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Images et divinités (2)
Des spécialistes français et étrangers (Espagne, Pays-Bas, Mexique, Argentine, Colombie...) étudient les relations qu'entretiennent l'image et la divinité. Ils s'appuient ainsi sur des figures de la culture hispanique : des peintres (Le Gréco, Vélasquez, Goya, Picasso, Antonio Saura), des figures du cinéma (Pedro Almodovar, Carlos Saura, Luis Bunuel) mais également de la mythologie et de la Bible.
Theorizing World Cinema
This innovative book is about the place of world cinema in the cultural imaginary. It also repositions world cinema in a wider discursive space than is usually the case and treats it as an object of theoretical enquiry, rather than as a commercial label. The editors and distinguished group of contributors offer a range of approaches and case studies whose organizing principle is the developing idea of polycentrism as applied to cinema. They refine and redefine key concepts in film studies, including identification and identity, narrative and realism, allegory and the national project, auteurism and the popular, art and genre. They re-evaluate how cinema shapes and responds to the philosophical, cultural and political effects of transnationalism and cosmopolitanism in the age of the moving image, and explore the interconnectedness of films produced worldwide, as well as the links between cinema and other visual cultural forms. The contributors include: John Caughie, Felicia Chan, Tiago de Luca, Rajinder Dudrah, Song Hwee Lim, Laura Mulvey, Lucia Nagib, Geoffrey Nowell-Smith, Chris Perriam, Ashish Rajadhyaksha, Paul Julian Smith, and Ismail Xavier.
Dialogic Aspects in the Cuban Novel of the 1990s
The author analyses six novels of the "boom" in Cuban fiction of the 1990s that subvert homogenized views of Cuban identity.
Le cinéma d'Alejandro Amenábar
Alejandro Amenabar, auteur de quatre longs métrages de fiction réalisés entre 1995 et 2004 (Tesis, Ouvre les yeux, Les autres, Mar adentro), s'est imposé comme l'un des représentants les plus talentueux d'une génération de cinéastes qui ont contribué à renouveler profondément le cinéma espagnol à partir des années quatre-vingt-dix.
CinémAction
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