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Martial, Book VII. A Commentary
This volume is the first comprehensive commentary on the seventh book of Martial's epigrams. The introduction discusses the date of publication of Martial’s books, the themes of the epigrams of book seven as well as the transmission of the text. The autor pays special attention to the adulation of Domitian in book seven, the satirization of lawyers, legacy-hunters, parasites and dinner-guests, and hetero- and homosexuality. The commentary, preceded by a revised edition of Shackleton Bailey’s Teubner edition (1990), focuses on literary, linguistic and metrical matters. Thematic relationships with other books of Martial and other Greek and Latin literature are highlighted. Attention is also paid to the use of recurrent motifs, obscene language, puns, double meanings and proper names.
Amor dorio
EL AMOR DORIO recopila los poemas eróticos del libro duodécimo de la Antología Palatina. Es ésta un corpus extenso de poemas breves, en la que los epigramas amatorios aparecen separados de acuerdo con la naturaleza de la relación, heterosexual u homosexual: los primeros recogidos en el libro 5 y los otros en el 12. La presente edición ha sido traducida y anotada por Guillermo Galán Vioque, va precedida de una introducción al epigrama griego.
Martial, Book VII
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Humanistica Lovaniensia
Volume 45
Martial
Martial (Marcus Valerius Martialis) was a Spanish writer who lived in Rome in the second half of the first century AD. He wrote only in the genre of epigram, invented by the Greeks, which he chose because of his dislike of all that was pretentious and escapist in contemporary literature, where stale mythological topics were regarded as both 'elevated' and, in times of political danger, safe. His own boundless interest in the life he saw around him in Rome, and his sense of humour, led him to prefer to express himself in short and highly polished poems. He brought the genre to such a pitch of perfection that his work has defined it for subsequent authors. Although only a limited number of his...
Petrarch and Boccaccio
Die Buchreihe Mimesis präsentiert unter ihrem neuen Untertitel Romanische Literaturen der Welt ein innovatives und integrales Verständnis der Romania wie der Romanistik aus literaturwissenschaftlicher und kulturtheoretischer Perspektive. Sie trägt der Tatsache Rechnung, dass die faszinierende Entwicklung der romanischen Literaturen und Kulturen in Europa wie außerhalb Europas neue weltweite Dynamiken in Gang gesetzt hat, welche die großen Traditionen der Romania fortschreiben und auf neue Horizonte hin öffnen. In Mimesis kommt ein transareales, die europäische und die außereuropäische Welt romanischer Literaturen und Kulturen zusammendenkendes Verständnis der Romanistik zur Geltung, das über nationale wie disziplinäre Grenzziehungen hinweg die oft übersehenen Wechselwirkungen zwischen unterschiedlichen Traditions- und Entwicklungslinien in Europa und den Amerikas, in Afrika und Asien entfaltet. Im Archipel der Romanistik zeigt Mimesis auf, wie die dargestellte Wirklichkeit in den romanischen Literaturen der Welt die Tür zu einem vielsprachigen Kosmos verschiedenartiger Logiken öffnet.
The Gendered ‘I’ in Ancient Literature
Considering the ubiquity of rhetorical training in antiquity, the volume starts from the premise that every first-person statement in ancient literature is in some way rhetorically modelled and aesthetically shaped. Focusing on different types of Greek and Latin literature, poetry and prose, from the Archaic Age to Late Antiquity, the contributions analyse the use and modelling of gender-specific elements in different types of first-person speech, be it that the speaker is (represented as) the author of a work, be it that they feature as characters in the work, narrating their own story or that of others. In doing so, they do not only offer new insights into the rhetorical strategies and lit...
