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Behzti (Dishonour)
"You think it is pleasant watching a fat virgin become infertile? I want to be seen and noticed and invited by people. I want anything... that is not this." Past her prime, Min joyfully spends her life caring for her sick, foul-mouthed mother, Balbir. Today, for the first time in years, they ́re off out. Mother and daughter head to the local Sikh Temple, but when Balbir encounters old friends, a past trauma rears its ugly head. Min and Balbir ́s illusions are about to be shattered as they become immersed in a world of desperate aspiration and dangerous deals. In a community where public honour is paramount, is there any room for the truth? Behzti was scheduled to open at The Door (Birmingham Rep) in December 2004 but was cancelled due to protests by some members of the local Sikh community.
A Kind of People
“In this country, you go as far as they let you.” Friday night and someone's having a party. It seems like a laugh, but not everyone's having fun. Nicky and Anjum want their kids to get into the best schools, and Gary is feeling the pressure after applying for a promotion. What happens when not everyone will get what they want? Gurpreet Kaur Bhatti's new play about a group of working-class friends dreaming of a better life for their children questions the dream of class mobility, and what happens when the odds are stacked against you.
Bhatti: Plays One
Gurpreet Kaur Bhatti has written extensively for stage, screen and radio. Her first play Behsharam (Shameless) broke box office records when it was produced in 2001. Her second play Behzti (Dishonour) won the Susan Smith Blackburn Prize in 2005. Behzti rocked the world of theatre when it was cancelled after protestsin Birmingham, forcing the playwright into hiding. The play’s closure sparked an international debate about offence and freedom of expression. In 2014, Khandan(Family) was co-produced by the Birmingham Rep and the Royal Court Theatre. This is her first collected works’ volume. Behsharam (Shameless) Two daughters, two mothers, one father, a cardboard cut-out and a foul-mouthed ...
Behud (Beyond Belief)
Behud (Beyond Belief) is the latest play by controversial playwright Gurpreet Kaur Bhatti.In December 2004, Gurpreet Kaur Bhatti's play Behzti rocked the world of theatre when it was cancelled after protests in Birmingham. The closure of the play sparked a vehement debate about offence and freedom of speech, as well as death threats for the playwright forcing her to go into hiding. In Behud, a playwright attempts to make sense of the past by visiting the darkest corners of her imaginations. Set amidst the theatre establishment, politicians and protesters, Behud is an imaginative response, inspired by the events surrounding Behzti, and the compelling story of an artist struggling to be heard.
Behsharam (Shameless)
Two daughters, two mothers, one father, a cardboard cut-out and a foul-mouthed granny – a household at war with itself, and a family which will do anything to protect its' secrets. Behsharam (Shameless) follows second generation sisters, Jaspal and Sati, through the fantasies, dysfunctions and obsessions of their extraordinary extended family. Set in Birmingham, this is a bold, disturbing and at times hilarious exploration of the British Asian experience.
Khandan (Family)
What happens when the legacy of a father collides with the dreams of his son? Widow Jeeto Gill has spent her life working hard and making sacrifices for her children. Now she looks forward to going back to her land in the Punjab, eating saag and roti on a verandah and letting her tired eyes rest on green fields. Her son Pal seems to have it all but he’s restless. He’s got big plans for his Daddy’s business and a taste for Johnny Walker Black Label. However his kind-hearted wife Liz has her own ideas about what’s best. Meanwhile Pal’s sharp-tongued sister Cookie runs the tackiest beauty salon in town and harbours a dark secret. When their cousin’s destitute wife, Reema, arrives from back home, the Gills propose to take care of her. Little do they know that her arrival will change the course of their family’s destiny forever.
Khandan (Family)
What happens when the legacy of a father collides with the dreams of his son? Widow Jeeto Gill has spent her life working hard and making sacrifices for her children. Now she looks forward to going back to her land in the Punjab, eating saag and roti on a verandah and letting her tired eyes rest on green fields. Her son Pal seems to have it all but he’s restless. He’s got big plans for his Daddy’s business and a taste for Johnny Walker Black Label. However his kind-hearted wife Liz has her own ideas about what’s best. Meanwhile Pal’s sharp-tongued sister Cookie runs the tackiest beauty salon in town and harbours a dark secret. When their cousin’s destitute wife, Reema, arrives from back home, the Gills propose to take care of her. Little do they know that her arrival will change the course of their family’s destiny forever.
Elephant
Vira hasn't seen her sister Deesh for years. Deesh's kids, Amy and Bill, want to know why but nobody's telling them anything. When Deesh invites her sister to Amy's flashy party, Vira reckons it's time to come home and move on. Time to stop watching the telly, get out of her council flat, stick on a glitzy sari and embrace her nearest and dearest. But is it possible to forgive and forget? And when a family is built on lies, will it be destroyed by the truth?
Rehearsing Revolutions
Choice Outstanding Academic Title, 2019 George Freedley Memorial Award Finalist, 2020 Between the world wars, several labor colleges sprouted up across the U.S. These schools, funded by unions, sought to provide members with adult education while also indoctrinating them into the cause. As Mary McAvoy reveals, a big part of that learning experience centered on the schools’ drama programs. For the first time, Rehearsing Revolutions shows how these left-leaning drama programs prepared American workers for the “on-the-ground” activism emerging across the country. In fact, McAvoy argues, these amateur stages served as training grounds for radical social activism in early twentieth-century ...
The No Rules Handbook for Writers
Shortlisted as one of The Stage's top 10 training books of 2012 The No Rules Handbook for Writers is a timely, creative and refreshing antidote to prescriptive guides for writers. It will inspire playwrights, screenwriters and novelists; offer fresh insights toteachers, editors, dramaturgs, directors and producers. Lisa Goldman takes 40 established conventions of creative writing. She explores why these rules persist, how to master them, bend or break them and why the most important rules to overturn are your own. The book weaves together industry experiences, psychological observations and inspirational tips. With practical advice from 40 rule-breaking writers: Hassan Abdulrazzak, Oladipo Agboluaje, Ronan Bennett, Sita Bramachari, Trevor Byrne, Anthony Cartwright, Matthew Greenhalgh, Tanika Gupta, Neil Hunter, M.J. Hyland, Gurpreet Kaur Bhatti, Dennis Kelly, Bryony Lavery, Chris Paling, Stacy Makishi, Neel Mukherjee, Hattie Naylor, Anthony Neilson, Kim Noble, Tom Palmer, Lucy Prebble, Philip Ridley, Paul Sirett, Edmund White, Roy Williams. The No Rules Handbook for Writers will be a valuable read for anyone curious about the craft, context and process of writing.
