for recognizing indeterminacy in the categories we use, and reopening them by recalling their complex history.
In Wild and Wonderful, social anthropologist Vanessa Manceron investigates an understudied but indispensable scientific practice: getting to know and recognize the living worlds around us. Her research takes her to England, where a longstanding naturalist tradition brings together professionals, academics, and amateurs to study the world around them. Observing the natural world here is regarded not as a simple hobby, but as a necessary activity. This is participatory science, an itinerant brand of scholarship that immerses itself in a specific and delimited territory, meticulously documenting the species living there and how they develop and expand their domain or regress and disappear. Manceron leads us through woods and fields, showing us another way of looking, of paying attention to minute differences, sounds, and variations of color. Her book is both a contribution to the anthropology of science and an opportunity to take a fresh look at our relationship with nature, affording us a glimpse of another way of living and living with.
In 1866, when the ballet La Source debuted, the public at the Paris Opera might have been content to dream about the setting in the verdant Caucasus, exotic Circassians, veiled Georgians, and powerful Khans. In the ballet's two plotlines, an ecological narrative of the death of the Source and the withering of the green world, and the competing interests of Muslim characters at war, this book finds not so much a timeless Orientalist fantasy as a timely commentary on colonial policy, institutional biopower, and human hybridity. In 1866, the daily and specialized humorist press showed a particular interest in the ballet's botany as shorthand for sex, as part of ongoing debates about libertine s...
Examining Georges Canguilhem’s enduring attention to the problem of error, from his early writings to Michel Foucault’s first major responses to his work, this pathbreaking book shows that the historian of science was also a centrally important philosopher in postwar France. Samuel Talcott elucidates Canguilhem’s contributions by drawing on previously neglected publications and archival sources to trace the continuity of commitment that led him to alter his early anti-vitalist, pacifist positions in the face of political catastrophe and concrete human problems. Talcott shows how Canguilhem critically appropriated the philosophical work of Alain, Bergson, Bachelard, and many others while developing his own distinct writings on medicine, experimentation, and scientific concepts in an ethical and political endeavor to resist alienation and injustice. And, while suggesting Canguilhem’s sometimes surprising philosophical importance for a range of younger thinkers, the book demonstrates Foucault’s own critical allegiance to Canguilhem’s spirit, techniques, and investigations.
Annually published since 1930, the International bibliography of Historical Sciences (IBOHS) is an international bibliography of the most important historical monographs and periodical articles published throughout the world, which deal with history from the earliest to the most recent times. The works are arranged systematically according to period, region or historical discipline, and within this classification alphabetically. The bibliography contains a geographical index and indexes of persons and authors.
Science and Catholicism in Argentina (1750–1960) is the first comprehensive study on the relationship between science and religion in a Spanish-speaking country with a Catholic majority and a "Latin" pattern of secularisation. The text takes the reader from Jesuit missionary science in colonial times, through the conflict-ridden 19th century, to the Catholic revival of the 1930s in Argentina. The diverse interactions between science and religion revealed in this analysis can be organised in terms of their dynamic of secularisation. The indissoluble identification of science and the secular, which operated at rhetorical and institutional levels among the liberal elite and the socialists in the 19th century, lost part of its force with the emergence of Catholic scientists in the course of the 20th century. In agreement with current views that deny science the role as the driving force of secularisation, this historical study concludes that it was the process of secularisation that shaped the interplay between religion and science, not the other way around.
The Oxford Handbook of the History of Archaeology offers comprehensive perspectives on the origins and developments of the discipline of archaeology and the direction of future advances in the field. Written by thirty-six archaeologists and historians from all over the world, it covers a wide range of themes and debates, including biographical accounts of key figures, scientific techniques and archaeological fieldwork practices, institutional contexts, and the effects of religion, nationalism, and colonialism on the development of archaeology.
Beyond this pivotal place in the history of scientific thought, Charles Darwin's writings and his theory of evolution by natural selection have also had a profound impact on art and culture and continue to do so to this day. This book is a comprehensive survey of this enduring cultural impact throughout the continent. With chapters written by leading international scholars that explore how literary writers and popular culture responded to Darwin's thought, the book also includes a complete timeline of his cultural reception in Europe and bibliographies of major translations in each country.
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