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Clerk
Love, sex, and corporate slavery in a futuristic world from the two-time winner of the Dashiell Hammett Prize
Seventy Seven
Haunting, paranoid story of a gay insomniac forced to make very uncomfortable choices to stay alive during the Argentine dictatorship.
Valerie
A fever dream of a novel—strangely funny, entirely unconventional—Valerie conjures the life, mind, and art of American firebrand Valerie Solanas In April 1988, Valerie Solanas—the writer, radical feminist, author of the SCUM Manifesto and would-be assassin of Andy Warhol—was discovered dead at fifty-two in her hotel room, in a grimy corner of San Francisco, alone, penniless, and surrounded by the typed pages of her last writings. In Valerie, a nameless narrator revisits the room where Solanas died, the courtroom where she was tried and convicted of attempting to murder Andy Warhol, the Georgia wastelands where she spent her childhood and was repeatedly raped by her father and beaten ...
Caught Between the Lines
Caught between the Lines examines how the figure of the captive and the notion of borders have been used in Argentine literature and painting to reflect competing notions of national identity from the nineteenth to the twenty-first centuries. Challenging the conventional approach to the nineteenth-century trope of "civilization versus barbary," which was intended to criticize the social and ethnic divisions within Argentina in order to create a homogenous society, Carlos Riobó traces the various versions of colonial captivity legends. He argues convincingly that the historical conditions of the colonial period created an ethnic hybridity--a mestizo or culturally mixed identity--that went ag...
The Catholic School
A semiautobiographical coming-of-age story, framed by the harrowing 1975 Circeo massacre Edoardo Albinati’s The Catholic School, the winner of Italy’s most prestigious award, The Strega Prize, is a powerful investigation of the heart and soul of contemporary Italy. Three well-off young men—former students at Rome’s prestigious all-boys Catholic high school San Leone Magno—brutally tortured, raped, and murdered two young women in 1975. The event, which came to be known as the Circeo massacre, shocked and captivated the country, exposing the violence and dark underbelly of the upper middle class at a moment when the traditional structures of family and religion were seen as under thr...
Needle in a Haystack
This is not simply a triumph of style; it is both a reflection on a time of bloodshed and a raw vision of human misery. Guillermo Saccomanno, winner of the Argentine National Literature Prize. This man knows. He knows about guns, knows about women...
Gasoline
Heribert Juliá and Humbert Herrera are opposites: the one can no longer paint, and doesn't much care, the other wants to create the sculpture to end all sculptures, the film of all films, the exhibit of all exhibitions. One couldn't care less about his mistress, the other swoops in. A fun-house mirror through which Monzó examines the creative process.
The Brother
In this spaghetti western, a mysterious man arrives in a corrupt town seeking revenge for his sister and upends everything.
The Slum and the City
The Argentine capital is largely perceived as a middle-class space. Yet in reality, urban poverty and precarious settlements are defining features of the city. Agnese Codebò investigates how slums have produced culture as well as their representation in literature and the visual arts from the 1950s to the present. Looking at government-led urban projects, as well as novels, artworks, films, militant magazines, poems, and music, she tells the story of how villas miseria have mattered culturally and socially as spaces that produce new aesthetics, cultural trends, and social alliances, while offering a vantage point to understand the city and its problems. Slums represent a heterogeneous urban space, and Codebò makes the case for their relevance in Argentine culture, demonstrates the need to rethink spaces of production, and develops a new premise for a decolonial approach to Argentine cultural production.
Maricas
Maricas traces the erotic lives and legal battles of Argentine and Spanish queer people, who despite state repression and sexual violence, carved out their own spaces in metropolitan and rural cultures between the 1940s and the 1980s.
