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"When Cedric Morris and Arthur Lett-Haines opened The East Anglian School of Painting and Drawing in Dedham, Essex, in 1937 they were both established artists with international reputations...Their idea was to set up an art school which would provide an alternative to the formal courses offered by the art schools in the metropolis. The aim, as expressed in the school's brochure, was to provide 'an environment where students can work together with more experienced artists in a common endeavour to produce sincere painting.' The emphasis was on encouraging freedom of invention, enthusiasm, and enjoyment, with the assumption that the student 'believes himself to have a clear idea of creative work and requires help only in its production'...The extracts which form the text of this book are based largely on conversations with our contributors which took place during the years 1998 and 1999. Articles, extracts from an autobiography and a diary are also included. They comprise the affectionate memories of a few of those who knew and loved Benton End and its two gifted and hospitable hosts." -- from the Introduction.
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A significant number of eighteenth- and nineteenth-century Virginians migrated north and west with the intent of extricating themselves from a slave society. All sought some kind of freedom: whites who left the Old Dominion to escape from slavery refused to live any longer as slave owners or as participants in a society grounded in bondage; fugitive slaves attempted to liberate themselves; free African Americans searched for greater opportunity. In Migrants against Slavery Philip J. Schwarz suggests that antislavery migrant Virginians, both the famous--such as fugitive Anthony Burns and abolitionist Edward Coles--and the lesser known, deserve closer scrutiny. Their migration and its aftermath, he argues, intensified the national controversy over human bondage, playing a larger role than previous historians have realized in shaping American identity and in Americans' effort to define the meaning of freedom.
With all technology destroyed, King Arthur and his knights are reborn to save the modern world from a centuries-old foe in this dark fantasy series debut. Long ago, King Arthur and his Knights of the Round Table fought against the evil sorceress Morgana. The battles were brutal, and victory cost Arthur his life. But Merlin cast a powerful spell to ensure that if Morgana ever returned, Arthur and his knights would be reborn. Now, centuries later, Morgana has returned . . . Her first attack is a red fog that wipes out the world’s modern technology. Countries fall as the world plunges back into the Middle Ages. Then Morgana sends her soldiers to find Arthur before he can claim the magical sword, Excalibur, and unite the people against her. Tracking him down in a small town in the Pacific Northwest, her victory finally appears to be at hand. Or is this only the beginning of a new epic battle?
This book has characters in common with the Someone Else's Fairytale series. Everyone needs a safe space. For Lizzie Warner, that space has always been in front of the camera on her hit show, or on stage before a sold out concert arena. Since before she can remember, she’s been a star, but that may be about to change. She’s nineteen. Her show has been cancelled and now she’s going to play the lead in a new prime time drama series, but is the world ready to take her seriously, or will she be typecast as the cute tween queen forever? Her network has decided to be aggressive and has invested millions of dollars in an ad campaign for her show, money she’s not sure she can earn back. Her ...
The inspiring true story of one woman's transformation from 335 pounds to world-class triathlete in just four years. After being on yo-yo diets almost all her life, Sue Reynolds was still morbidly obese, but decided to try one more time without much hope for positive results. But this time was different. She was fed up with not being able to do things because of her size. She was tired of not being able to tie her own shoes, fit in restaurant booths, or walk more than a few feet. She was ready. The Athlete Inside follows Reynolds's journey as she lost 200 pounds and found an athlete hiding inside her body. From her first walk to the neighbor's mailbox to finishing sixth at the World Triathlo...
Ancestors include: Stephen Nolen (1753-1846), a Revolutionary War soldier, of Frederick County, Virginia; Fairfield District, South Carolina; and Chambers County, Alabama; and Griffith Chapman (d. 1894) of Coosa County, Alabama.
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
Bernard Reynolds was a man - and an artist - very much of his time. His upbringing was strict, yet instilled in him a deep love of nature and art. Indeed, if he was without a sculpture project of some kind, even for a short time, he felt uncomfortable. For Bernard, family life with Gwynneth, the children and grandchildren, and his social life within a large, varied circle of friends. was not conducted entirely separately from art. Right up until his death in 1997, he was proposing and working on new ideas for sculpture, and delighting in drawing from life. Pat Hurrell is a lecturer in Visual History and Theory in Photography at University Campus Suffolk in Ipswich.