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China
Written with precision and flair by a host of leading academics from Beijing and Hong Kong, this single volume is a welcome addition to the study of world civilizations, a broad yet detailed chronological sweep through time. Every aspect of Chinese civilization is explained, interpreted, contextualized and brought to life with well-balanced commentary and photographic documentation. Published by City University of Hong Kong Press. 香港城市大學出版社出版。
A Critical History of New Music in China
By the end of the nineteenth century, Chinese culture had fallen into a stasis, and intellectuals began to go abroad for new ideas. What emerged was an exciting musical genre that C. C. Liu terms "new music." With no direct ties to traditional Chinese music, "new music" reflects the compositional techniques and musical idioms of eighteenth- and nineteenth-century European styles. Liu traces the genesis and development of "new music" throughout the twentieth century, deftly examining the social and political forces that shaped "new music" and its uses by political activists and the government.
The Treatises of Later Han
The official history of the Later Han dynasty (AD 25-220) contains eight so-called Treatises, traditionally regarded as accurate descriptions of the dynasty's institutions. Practically all literature dealing with the bureaucratic system, the geography, the religious beliefs or the calendar of the first two centuries AD is based on these Treatises, even though their value as source material has never been critically examined. This study subjects each of the Treatises in turn to a detailed scrutiny. The sources used by the Chinese historian and their adaption to suit his historiographical tastes, the opinions of previous critics and the weight of the available evidence all pass review in order to arrive at a balanced view of the historiographical value of each individual Treatise.
Writing against The State
This book is about the tension between de facto political power and the claims to intellectual and moral leadership of the shi (‘gentleman class’) in Early Medieval China. Shelun, or Hypothetical Discourse, is a hitherto neglected Chinese literary genre. The author for the first time places the surviving texts against the political background that accounts for its rise and decline in early medieval China. Comprehensively annotated translations of seven Hypothetical Discourses are placed in the context of their authors' lives and times, with an emphasis on the post-Han examples of the genre. This thorough study gives insight into this subgenre of fu by which the world of the Chinese gentleman class finds an always ambiguous expression in the rhyme-prose texts under review.
China
Compiled by specialists from the University of Durham Department of East Asian Studies, this new reference work contains approximately 1500 entries covering Chinese civilisation from Peking Man to the present day. Subjects include history, politics, art, archaeology, literature, etc. The Dictionary is intended for students, teachers and researchers, and will also be of interest to the general reader. Entries provide factual information and contain suggestions for further reading. Chinese terms are in pinyin romanisation and characters are given for the subject headings. A name index and comprehensive cross-reference system make this an easy to use, multi-purpose guide to the student of Chinese in the broadest sense.
Mirroring the Past
China is known for its deep veneration of history. Far more than a record of the past, history to the Chinese is the magister vitae (teacher of life): the storehouse of moral lessons and bureaucratic precedents. Mirroring the Past presents a comprehensive history of traditional Chinese historiography from antiquity to the mid-Qing period. Organized chronologically, the book traces the development of historical thinking and writing in Imperial China, beginning with the earliest forms of historical consciousness and ending with adumbrations of the fundamentally different views engendered by mid-nineteenth-century encounters with the West. The historiography of each era is explored on two level...
The Shaman and the Heresiarch
The Li sao (also known as Encountering Sorrow), attributed to the poet-statesman Qu Yuan (4th–3rd century BCE), is one of the cornerstones of the Chinese poetic tradition. It has long been studied as China's first extended allegory in poetic form, yet most scholars agree that there is very little in the two-thousand-year-old tradition of commentary on it that convincingly explains its supernatural flights, its complex floral imagery, or the gender ambiguity of its primary poetic persona. The Shaman and the Heresiarch is the first book-length study of the Li sao in English, offering new translations of both the Li sao and the Nine Songs. The book traces the shortcomings of the earliest exta...
The Oxford History of Historical Writing
A chronological scholarly survey of the history of historical writing in five volumes. Each volume covers a particular period of time, from the beginning of writing to the present day, and from all over the world.
