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When Sage Cassava wed legendary Hollywood actor Brandon Parrish, her grandmother gave the couple, as a wedding present, the two-story cabin in Montana that belonged to her late husband. Pregnant and restless and with Brandon off wrapping up a movie tour in London, Sage starts cleaning out her grandfather's old office in the barn and comes across a box of his personal journals in the back of a closet that no one knew existed. And there might be a good reason why they were hidden... Sage begins to dig deeper into her family's past and learns there's a deep dark secret connection that will change all of their lives forever.
Becoming a big brother or sister is one of the most exciting things that can happen in a child's life. Bernardo thought so too, but his little brother, Gustavo, is not exactly the example of a cute, calm and well behaved baby. Gustavo is a chaser, a drone, a bodyguard? He's practically Bernardo's shadow! Is it possible to live with a brother like that?Told through the eyes of a child, in a poetic and fun way, MY BROTHER, MY SHADOW exposes the anxieties and joys of becoming a big brother. The heartwarming writing by Fabiana Rocha and lovely illustrations by Bruna Assis Brasil show how challenging and exciting building a fraternal relationship can be, filled with small conflicts and lots of love.
"By most accounts, the United States has deported around five million people since 1882-but this includes only what the federal government calls "formal deportations." "Voluntary departures," where undocumented immigrants who have been detained agree to leave within a specified time period, and "self-deportations," where undocumented immigrants leave because legal structures in the United States have made their lives too difficult and frightening, together constitute 90% of the undocumented immigrants who have been expelled by the federal government. This brings the number of deportees to fifty-six million. These forms of deportation rely on threats and coercion created at the federal, state...
Since its inception, anthropology's authority has been based on the assumption that it is a unified discipline emanating from the West. In an age of heightened globalization, anthropologists have failed to discuss consistently the current status of their practice and its mutations across the globe. World Anthropologies is the first book to provoke this conversation from various regions of the world in order to assess the diversity of relations between regional or national anthropologies and a contested, power-laden Western discourse. Can a planetary anthropology cope with both the 'provincial cosmopolitanism' of alternative anthropologies and the 'metropolitan provincialism' of hegemonic schools? How might the resulting 'world anthropologies' challenge the current panorama in which certain allegedly national anthropological traditions have more paradigmatic weight - and hence more power - than others? Critically examining the international dissemination of anthropology within and across national power fields, contributors address these questions and provide the outline for a veritable world anthropologies project.