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The Loves of Great Composers
  • Language: en
  • Pages: 97

The Loves of Great Composers

  • Type: Book
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  • Published: 2022-09-16
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  • Publisher: DigiCat

DigiCat Publishing presents to you this special edition of "The Loves of Great Composers" by Gustav Kobbé. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Decisions and Reports
  • Language: en
  • Pages: 756

Decisions and Reports

  • Type: Book
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  • Published: 1957
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  • Publisher: Unknown

None

The Nation
  • Language: en
  • Pages: 698

The Nation

  • Type: Book
  • -
  • Published: 1891
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  • Publisher: Unknown

None

The Cambrian
  • Language: en
  • Pages: 422

The Cambrian

  • Type: Book
  • -
  • Published: 1887
  • -
  • Publisher: Unknown

None

The Churchman
  • Language: en
  • Pages: 1262

The Churchman

  • Type: Book
  • -
  • Published: 1896
  • -
  • Publisher: Unknown

None

The Loves of Great Composers
  • Language: en

The Loves of Great Composers

  • Type: Book
  • -
  • Published: 1905
  • -
  • Publisher: Unknown

None

The Dial
  • Language: en
  • Pages: 420

The Dial

  • Type: Book
  • -
  • Published: 1890
  • -
  • Publisher: Unknown

None

The History of the Violin
  • Language: en
  • Pages: 466

The History of the Violin

  • Categories: *
  • Type: Book
  • -
  • Published: 1864
  • -
  • Publisher: Unknown

None

The Literary World
  • Language: en
  • Pages: 526

The Literary World

  • Type: Book
  • -
  • Published: 1891
  • -
  • Publisher: Unknown

None

The Angel's Cry
  • Language: en
  • Pages: 252

The Angel's Cry

French in 1986, is now available in Arthur Denner's fluid and sensitive English translation. Predictably, Poizat's route is not at all a conventional one. Rather than taking as his point of departure the intentions of composers and librettists, he is primarily concerned with the expectations and desires of the audience. He reports on an informal group interview with overnight standees on the Paris Opera House steps as they compare notes on how opera became an addiction.