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Byron
The fame of the Romantic poet Lord Byron rests not only on his work but also on the way he looked and the way he was portrayed during his lifetime and after his death. Originating in a conference held at the National Portrait Gallery in London, this is the first collection of papers to be published on the visual aspects of Byron and Romanticism. Topics explored include Byron's relations with the artists who portrayed him and those who commissioned portraits of him (including his publisher); his self-image and its expression in his work; the way in which his features were used in illustrations of the heroes of his poems; his role in early forms of modern celebrity visual culture such as prints, caricatures, medals, and other forms of memorabilia; the way he has been represented on screen; and his role as a political icon, Illustrated.
The Kirkus Service
None
The Victorian Parlour
The parlour was the centre of the Victorian home and, as Thad Logan shows, the place where contemporary conflicts about domesticity and gender relations were frequently played out. In The Victorian Parlour: A Cultural Study, Logan uses an interdisciplinary approach that combines the perspectives of art history, social history and literary theory to describe and analyse the parlour as a cultural artefact. She offers a detailed investigation of specific objects in the parlour, and argues that these things articulated social meaning and could present symbolic resolutions to disturbances in the social field. The book concludes with a discussion of how representations of the parlour in literature and art reveal the pleasures and anxieties associated with Victorian domestic life.
Bulletin
None
Paper Stories - Paper and Book History in Early Modern Europe
This peer-reviewed conference volume examines paper and material aspects of the written word in early modern Europe. The collection is designed around three thematic strands, based on the lifecycle of handwritten documents and manuscripts and printed books: first, production of paper, second production of books and manuscripts and third, trade and exchange, and ownership of manuscripts and books. By tracing the history of paper, books and collections through case studies of historically important objects, the authors identify agents and hotspots of production, trade and ownership from both centres and peripheries of Europe from the late Middle Ages until the beginning of industrialisation. They thereby address material aspects of documents, manuscripts and books, as well as object biography, from an interdisciplinary viewpoint. By doing so this volume provides insight into actual practices of the past and the material history of written texts.
A Frenchman's Year in Suffolk
When François de la Rochefoucauld and his brother Alexandre visited Suffolk in 1784, the events which were to lead to the French Revolution in 1789 were already in train. François' father, the duc de Liancourt, Grand Master of theWardrobe at Louis XVI's court, was well placed to appreciate the dangers of the situation in France, and it must have been with anxious hopefulness that he sent his sons (François was then 18) to England for a year to appreciatethe ordering of these things in a country which had experienced a revolution over a century earlier. Such reflections are never far below the surface of this otherwise cheerful journal of a year abroad, which gives a vivid pictureof English provincial life; François' observations range over such diverse subjects as English customs and manners and methods of agriculture and stockbreeding, and include a lively account of a general election. Norman Scarfe, the well-known historian of Suffolk and beyond, provides a spirited translation of François' journal; it is complemented by numerous illustrations.
Art Information and the Internet
In the first book of its kind, art information expert Lois Swan Jones discusses how to locate visual and textual information on the Internet and how to evaluate and supplement that information with material from other formats--print sources, CD-ROMS, documentary videos, and microfiche sets--to produce excellent research results. The book is divided into three sections: Basic Information Formats; Types of Websites and How to Find Them; and How to Use Web Information. Jones discusses the strengths and limitations of Websites; scholarly and basic information resources are noted; and search strategies for finding pertinent Websites are included. Art Information and the Internet also discusses research methodology for studying art-historical styles, artists working in various media, individual works of art, and non-Western cultures--as well as art education, writing about art, problems of copyright, and issues concerning the buying and selling of art. This title will be periodically updated.
American Hereford Record and Hereford Herd Book
Brief history of Hereford cattle: v. 1, p. 359-375.
