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classic novel of Kaballah & legend, tr M Mitchell
The White Dominican is Meyrink's most esoteric novel, and draws on the wisdom of a number of mystical traditions, the most important of which is Tao. It is set in a mystical version of the Bavarian town of Wassserburg which sits on a promontory surrounded on three sides by the river Inn. The novel describes the spiritual journey of the simple hero, who, guided by a number of figures including his eccentric father, the spirit of of a distant ancestor, the protecting presence of his dead lover and the mysterious figure of the White Dominican, escapes the 'Medusa head' of the world to a transfiguration, through which he joins the 'living chain that stretches to infinity'.
First published in 1994 it is a welcome return for these classic stories in a 2-volume collection of Meyrink's short stories. 'Meyrink's short stories epitomised the non-plus-ultra of all modern writing. Their magnificent colour, their spine-chilling and bizarre inventiveness, their aggression, their succinctness of style, their overwhelming originality of ideas, which is so evident in every sentence and phrase that there seem to be no lacunae.'Max Brod "These tales - sc-fi, ghost-stories, gothic fables, oriental allegories - were written in the first decade of the century and are now translated for the first time. They make a magnificent introduction to his bizarre genius, which combined the sharp Bohemian scepticism of his contemporary Kafka with the mordant humour and outreach of Swift." -Independent on Sunday
Retold from traditional sources and accompanied by David Wisniewski's unique cut-paper illustrations, Golem is a dramatic tale of supernatural forces invoked to save an oppressed people. It also offers a thought-provoking look at the consequences of unleashing power beyond human control. The afterword discusses the legend of the golem and its roots in the history of the Jews. A Caldecott Medal Book.
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Of the volumes available to the English public, The Green Face, first published in 1916, is the most enjoyable. In an Amsterdam that very much resembles the Prague of The Golem, a stranger, Hauberisser, enters by chance a magician's shop. The name on the shop, he believes, is Chidher Green; inside, among several strange customers, he hears an old man, who says his name is Green, explain that, like the Wandering Jew, he has been on earth 'ever since the moon has been circling the heaven.' When Hauberisser catches sight of the old man's face, it makes him sick with horror. The face haunts him. The rest of the novel chronicles Hauberisser's quest for the elusive and horrible old man." Alberto M...
Mike Mitchell has revised his translation and a new introduction has been added. 'A superbly atmospheric story set in the old Prague ghetto featuring the Golem, a kind of rabbinical Frankenstein's monster, which manifests every 33 years in a room without a door. Stranger still, it seems to have the same face as the narrator. Made into a film in 1920, this extraordinary book combines the uncanny psychology of doppelganger stories with expressionism and more than a little melodrama... Meyrink's old Prague -- like Dickens's London -- is one of the great creation of city writing, an eerie, claustrophobic and fantastical underworld where anything can happen.' Phil Baker in The Sunday Times
Gustav Meyrink (1868 -1932) visited Alois Mailander several times between 1892 and 1905 and tested Mailander's mystical path. The letters published here report details from Meyrink's lifeperiod in Prague, of which one could get little information so far, and speak of the dynamism that made the banker Gustav Meyer a writer.
Paul Busson's legendary tale of the Baron Melchior. This grim account begins with its hero losing his head during the French Revolution, and really picks up from there, with the good Baron through swashbuckling and amorous activities finally becoming the master of death itself.
This is one of the best anthologies - as an anthology - I have ever read. It now has 43 tales in it, all of them exciting, all beautifully translated, ranging from the Austro-Hungarian decadence to modern science fiction. It also has an excellent introduction, describing the particular qualities of Austrian - as opposed to German, or any other - literatures. The Austro-Hungarian empire before the second world war was elegant, frivolous, possessed by baroque images of death and dissolution, full of witty sidelong comments on ossified political structures, in the form of bureaucracies and castles. Both of these were explored by Kafka, who is central to this anthology, in that there are three tales by him, and his rediscovery after the Nazi period has been a dominant and clearly benign influence on modern Austrian writing.