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The Collins New Naturalist series is the longest-running and arguably the most influential natural history series in the world with over 100 volumes published in over 60 years. This edition is produced from an original copy by William Collins. While the mainstream New Naturalist volumes were initially intended to deal with broad subjects such as wild flowers, insects or National Parks, a parallel New Naturalist series of monographs on single species or related groups of species was also published between 1948 and 1971. There have been no additions since. Now, for the first time in over forty years, these best-selling volumes are available again. The New Naturalist monographs shared the same ...
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In 1966, before East and West Pakistan divided into Bangladesh and Pakistan, the author was invited to organize the first of two major expeditions to help lay plans for conservation in these areas. These led to the creation of seven protected areas and two national parks.
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How and why did our most acclaimed birdwatchers take up birding? What were their early experiences of nature? How have their professional birding careers developed? What motivates them and drives their passion for wildlife? How many birds have they seen? Mark Avery and Keith Betton, passionate birdwatchers and conservationists, interview members of the birdwatching community to answer these and many other questions about the lives of famous birdwatchers. They take you behind the scenes, and behind the binoculars, of a diverse range of birding and wildlife personalities. Behind the Binoculars includes interviews with: Chris Packham, Phil Hollom, Stuart Winter, Lee Evans, Steve Gantlett, Mark Cocker, Ian Wallace, Andy Clements, Mike Clarke, Debbie Pain, Keith Betton, Roger Riddington, Ian Newton, Stephanie Tyler, Mark Avery, Stephen Moss, Alan Davies and Ruth Miller, Rebecca Nason and Robert Gillmor.
Slavery is back. America, 1962. Having lost a war, America finds itself under Nazi Germany and Japan occupation. A few Jews still live under assumed names. The 'I Ching' is prevalent in San Francisco. Science fiction meets serious ideas in this take on a possible alternate history.
Despite Messiaen's position as one of the greatest technical innovators of the twentieth century, his musical language has not been comprehensively defined and investigated. The composer's 1944 theoretical study, The Technique of My Musical Language, expounds only its initial stages, and while his posthumously published Traité de rythme, de couleur, et d'ornithologie contains detailed explanations of selected techniques, in most cases the reader is left to define these more precisely by observing them in the context of Messiaen's analyses of his own works. Technical processes are nevertheless in many cases the primary components of a work or movement. For instance, personnages dominate 'Joi...