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The Grotesque in Art and Literature
The authors focus on the religious and theological significance of grotesque imagery in art and literature, exploring the religious meaning of the grotesque and its importance as a subject for theological inquiry.
Modern Art and the Grotesque
Frances Connelly examines how the concept of the "grotesque" has influenced the history, practice, and theory of art in the nineteenth and twentieth centuries. The grotesque has been adopted by a succession of artists as a way to push beyond established boundaries; explore alternate modes of experience and expression; and challenge the status quo. Examining specific images by a range of artists, such as Ingres, Gauguin, Höch, de Kooning, Polke, and Mona Hatoum, these essays encompass a variety of media--including medical illustration, paintings, prints, photography, multimedia installations, and film.
Ornament and the Grotesque
A lavish survey of the grotesque style in European painting and decoration, from Roman times to the late nineteenth century. In the fifteenth century, the ruins of Nero's Domus Aurea were discovered in Rome. The first explorers to enter the interior of this spectacular palace complex had the sensation of finding themselves in a series of grottoes, and this is why the fanciful frescoes and floor mosaics discovered there were called "grotesques." A fashionable form of ornamentation in ancient Rome, grotesques consist of loosely connected motifs, often incorporating human figures, birds, animals, and monsters, and arranged around medallions filled with painted scenes. Fifteenth-century artists ...
Goya, Redon, Ensor
In a nutshell: An interesting selection of the work of three peculiar artists and pioneers of modern art There is a part of human nature that has always been fascinated by the grotesque - the feeling of not wanting to look, yet being unable to look away, is a feeling that has been inspired in us all at one point or another. Grotesque depictions play an important role in the works of Francisco Goya (1746-1828), Odilon Redon (1840-1916) and James Ensor (1860-1949). These three artists use grotesque motifs in a very different manner: the classical ideas of Goya clearly differ from Redon's symbolism or Ensor's hilarious and cynical mockery. This book presents a rare series of sketches by Goya, grotesque drawings by Redon and a selection of Ensor's top paintings from museums all over the world, and both challenges and confirms the various aesthetic notions of the grotesque. The official catalogue for the exhibition in the Royal Museum for Fine Arts in Antwerp (March/June 2009) ILLUSTRATIONS 110 colour & 110 b/w illustrations
A History of Caricature and Grotesque in Literature and Art
Reproduction of the original: A History of Caricature and Grotesque in Literature and Art by Thomas Wright
Dark Inspiration II
Tapping into the uncanny domain of grotesqueries and the occult, Dark Inspiration II is a rich profusion of bone-chilling art created by more than 50 artists worldwide. Childhood reveries, aged folklore and mysteries, and morbid fascination with death and mental pain juxtapose to examine mortal sins, existence and human relationships with the universe. Encompassing illustrations, sculptures, installations, photography and set design, the sensuous collection amasses a variety of dark and mournful expressions that are at once alluring, bewildering and inspirational to peruse.
