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Our Lady of Guadalupe
The devotion to Our Lady of Guadalupe, based on the story of apparitions of the Virgin Mary to Juan Diego, an Indian neophyte, at the hill of Tepeyac in December 1531, is one of the most important formative religious and national symbols in the history of Mexico. In this first work ever to examine in depth every historical source of the Guadalupe apparitions, Stafford Poole traces the origins and history of the account, and in the process challenges many commonly accepted assumptions and interpretations. Poole finds that, despite common belief, the apparition account was unknown prior to 1648, when it was first published by a Mexican priest. And then, the virgin became the predominant devotion not of the Indians, but of the criollos, who found in the story a legitimization of their own national aspirations and an almost messianic sense of mission and identity. Poole finds no evidence of a contemporary association of the Virgin of Guadalupe with the Mexican goddess Tonantzin, as is frequently assumed, and he rejects the common assertion that the early missionaries consciously substituted Guadalupe for a preconquest deity.
The Virgin of Guadalupe
This book celebrates one of the most beloved world icons through art and prose. This is a brilliant art book that celebrates a popular cultural icon, a venerable symbol of compassion, hope, and humility and one of the most popular pieces of ancient art ever created.
Our Lady of Controversy
Months before Alma López's digital collage Our Lady was shown at the Museum of International Folk Art in 2001, the museum began receiving angry phone calls from community activists and Catholic leaders who demanded that the image not be displayed. Protest rallies, prayer vigils, and death threats ensued, but the provocative image of la Virgen de Guadalupe (hands on hips, clad only in roses, and exalted by a bare-breasted butterfly angel) remained on exhibition. Highlighting many of the pivotal questions that have haunted the art world since the NEA debacle of 1988, the contributors to Our Lady of Controversy present diverse perspectives, ranging from definitions of art to the artist's inten...
Viva Guadalupe!
Seeks to identify the mythic symbols and historic and personal stories these beautiful textiles contain.
Folk Art Fusion
Explore the art styles found in modern folk artwork, and get step-by-step instruction to paint your own colorful contemporary folk art, including a sugar skull, a portrait of Frida Kahlo, Dutch tulip fields, and more.
Our Lady of Guadalupe
Nearly a decade after Spain's conquest of Mexico, the future of Christianity on the American continent was very much in doubt. Confronted with a hostile colonial government and Native Americans wary of conversion, the newly-appointed bishop-elect of Mexico wrote to tell the King of Spain that, unless there was a miracle, the continent would be lost. Between December 9 and December 12, 1531, that miracle happened, and it forever changed the future of the continent. It was then that the Virgin Mary famously appeared to a Native American Christian convert on a hilltop outside of what is now Mexico City. The image she left imprinted on his cloak or tilma has puzzled scientists for centuries, and...
Our Lady of Guadalupe
According to legend, on December 8, 1531, the Virgin Mary appeared to the newly Christianized Juan Diego on the Mexican hill of Tepeyacac. As proof of her divine visit, she miraculously imprinted her image upon his mantle. That image, known as Our Lady of Guadalupe, has become a symbol of national consciousness in Mexico and a talisman for Mexican Americans. Yet its notable features include obviously European artistic techniques. How is it that Renaissance styles are employed in a 16th century Mexican icon supposedly not made by human hands? Looking beyond the divine explanation for the Lady's existence, author John Moffitt uses historical and artistic detective work to determine the work's ...
The Paradise Garden Murals of Malinalco
Winner, Charles Rufus Morey Award, 1993 The valley of Malinalco, Mexico, long renowned for its monolithic Aztec temples, is a microcosm of the historical changes that occurred in the centuries preceding and following the Spanish conquest in the sixteenth century. In particular, the garden frescoes uncovered in 1974 at the Augustinian monastery of Malinalco document the collision of the European search for Utopia with the reality of colonial life. In this study, Jeanette F. Peterson examines the murals within the dual heritage of pre-Hispanic and European muralism to reveal how the wall paintings promoted the political and religious agendas of the Spanish conquerors while preserving a record ...
Our Lady of Controversy
Months before Alma López's digital collage Our Lady was shown at the Museum of International Folk Art in 2001, the museum began receiving angry phone calls from community activists and Catholic leaders who demanded that the image not be displayed. Protest rallies, prayer vigils, and death threats ensued, but the provocative image of la Virgen de Guadalupe (hands on hips, clad only in roses, and exalted by a bare-breasted butterfly angel) remained on exhibition. Highlighting many of the pivotal questions that have haunted the art world since the NEA debacle of 1988, the contributors to Our Lady of Controversy present diverse perspectives, ranging from definitions of art to the artist's inten...
Our Lady of Guadalupe
Pop-ups, pull tabs, and other moveable features illustrate scenes from the story of Juan Diego and Our Lady of Guadalupe.
