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Young actress Joanna Bergman has been guilt-ridden for four years. Her best friend Cynthia Foster died in a firebombing meant to protest a New York draft board near their college in 1971. Jo was supposed to accompany the charismatic Cyn on the night of the bombing but backed out at the last minute. Jo's new life is complicated enough: she's falling for her soap opera costar, the philandering Martin Yates, and trying to regain the sense of connection she lost when Cyn died. But then Cyn's ghost appears, furious with Jo for bailing on her that fateful night and, worse, for going on living without her. As Jo tries to figure out what her friend's ghost wants from her, she is hurled again and again back to the night of Cyn's death.
What if there are other timelines, other histories, other Jews? Would they still have a covenant with the one God, or would they know strange gods? Would they have survived banishment, pogrom and Holocaust? What if the Holocaust had not occurred? Or what if it had succeeded beyond Hitler's darkest dreams? Some of the world's greatest speculative fiction authors explore these roads not taken, and many others, in Other Covenants: Alternate Histories of the Jewish People, the first-ever anthology of Jewish alternate history fiction.
Whether Thersites in Homer’s Iliad, Wilfred Owen in “Dulce et Decorum Est,” or Allen Ginsberg in “Wichita Vortex Sutra,” poets have long given solitary voice against the brutality of war. The hasty cancellation of the 2003 White House symposium “Poetry and the American Voice” in the face of protests by Sam Hamill and other invited guests against the coming “shock and awe” campaign in Iraq reminded us that poetry and poets still have the power to challenge the powerful. Behind the Lines investigates American war resistance poetry from the Second World War through the Iraq wars. Rather than simply chronicling the genre, Philip Metres argues that this poetry gets to the heart ...
Our first issue! All of the content will be available for purchase as an eBook (PDF, EPUB, MOBI) on November 4, 2014. The free online content will be released in 2 stages- half on November 4, and half on December 2. Featuring new fiction by Maria Dahvana Headley, Kat Howard, Max Gladstone, Amelia Beamer, Ken Liu, and Christopher Barzak, classic fiction by Jay Lake, essays by Sarah Kuhn, Tansy Rayner Roberts, Christopher J Garcia, plus a Worldcon Roundtable featuring Emma England, Michael Lee, Helen Montgomery, Steven H Silver, and Pablo Vazquez, poetry by Neil Gaiman, Amal El-Mohtar, and Sonya Taaffe, interviews with Maria Dahvana Headley, Deborah Stanish, Beth Meacham on Jay Lake, and Christopher Barzak, and a cover by Galen Dara.
“Rich word choices and settings that blend speculative concepts with quotidian reality highlight this stellar anthology of prose and poetry.” —Publishers Weekly “One of those rare long-term survivors of the small-press landscape…contributes mightily to the health of our genre.” —Locus Online Assembled from the second year of the digital journal Mythic Delirium and recast in an artfully arranged anthology, this latest offering from editors Mike and Anita Allen will introduce you to harrowing deserts and vengeful waters, to quantum mythology and edible religion, to slipstream explorations of love and identity. Publisher and editor Mike Allen writers in his introduction, “If you...
The March/April 2018 issue of Hugo Award-winning Uncanny Magazine. Featuring new fiction by Sarah Pinsker, A.T. Greenblatt, Emma Törzs, Sarah Monette, Vina Jie-Min Prasad, and Brandon O'Brien, reprinted fiction by Nalo Hopkinson, essays by R.F. Kuang, Neile Graham, Marissa Lingen, and Karlyn Ruth Meyer, and poetry by Fran Wilde, Cassandra Khaw, Brandon O'Brien, Beth Cato, Sonya Taaffe,Hal Y. Zhang, and Andrea Tang, interviews with A.T. Greenblatt and Vina Jie-Min Prasad by Caroline M. Yoachim, a cover by Nilah Magruder, and an editorial by Lynne M. Thomas and Michael Damian Thomas.
The November/December 2015 issue of Uncanny Magazine. Featuring new fiction by Ursula Vernon, Elizabeth Bear, Karin Tidbeck, Yoon Ha Lee, and Alex Bledsoe, classic fiction by Alaya Dawn Johnson, essays by Annalee Flower Horne and Natalie Luhrs, Aidan Moher, Tansy Rayner Roberts, and Deborah Stanish, poetry by Mari Ness, Sonya Taaffe, and Lisa M. Bradley, interviews with Yoon Ha Lee and Alex Bledsoe by Deborah Stanish, a cover by Julie Dillon, and an editoral by Lynne M. Thomas and Michael Damian Thomas. As always, available DRM-free.
The January/February 2020 issue of Hugo Award-winning Uncanny Magazine. Featuring new fiction by Sam J. Miller, Miyuki Jane Pinckard, Nicole Kornher-Stace, Paul Cornell, Christopher Caldwell, and Marissa Lingen. Reprint fiction by Del Sandeen. Essays by John Wiswell, Octavia Cade, Katherine Cross, and Aidan Moher, poetry by Theodora Goss, Lizy Simonen, Ewen Ma, Neil Gaiman, and L.X. Beckett, interviews with Miyuki Jane Pinckard and Paul Cornell by Caroline M. Yoachim, a cover by Nilah Magruder, and editorials by Lynne M. Thomas and Michael Damian Thomas, and Elsa Sjunneson. Uncanny Magazine is a bimonthly science fiction and fantasy magazine first published in November 2014. Edited by 2016, 2017, 2018, 2019 & 2020 Hugo award winners for best semiprozine, and 2018 Hugo award winners for Best Editor, Short Form, Lynne M. Thomas and Michael Damian Thomas, and Chimedum Ohaegbu and Elsa Sjunneson, each issue of Uncanny includes new stories, poetry, articles, and interviews.
The September/October 2017 issue of Hugo Award-winning Uncanny Magazine. Featuring new fiction by N.K. Jemisin, Fran Wilde, C. S. E. Cooney, Catherynne M. Valente, Vina Jie-Min Prasad, and Delia Sherman, reprinted fiction by Malinda Lo, essays by Sophie Aldred, Cecilia Tan, Sarah Kuhn, Sam J. Miller and Jean Rice, and Sabrina Vourvoulias, poetry by Jo Walton, Brandon O'Brien, Ali Trotta, and Gwynne Garfinkle, interviews with C. S. E. Cooney and Delia Sherman by Julia Rios, a cover by Ashley Mackenzie, and an editorial by Lynne M. Thomas and Michael Damian Thomas.
Friends. You gotta have 'em, but sometimes they drive you crazy. You love 'em, but sometimes they make you mad. They'll help you through a crisis...unless they are the crisis.