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Katalog fra udstilling i Barcelona og London, 2000.
One of the most playful, innovative and eccentric artists of Postwar Europe, Takis (b.1925, Athens) was a catalysing figure in the artistic and literary circles of Paris, London and New York from the 1950s onward. Pioneering a variety of sculpture, painting and musical structures, Takis made works that harness invisible natural forces. Perhaps best known are his innovative 'telemagnetic' works, begun in the late 1950s using everyday metallic objects that float in space through the use of magnets. These investigations and his fierce individualism won him the admiration of Beat writers such as Allen Ginsberg and William Burroughs and caused polemics with his artistic contemporaries Yves Klein,...
Rose English emerged from the Conceptual art, dance and feminist scenes of 1970s Britain to become one of the most internationally influential performance artists working today. This comprehensive exhibition catalog documents her 40-year career to date, including legendary site-specific performances and large-scale spectaculars. Her uniquely interdisciplinary work combines elements of theater, circus, opera and poetry to explore themes of gender politics, the identity of the performer and the metaphysics of presence. English has mounted performances on ice rinks; at the Royal Court Theatre and Tate Britain, London and Franklin Furnace, New York, collaborating with horses, magicians and acrobats. Accompanying many rare archival photographs and performance scripts, a major essay by art critic/curator Guy Brett surveys the artists work and times alongside interviews with two of Englishs closest collaborators, Sally Potter and Simon Vincenzi.
This monograph brings together the work of artist David Medalla. Born in Manila, in the Philippines in 1942, and based since 1960 mainly in London, Medalla has distinguished himself internationally as an innovator of the avant-garde. His work has embraced a multitude of enquiries and enthusiasms, forms and formats, to express a singular yet deeply coherent vision of the world.
Lavishly illustrated, this volume includes thematic essays and commentaries on works by this Brazilian, who has made some of the most politically telling and aesthetically seductive works in modern art.
A monograph, this book documents the artist's life and work and includes photographs which have never before been reproduced. It also contains a selection of his short texts and poems, which reflect his feelings on the open question of the relationship between art and life.
Brett, a former London Times art critic, surveys five popular art movementsthe protest patchworks (arpillera of Chile; agricultural commune paintings of Huxian, China; popular art in Zaire's Shaba province; the visual testimony of Hiroshima and Nagasaki survivors; and art produced by the women protesters at Greenham Common in Great Britain. The author seeks to establish "these productions as an artistic and social phenomenon of great significance which can often give a deeper insight into the contemporary world than the major established forms of art, or of the mass media." This thesis, however, is much larger than the 160 pages allotted to it and is often supported with undeveloped assertions and unjustified conclusions. For example, Brett states that "mechanical reproduction has not in practice served to articulate the desires of the masses"; but what about popular photography? Fortunately, he is a sensitive reader of images and proves a competent guide in unfamiliar art terrain. The book includes 40 color and 100 black-and-white reproductions and photographs. -- From Publisher's Weekly Copyright 1987 Reed Business Information, Inc.
Helio Oiticia (1937-80) was one of the most influential artists of the late twentieth century. At the end of the 1960s Oiticica was invited to exhibit at the Whitechapel Art Gallery in London. This book captures not only a pivotal moment in the life and career of a unique artist but also in the development of the avant-garde in London.
Brazilian artist Lygia Pape was a founding member of the Neo-Concrete movement, which was dedicated to the inclusion of art into everyday life.Her early work developed out of an interest in European abstraction; however, she and her contemporaries went be
A distinctive voice in art criticism since the 1960s, Guy Brett has followed an independent path in mapping and interpreting contemporary art. 'Carnival of Perception' is a collection of his writings which traces the outlines of a collective reality, expressed in a play of wit and spirit.