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Günther Anders (1902, Breslau – 1992, Vienna) studied philosophy with Husserl and Heidegger in Freiburg in the 1920s. Married to Hannah Arendt he worked in Berlin as a journalist and also wrote antifascist literature. He emigrated in 1933, first to Paris, then to the United States, where he worked and lectured at the New School for Social Research. Auschwitz, Hiroshima, and Nagasaki were the major turning points in Anders’ philosophical thinking. He returned to Europe in 1950 and settled in Vienna. He was one of the first to critically examine the Austrian victim myth. Increasingly, his primary interest turned to the issue of the growing predominance of technology in human life. In his ...
Gunter Anders' Philosophy of Technology is the first comprehensive exploration of the ground-breaking work of German thinker Gunter Anders. Anders' philosophy has become increasingly prescient in our digitised, technological age as his work predicts the prevalence of social media, ubiquitous surveillance and the turn to big data. Anders' ouevre also explored the technologies of nuclear power and the biotech concerns for the human and transhuman condition which have become so central to current theory. Babette Babich argues that Anders offers important resources on streaming digital media through his writings on radio, television and film and is, unusually, both a comprehensive and profound thinker. Anders' relationship with key philosophers like Hannah Arendt and Walter Benjamin and his thinking on Goethe, Nietzsche and Rilke is also explored with a focus on the deep impact he made on his peers. It reflects specifically on the intersection of Anders' thought Heidegger and the Frankfurt school and how influential a figure he was on the landscape of 20th century philosophy. A compelling rehabilitation of a thinker with profound contemporary relevance.
A translation of the essay 'On Promethean Shame' by Günther Anders with a comprehensive introduction and analysis of his work.
This book is the first to discuss, for an English-speaking audience, the ideas of the German-Jewish man of letters, thinker, and activist Günther Anders. Anders is one of few philosophers to deal intensely with the moral consequences of Auschwitz and Hiroshima. He can rightly be called the philosopher of the atomic age, and his thinking a philosophy of modern technology. In biting manifestoes, sharp aphorisms, and penetrating essays, in stirring diary notes and political fables, Anders strikes out the age in which we live. As a twentieth-century visionary, he exposes the absence of the moral and social imaginations that is necessary to prevent our history from ending in a total catastrophe....
A collection of correspondence between Claude Eatherly, a former air force pilot, and Günther Anders, a German philosopher. Eatherly was the pilot who gave the all-clear for the dropping of the atomic bomb on Hiroshima: an action the implications of which he had not known at the time. Returning from the mission and learning of the devastating impact of the atomic bomb Eatherly was unable to calmly accept his role. Though he was treated as a hero in the press, Eatherly was morally distraught over his actions and felt that he could not silently accept the accolades. Over the course of some 71 letters Anders and Eatherly struggled with the problem of taking moral responsibility in a time when ...
"Gunter Anders' Philosophy of Technology is the first comprehensive exploration of the ground-breaking work of German thinker Gunter Anders. Anders' philosophy has become increasingly prescient in our digitised, technological age as his work predicts the prevalence of social media, ubiquitous surveillance and the turn to big data. Anders' ouevre also explored the technologies of nuclear power and the biotech concerns for the human and transhuman condition which have become so central to current theory. Babette Babich argues that Anders offers important resources on streaming digital media through his writings on radio, television and film and is, unusually, both a comprehensive and profound thinker. Anders' relationship with key philosophers like Hannah Arendt and Walter Benjamin and his thinking on Goethe, Nietzsche and Rilke is also explored with a focus on the deep impact he made on his peers. It reflects specifically on the intersection of Anders' thought Heidegger and the Frankfurt school and how influential a figure he was on the landscape of 20th century philosophy. A compelling rehabilitation of a thinker with profound contemporary relevance"--
This book looks at how sexuality is framed in enhancement scenarios and how descriptions of the resulting posthuman future are informed by mythological, historical and literary paradigms. It examines the glorious sex life we will allegedly enjoy due to greater control of our emotions, improved capacity for pleasure, and availability of sex robots.
The aim of this work is to provide a preliminary analysis of a much more far-reaching investigation into the relationship between technology and philosophy. In the context of the contemporary German thought, the author compares the different positions of Karl Marx, Martin Heidegger, Ernst and Friedrich Jünger, Arnold Gehlen and Gunther Anders. The term “machine” is used precisely to mean that complex material device assembled in the last quarter of the 18th century as a result of the definitive modern refinement of certain fundamental technologies, i.e. metallurgy, precision mechanics and hydraulics. The “machine” discussed here arrived on the scene of man’s history when the proce...
In Bourdieu in Question: New Directions in French Sociology of Art, Jeffrey A. Halley and Daglind E. Sonolet offer to English-speaking audiences an account of the very lively Francophone debates over Pierre Bourdieu’s work in the domain of the arts and culture, and present other directions and perspectives taken by major French researchers who extend or differ from his point of view, and who were marginalized by the Bourdieusian moment. Three generations of research are presented: contemporaries of Bourdieu, the next generation, and recent research. Themes include the art market and value, cultural politics, the reception of artworks, theory and the concept of the artwork, autonomy in art, ethnography and culture, and the critique of Bourdieu on literature. Contributors are: Howard S. Becker, Martine Burgos, Marie Buscatto, Jean-Louis Fabiani, Laurent Fleury, Florent Gaudez, Jeffrey A. Halley, Nathalie Heinich, Yvon Lamy, Jacques Leenhardt, Cécile Léonardi, Clara Lévy, Pierre-Michel Menger, Raymonde Moulin, Jean-Claude Passeron, Emmanuel Pedler, Bruno Péquignot, Alain Quemin, Cherry Schrecker, Daglind E. Sonolet.
This volume showcases emerging interdisciplinary scholarship that captures the complex ways in which biological knowledge is testing the nature and structure of legal personhood. Key questions include: What do the new biosciences do to our social, cultural, and legal conceptions of personhood? How does our legal apparatus incorporate new legitimations from the emerging biosciences into its knowledge system? And what kind of ethical, socio-political, and scientific consequences are attached to the establishment of such new legalities? The book examines these problems by looking at materialities, the posthuman, and the relational in the (un)making of legalities. Themes and topics include postgenomic research, gene editing, neuroscience, epigenetics, precision medicine, regenerative medicine, reproductive technologies, border technologies, and theoretical debates in legal theory on the relationship between persons, property, and rights.