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Guy LaBree
Guy LaBree’s connection to the Seminole Tribe of Florida began when he was an elementary school student in the 1940s living near the Dania (now Hollywood) reservation in Florida. However, it wasn't until the 1970s that this relationship grew into a creative partnership. LaBree was encouraged by the Seminoles to produce paintings depicting important teachings about their culture, customs, history, and legend as a way of passing on traditional knowledge to younger generations. To do this, he was given unprecedented access to privileged information never before shared with outsiders.
Trash Cinema
This volume explores the lower reaches of cinema and its paradoxical appeal. It looks at films from the B-movies of the 1930s to the mockbusters of today, and from the New York underground to the genre variations of Turkey's Yesilçam studios (and their YouTube afterlife). Critically examining the reasons for studying, denigrating, or celebrating the detritus of film history, it also considers the place of a trash aesthetic within and beyond 1960s American avant-garde and looks at the cult of trash in the fanzines of the 1980s. It draws on debates about cult, paracinema, and camp, arguing that trash cinema exists in relation to these but brings with it a particular history that includes the ordinary as well as the strange. Trash Cinema places these debates, and the strand of self-proclaimed low culture that emerged in the second half of the twentieth century, within a historical and international perspective. It focuses on American cinema history but addresses Eurotrash reception as well as the related field of garbology, examining trash cinema as a distinct but fluid category.
The Lost Jungle
The main question addressed in this book: why has the Hollywood sound serial received so little scholarly attention? The sound serial was extremely popular in the 1930s and 1940s, with serials made by companies such as Universal and Columbia. At children’s matinees they were enthusiastically received, but were also part of a regular programme of neighbourhood cinemas in the United States. Eventually, this phenomenon went global and was a popular alternative to a feature film, regardless of whether they were screened individually or in a single sitting. Many works on the sound serial are written both by and for fans, with little more than a collection of image stills and brief summaries. He...
Betrayal
13 Tales of Betrayal The coin-toss side of honor. Where faith in others is misplaced. When the most trusted should have been the least. Betrayal, at the worst possible moment, can leave you dangling in the wind, facing the wrong end of the gun, or dead. Unless you move FAST!
Post-Unification Turkish German Cinema
This book offers a post-representational approach to a range of fiction and non-fiction films that deal with labour migration from Turkey to Germany. Engaging with materialist philosophies of process, it offers analyses of films by Thomas Arslan, Christian Petzold, Aysun Bademsoy, Seyhan Derin, Harun Farocki, Yüksel Yavuz and Feo Aladag. Shifting the focus from the longstanding concerns of integration, identity and cultural conflict, Gozde Naiboglu shows that these films offer new expressions of lived experience under late capitalism through themes of work, social reproduction, unemployment and insecure work, exhaustion and precarity, thereby calling for a rethinking of the established ideas of class, community and identity.
Alaska Bear Tales
Describes both humorous and deadly contacts between humans and bears in Alaska and reviews the precautions for avoiding a bear attack
History and Cultural Memory in Neo-Victorian Fiction
A PDF version of this book is available for free in open access via the OAPEN Library platform, www.oapen.org. Arguing that neo-Victorian fiction enacts and celebrates cultural memory, this book uses memory discourse to position these novels as dynamic participants in the contemporary historical imaginary.
The Radiant Abyss
Victorian London has been the setting for so many films - from the early years of silent pictures to the present day - that it has arguably become more than just a background and is almost a genre in its own right. The most potent and enduring symbol of the dark side of the nineteenth-century city is Jack the Ripper, who has been the subject of more than a dozen films and many more television dramas. Part of the fascination lies in the fact that he was never apprehended, leading to the feeling - as Peter Ackroyd says - that “the bloodshed was caused by the foul streets themselves and that the East End was the true Ripper”. The Radiant Abyss examines how the image of the dark side of the ...
The Oxford Handbook of Film Music Studies
The Oxford Handbook of Film Music Studies gathers two dozen original essays that chart the history and current state of interdisciplinary scholarship on music in audiovisual media, focusing on four areas: history, genre and medium, analysis and criticism, and interpretation.
Neo-Victorian Villains
Neo-Victorian Villains is the first edited collection to examine the afterlives of such Victorian villains as Dracula, Svengali, Dorian Gray and Jekyll and Hyde, exploring their representation in neo-Victorian drama and fiction. In addition, Neo-Victorian Villains examines a number of supposedly villainous types, from the spirit medium and the femme fatale to the imperial ‘native’ and the ventriloquist, and traces their development from Victorian times today. Chapters analyse recent theatre, films and television – from Ripper Street to Marvel superhero movies – as well as classic Hollywood depictions of Victorian villains. In a wide-ranging opening chapter, Benjamin Poore assesses the legacy of nineteenth-century ideas of villains and villainy in the twentieth and twenty-first centuries. Contributors are: Sarah Artt, Guy Barefoot, Jonathan Buckmaster, David Bullen, Helen Davies, Robert Dean, Marion Gibson, Richard Hand, Emma James, Mark Jones, Emma V. Miller, Claire O’Callaghan, Christina Parker-Flynn, Frances Pheasant-Kelly, Natalie Russell, Gillian Piggott, Benjamin Poore and Rob Welch.
