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The image is an ontological paradox; it is made of dead matter, yet appears to be alive. For millennia, artists have created images of the living world - images that are static and yet possess the power to bring to life a frozen moment in time. While this tension has constituted a fundamental challenge for as long as theories on the nature of images have existed, recent scholarship has rekindled interest in the question of what images 'do to us'. Despite the rational discourse of Modernity, we must acknowledge that we view images as half-living entities. This book addresses the perpetual relevance of images' enigmatic life-likeness through studies that engage with a variety of visual materia...
A major book about Japonisme in Danish art, design and architecture. At the end of the 19th century Danish artists were among the first in the Western world to engage with Japanese art and adopt elements of it in their work, creating an independent Danish form of expression.And that tradition has been maintained ever since. Mirjam Gelfer-Jørgensen's book about Japanese influences in Danish art, design and architecture analyses and traces this development over nearly one and a half centuries, from 1870 to 2010. Inspiration from Japanese art became a catalyst with wide-ranging and lasting effects. The impact of Japonisme was so extensive that it became an essential element in the preconditions for Danish Modernism in the 20th century and for the status as a "Design Nation" that Denmark can be proud of right up to the present day. Who knew, for example, that Danish national treasures such as the Seagull service and Bindesbøll's ceramics sprang in part from Japanese inspiration?
Dansk Design is a history book, a reference book
The Little Book of Danish Design for Children and Curious Grown-Ups tells fun and interesting stories about 50 Danish design icons. With a light touch and colourful and humorous illustrations, the book takes a fresh look at some of the many great Danish design objects that have been created for the home over the past century. The book presents popular design classics by Arne Jacobsen, Finn Juhl and Hans J. Wegner as well as the LEGO brick, the Panton chair and a selection of new iconic products by Royal Copenhagen and Bang & Olufsen, among many others.
RESIDENTIAL BUILDINGS, DOMESTIC BUILDINGS. The human being was at the center of Danish modernism. Traditional craftsmanship and a high degree of quality influenced both its design and its architecture. Alongside the construction of numerous groundbreaking public buildings, the 1950s and 60s saw the design of many single-family homes based on an aesthetic that focused on truth to materials, honesty in construction and the reduction of form. Built of wood and brick and with practical, informal floor plans and large glass surfaces that opened up the interior of the house to nature, the best of these homes still fulfill their tasks to this day. The Modern House in Denmark is a compendium of selected buildings examined in detail, including icons such as Utzon House by Jorn Utzon, Arne Jacobsen's Siesby House and the Bogh Andersen House by Jorgen Bo and Vilhelm Wohlert.
This book contains new photographs of some of the most significant Scandinavian private houses from the 1930s to the present day. The houses featured vary greatly in plan, materials and construction, but are all strikingly modern. Nordic architecture is highly distinctive, characterised by a sensitivity to the tonal qualities of light, in particular the conscious use of light as the most important form-producing and space-defining element. This selection of fourteen of the most beautiful houses in Scandinavia showcases the best in Nordic architecture and the spirit of Nordic light.
A New Golden Age er en uundværlig bog for arkitektur og designinteresserede. Den omhandler helt ny flot Nordisk arkitektur og design fra 6 Nordiske lande og fra 29 af de mest ledende Nordiske arkitektur og designvirksomheder. 00Forfatteren beskriver en ny Guldalder indenfor arkitektur og design.0Forord er også skrevet af de amerikanske arkitekter Steven Holl og Kenneth Frampton, samt af den finske arkitekt/designer Vesa Honkonen.
The forest tower is a spectacular 45 meter high tower in Gisselfeld Kloster's forests close to the highest point in Zealand, Denmark. The view tower is designed by EFFEKT Architects and fulfills an ambition to create an aesthetic edifice and a unique nature experience, which is at the same time adapted to nature and built as sensitively as possible. Since the Forest Tower opened in 2019, more than 300,000 visitors have made their way and the project has become an attraction throughout Zealand. The book is picture-borne and contains overwhelming photo series by photographer and architect Rasmus Hjortshøj, who has visited the Forest Tower both summer and autumn, interview with the architects behind and an essay written by Kristoffer Weiss. The book is not only aimed at a professional audience but with its many impressive images to anyone who is interested in architecture. The book is a comprehensive documentation of one of the most talked about and award winning buildings in Danish architecture right now
Design thinking is an increasingly widespread approach. In recent years it has been launched as a method that enables even the most conservative company to adopt agile, innovative and entrepreneurial mindsets and to think outside the box. But what is design thinking, how did it emerge, and what does it do? In Quick guide to design thinking Ida Engholm highlights the concept of design thinking from a Danish research perspective. The book outlines the research behind design thinking and provides an overview of the many different professions, theories and methods that have contributed to developing and defining design thinking as a research and practice field. Further, it offers an introduction to current debates about design thinking and concludes in a call for design activism as a path to a sustainable future.
Presents 110 Danish chairs and charts their success at home and abroad from the mid-20th century until the present day In the mid-20th century design became a cultural phenomenon that placed Denmark on the world map. Danish Design emerged in 1949 as a real brand, when American journalists started to write about Danish furniture in relation to a furniture exhibition by Snedkerlauget in Copenhagen. 'Den runde stol' made by Hans. J. Wegner was given the name 'The Chair'. This was not only the beginning of a great export adventure but also a challenge for the Danish designers, who became world recognized for their obsession with creating the perfect chair. The chair has always been the touchston...