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S.J. Peploe
This biography of one of Scotland's most illustrious artists offers insights based on the author's privileged access to family archives. As Samuel Peploe's grandson, Guy Peploe has access to all the major public and private collections.
44 Scotland Street
The bestselling author of the No. 1 Ladies Detective Agency Series brings his trademark warmth and wisdom to his novel chronicling the lives of the residents of 44 Scotland Street that's 'as charming as the bohemian street in which it's set' (Scottish Daily Record) The story revolves around the comings and goings at No. 44 Scotland Street, a fictitious building in a real street in Edinburgh. Immediately recognisable are the Edinburgh chartered surveyor, stalwart of the Conservative Association, who dreams of membership of Scotland's most exclusive golf club. We have the pushy Stockbridge mother, and her prodigiously talented five-year-old son, who is making good progress with the saxophone a...
Modernism, Magazines, and the British avant-garde
This book is a re-examination of the fertile years of early modernism immediately preceding the First World War. During this period, how, where, and under whose terms the avant-garde in Britain would be constructed and consumed were very much to play for. It is the first study to look in detail at two little magazines marginalised from many accounts of this competitive process: Rhythm and the Blue Review. By thoroughly examining not only the content but the interrelated networks that defined and surrounded these publications, Faith Binckes aims to provide a fresh and challenging perspective to the on-going reappraisal of modernism. Founded in 1911, and edited by John Middleton Murry with ass...
The Charming Quirks Of Others
As well as its advantages, there are drawbacks to the enlightened village that is twenty-first-century Edinburgh, where every Saturday night ears burn at dinner parties across the city, and anyone requiring the investigative abilities of a philosophical soul knows where to find her. Jillian McKinlay -- wife of a trustee of an illustrious school -- is the latest petitioner; she asks Isabel to look into a poison-pen letter that makes insinuations about applicants for the position of principal. Isabel's niece Cat has another new boyfriend who seems too good to be true. And when a pretty cellist with a tragic story takes a fancy to her husband-to-be, Isabel finds herself contemplating an act of heroic and alarming self-sacrifice.
Bertie Plays The Blues
Even down to its well-set Georgian townhouses, Edinburgh is a hymn to measure and harmony. But on Scotland Street, domestic accord is in short supply. Matthew and Elspeth welcome three new arrivals, though the joys of multiple parenthood are somewhat lost due to sleep deprivation and the difficulties of telling their brood apart. Angus and Domenica are to marry, and Domenica has ambitious and disturbing plans for their living arrangements, especially when it appears that Antonia, in Italy recuperating from Stendhal Syndrome, may not return. And little Bertie, feeling blue, puts himself up for adoption on eBay. Can Edinburgh's most deliciously dysfunctional residents forsake discord and learn to dance to the same happy tune?
The Forgotten Affairs Of Youth
Happy with her husband-to-be and beloved son, Isabel Dalhousie has feelings about parenthood that grow more tender daily. So when Jane, a visiting academic adopted and sent to Australia as a baby, asks for help in tracing her Scottish origins, she cannot refuse. However, habitually upright Isabel finds herself beset by temptation - for instance, to be suspicious of Professor Lettuce's latest subterfuge, and of her niece Cat's weakness for the wrong man. And when the search for Jane's parents turns troubling, she can hardly prevent herself from interfering too forcefully in family secrets. As she steers a course between love and laissez-faire, our philosopher heroine succeeds in resisting all temptations but those which must be answered, and teases a solution from every problem.
Joan Eardley
Joan Eardley (1921-63) is considered to be one of the most influential Scottish painters of her generation. Her paintings and drawings reflect urban and rural Scotland in an expressive visual language unlike any other artist's. This new, highly illustrated survey of her painting does renewed justice to the range, scale and power of her work.
The Careful Use Of Compliments
For philosophically minded Isabel Dalhousie, editor of the Review of Applied Ethics, getting through life with a clear conscience requires careful thought. And with the arrival of baby Charlie, not to mention a passionate relationship with his father Jamie, fourteen years her junior, Isabel enters deeper and rougher waters. Late motherhood is not the only challenge facing Isabel. Even as she negotiates a truce with her furious niece Cat, and struggles for authority over her son with her formidable housekeeper Grace, Isabel finds herself drawn into the story of a painter's mysterious death off the island of Jura. Perhaps most seriously of all, Isabel's professional existence and that of her beloved Review come under attack from the machiavellian and suspiciously handsome Professor Dove. A master storyteller whether debating ethics in Edinburgh or pursuing lady detectives in Africa, here Alexander McCall Smith is as witty and wise as his irresistibly spirited heroine.
Life, Times and Work of William Gillies, 1898-1973
For seventy years, William Gillies has been seen as a placid painter of landscape and decorative still life. Andrew McPherson explodes this view to reveal a modernist whose response to the instabilities and violence of modernity touched universals of human experience. Gillies' idiom was shaped by institutions for artistic production unique to Scotland. But it was the politics of Scotland's connections to the rest of the British Isles that produced his mythic and misleading reputation.New paintings and new meanings are uncovered placing the micro-effects of modernity on mental health, family and community in the wider contexts of war, nationalism and public patronage. McPherson also shows how this changing world led Gillies towards new applications of modernist expression. Lavishly illustrated, and referencing almost one thousand works, this major reappraisal is an indispensable source on the cultural politics of a four-nation state and the reception of moder nism in Britain.
