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Catalogue of the Library of the Peabody Institute of the City of Baltimore
  • Language: en
  • Pages: 966

Catalogue of the Library of the Peabody Institute of the City of Baltimore

Reprint of the original, first published in 1883.

The Edinburgh Review
  • Language: en
  • Pages: 630

The Edinburgh Review

  • Type: Book
  • -
  • Published: 1862
  • -
  • Publisher: Unknown

None

The Edinburgh Review, Or Critical Journal
  • Language: en
  • Pages: 630

The Edinburgh Review, Or Critical Journal

  • Type: Book
  • -
  • Published: 1862
  • -
  • Publisher: Unknown

None

A Catalogue of the Library of the Athenæum
  • Language: en
  • Pages: 514

A Catalogue of the Library of the Athenæum

  • Type: Book
  • -
  • Published: 1860
  • -
  • Publisher: Unknown

None

Catalogue of the Library of the Peabody Institute of the City of Baltimore
  • Language: en
  • Pages: 976
DIE BEIDEN ALTESTEN PROVENZALISCHEN GRAMMATIKEN
  • Language: en
  • Pages: 242

DIE BEIDEN ALTESTEN PROVENZALISCHEN GRAMMATIKEN

  • Type: Book
  • -
  • Published: 1878
  • -
  • Publisher: Unknown

None

The Gentleman's Magazine
  • Language: en
  • Pages: 846

The Gentleman's Magazine

  • Type: Book
  • -
  • Published: 1858
  • -
  • Publisher: Unknown

The "Gentleman's magazine" section is a digest of selections from the weekly press; the "(Trader's) monthly intelligencer" section consists of news (foreign and domestic), vital statistics, a register of the month's new publications, and a calendar of forthcoming trade fairs.

The Gentleman's Magazine and Historical Review
  • Language: en
  • Pages: 768

The Gentleman's Magazine and Historical Review

  • Type: Book
  • -
  • Published: 1858
  • -
  • Publisher: Unknown

None

The Knights of Modernism
  • Language: en
  • Pages: 277

The Knights of Modernism

According to the customary literary-historical and theoretical notion, the fact that the first modern novel represents a parody or travesty of the chivalric ideal merits no particular attention. Failing to become attuned to the real role of the chivalric ideal at the beginning of the era of the modern novel, commentators missed the chance to adequately review the role of chivalry at the end of that period. The modern novel did not only begin, but also ended with a travesty of the chivalric ideal. The deep need of a significant number of modernist writers to measure their own time according to the ideals of the high and late Middle Ages cannot, therefore, be explained by a set of literary-historical, spiritual-historical or social circumstances. The predilection of a range of twentieth century novelists for a distant feudal past suggests that there exists a fundamental poetic connection between the modern (or at least the modernist) novel and the ideals of chivalry.