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La Pocha Nostra
La Pocha Nostra: A Handbook for the Rebel Artist in a Post-Democratic Society marks a transformation from its sister book, Exercises for Rebel Artists, into a pedagogical matrix suited for use as a performance handbook and conceptual tool for artists, activists, theorists, pedagogues, and trans-disciplinary border crossers of all stripes. Featuring a newly reworked outline of La Pocha Nostra's overall pedagogy, and how it has evolved in the time of Trump, cartel violence, and the politics of social media, this new handbook presents deeper explanations of the interdisciplinary pedagogical practices developed by the group that has been labeled "the most influential Latino/a performance troupe ...
Codex Espangliensis
Inspired by the pre-Hispanic codices that escaped immolation during colonial invasions, this artists' book opens out in accordion folds expanding to a length of over 21 feet. Rice has created a series of beautiful and jarring montages in which the mixture of languages, slang, poetry, and prose of Gomez-Pena's performance texts are woven through and around Chagoya's collages filled with pre-Hispanic drawings, colonial-era representations of New World natives, and comic book superheroes. Irreverent to the last, Gomez-Pena and Chagoya employ iconic figures and persistent stereotypes to overturn the fantasies of nationalism, ethnocentrism, and historical amnesia that cloud international relation...
Conversations Across Borders
Laura Levin is an Associate Professor of Theatre at York University, Toronto. She is Editor-in-Chief of Canadian Theatre Review and Editor of Theatre and Performance in Toronto (2011). --Book Jacket.
Ethno-techno
Famous performance activist Gómez-Peña explores the political and philosophical parameters of what's left for artists to do in a post-9/11 repressive culture and offers groundbreaking insight into his methods of production, development and teaching.
Dangerous Border Crossers
This anthology of Gómez-Peña's performance chronicles, diary entries, poems, essays, and texts, sheds an extraordinary light on the life and work of this migrant provocateur.
The New World Border
Poetry and essays by a Hispanic stand-up comic. In the poem, On U.S.-Mexico Relations, he writes: "I called you 'gringo' de carino / you called me 'minority' twice / we didn't mean it, of course / but we were somehow damned by History."
Exercises for Rebel Artists
In Exercises for Rebel Artists, Guillermo Gomez-Pena and Roberto Sifuentes use their extensive teaching and performance experience with La Pocha Nostra to help students and practitioners to create ‘border art’. Designed to take readers right into the heart of radical performance, the authors use a series of crucial practical exercises, honed in workshops worldwide, to help create challenging theatre which transcends the boundaries of nation, gender, and racial identity. The book features: Detailed exercises for using Pocha Nostra methods in workshops Inspirational approaches for anyone creating, producing or teaching radical performance A step-by-step guide for large-scale group performance New, unpublished photos of the Pocha Nostra method in practice Exercises for Rebel Artists advocates teaching as an important form of activism and as an extension of the performance aesthetic. It is an essential text for anyone who wants to learn how use performance to both challenge and change.
Friendly Cannibals
Interdisciplinary artist and writer Guillermo Gomez-Pena collaborates with Chicano visual artist Enrique Chagoya in the multilingual, performative "Latino cyberpunk" exploration.
Temple of Confessions
Mexican Beasts and Living Santos This beautiful and extraordinary book is the result of a collaboration between two of the US's most widely acclaimed multimedia/performance artists. Illustrated throughout with numerous line drawings and photographs, many in full colour, it is based around a performance piece of the same name but stands on its own as a fascinating insight into Mexican and Mexican-American culture. Includes CD and tattoo transfer.
Doc/Undoc
What does it mean to be documented or undocumented? How do these terms work across borders and boundaries, languages and nations? These are the questions fueling the experimental artwork-in-a-box, Documentado/Undocumented, a book art piece that explores the intersection of printmaking, typography, performance, video, sound art, and installation. In its traveling exhibition, a finely crafted aluminum traveling case is on display, opening into a tri-partite mirrored vanity containing a playful kit of objects, inviting the participant into an intimate space of engagement and transformation. Illuminated buttons trigger layers of audio, and a set of instructions invites the viewer to "Reimagine y...
