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Culture and Enlightenment
This title was first published in 2002: Culture and Enlightenment are the two words that best characterise the essence of György Markus's career, in whose honour this book is published. Markus devoted the last twenty years of research towards a theory of cultural objectivations and their pragmatics, and the great depth of his knowledge of the history of culture and philosophy informs all his teaching and writing. The pursuit of Enlightenment ideals attains reflective self-consciousness in Markus' works; forged in the knowledge of its own historicity, of the embeddedness of rationalities in culture and in an awareness of the paradoxes that cling to the conscious affirmation of ideals which a...
Language and Production
In Language and Production, Gyorgy Markus presents us with a pro found critique of contemporary social theory: of the philosophy and methodology of the social sciences; of the philosophy of language; of hermeneutics and critical theory; and finally, of Marx and of Marxisms. The sweep of Markus' project is complemented by the extraordinary detail of his analysis and the elaborately developed argument which gives the work its clear logical structure: it is a dialectical work. Markus begins with a critique of the paradigm of language and of that scientific ra tionality modeled on language, as frameworks for the understanding of social reality, and for a rational 'science of society' . After rev...
Rethinking Imagination
Pulling together a collection of richly informative essays Rethinking Imagination addresses competing sets of ideas, oscillating between the modern and post-modern, creativity and sublimity, progress and apocalypse, democracy and redemption Enlightenment and Romanticism and reason and imagination. Aiming to thematise these debates from the perspective of the imagination, Rethinking Imagination takes two directions. The first addresses a socio-cultural interpretation in which the distinguishing figures of modernity can be viewed as continuing differentiation and autonomatization of spheres and systems that goes well beyond the divisions of labour. The second is an ongoing philosophical discourse about the imagination and its relation to reason which has been present since Enlightenment. Divided into two separate yet interconnected parts, this book is a highly significant collection of essays and a valuable contribution to the field of philosophical and socio-cultural sociology. It is a key book for undergraduate, postgraduate and academic researchers.
Culture, Science, Society
The closely interrelated essays in this volume address the question of the internal dynamism of the high culture of modernity in its paradoxical constitution as the complementary unity of strict opposites: the sciences (philosophy included) and the arts. Special attention is paid to the internal strains of these two great fields in our contemporaneity. It discusses on the one hand the role of experts and, on the other, that of the market in both of these areas . It also deals with the hermeneutical relationship between author - work - recipient and its historical transformations. Although essays deal with the complex philosophical issues, these are discussed in a clear way, approcheable for a person with a broad philosophical interest. They are, however, addressed primarily to philosophers, social scientists, culturologists and aestheticians.
The Philosophical Discourse of Modernity
The Philosophical Discourse of Modernity: Twelve Lectures. Introduction by Thomas McCarthy, translated by Frederick Lawrence.
Inhuman Conditions
Globalization promises to bring people around the world together, to unite them as members of the human community. To such sanguine expectations, Pheng Cheah responds deftly with a sobering account of how the "inhuman" imperatives of capitalism and technology are transforming our understanding of humanity and its prerogatives. Through an examination of debates about cosmopolitanism and human rights, Inhuman Conditions questions key ideas about what it means to be human that underwrite our understanding of globalization. Cheah asks whether the contemporary international division of labor so irreparably compromises and mars global solidarities and our sense of human belonging that we must radi...
Marxism and Anthropology
"Marxism and Anthropology" is one of the most detailed philosophically-oriented attempts at explaining Marx's own position on philosophical anthropology, encompassing the organic conditions of human sociality, the humanization of nature and the naturalization of man. In the second decade of the 21st Century, rethinking Marx's intensely historicized conception of human nature has become an important consideration for critical and social theory due to a renewed interest in finding a possible anthropological basis for normatively grounding radical social critique (for example, in the works of Axel Honneth, Charles Taylor or Emmanuel Renault). Gyorgy Markus belongs to the small group of Hungaria...
Trauma, History, Philosophy (With Feature Essays by Agnes Heller and György Márkus)
In the age of the war on terror and what one critic has called 'disaster capitalism', the topic of trauma has assumed renewed cultural relevance. Trauma, Historicity, Philosophy is a collection of essays by Australian philosophers, psychoanalysts, and cultural theorists on the genealogy, semantics, and relevance of the concept of 'trauma' in the contemporary world. The collection features two essays by Agnes Heller and Gyorgy Markus addressing trauma, and what psychoanalysis' elevation of 'trauma' to cultural centrality means (and has meant) for modern philosophy and social theory. Other essays address '911', cyber-terrorism, the shoah, political tyranny, the 'end of history', and engage with the thought of Kierkegaard, Schmitt, Hobbes, Derrida, Agamben, Badiou, Zizek, Lacan and Freud.
Essays on Music
"A book of landmark importance. It is unprecedented in its design: a brilliantly selected group of essays on music coupled with lucid, deeply incisive, and in every way masterly analysis of Adorno's thinking about music. No one who studies Adorno and music will be able to dispense with it; and if they can afford only one book on Adorno and music, this will be the one. For in miniature, it contains everything one needs: a collection of exceptionally important writings on all the principal aspects of music and musical life with which Adorno dealt; totally reliable scholarship; and powerfully illuminating commentary that will help readers at all levels read and re-read the essays in question."â...
