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The Female Wits: Women and Gender in Restoration Literature and Culture reúne trabajos sobre varias escritoras inglesas del siglo XVII. Algunas son bien conocidas hoy en día, como Margaret Cavendish y Aphra Behn, mientras que para otras su reconocimiento académico aún está por llegar (Mary Pix, Catharine Trotter, Elizabeth Singer Rowe, etc.). Los ensayos atienden tanto a la forma en que ellas contribuyeron a la transformación de los géneros literarios al uso en su época como a la relación que establecieron con sus coetáneos masculinos.
This book is not designed to define the sacred. It is, rather, a bringing together of case histories (a rich, varied collection from medieval, early modern and nineteenth-century contexts in England and Wales) that goes beyond familiar paradigms to explore the dynamic, protean interaction, in different times and places, between sacred space and text. Essentially an interdisciplinary enterprise, it focuses a range of historical and critical methodologies on that complex process of transformation and transmission whereby spiritual intuitions, experiences and teachings are made palpable ‘in art and architecture, poetry and prayer, in histories, scriptures and liturgies, even landscapes. So the sacred, variously constructed and inscribed, makes itself felt ‘on the pulse’; is a presence, a voice even now not stilled.
From the Fool to the Wildman, from the irate Reformer to the festive Masqueraders, this collection of articles offers a variety of topics, approaches, and agendas in the study of early modern European theatre. With samplings from Scandinavia, Germany, England, France, the Iberian peninsula, and even the New World, this collection also spans time, from the late fifteenth century to the present. In the process, Carnival and the carnivalesque are examined from archival, Bakhtinian, cultural, and even political points of view. The articles in this collection reveal the variety and inherent vitality of scholarship in early modern theatre. The thirteen essays have been selected from presentations made at the Eighth Triennial Congress of the Société Internationale pour l'Etude du Théâtre Médiéval held in Toronto (1995), under the auspices of the Records of Early English Drama project and Victoria University in the University of Toronto.
This is the first book of Akenside criticism to be published since C. T. Houpt's biographical and critical study, which initially appeared in 1944. This important collection of essays examines the full range of Akenside's poetical output, from his earliest published work to the later odes and posthumous published poems.
The Reformation (1673), attributed to Joseph Arrowsmith, is an amusing satire on the libertine manners of the Stuart court. A group of young men in Venice set up a society to reform sexual mores “à la mode d’Angleterre” and liberate women from the tyranny of fathers and husbands. Described by a contemporary critic as “the Reverse to the Laws of Morality and Virtue”, the play was quickly withdrawn from the stage. The comedy also offers a burlesque portrait of Poet Laureate John Dryden, poking fun at his critical opinions and dramatic production. This is the firts critical edition of the play. The editors place it in its social and cultural context and present a fully annotated text, which enables today’s reader to enjoy and understand Arrowsmith’s lively picture of Restoration life.
Framed by the publication of Leviathan and the 1713 Licensing Act, this collection provides analysis of both canonical and non-canonical texts within the scope of an eighty-year period of theatre history, allowing for definition and assessment that uncouples Restoration drama from eighteenth-century drama. Individual essays demonstrate the significant contrasts between the theatre of different decades and the context of performance, paying special attention to the literary innovation and socio-political changes that contributed to the evolution of drama. Exploring the developments in both tragedy and comedy, and in literary production, specific topics include the playwright's relationship to...
Often attributed to Aphra Behn, The Woman Turned Bully presents the London adventures of a young girl who flees her home in the country, disguised as a man, to escape an arranged marriage. As she seeks inspiration in the theatre to personate the gallant, the play offers an amusing satire of the extravagances of the rake-hero of Restoration comedy. A remarkable gallery of secondary characters includes a ridiculous old lawyer and his clerk, a strong-willed country widow who drinks and smokes tobacco, and an amorous old maid. Its well-structured plot, lively dialogues and comic situations recommend it as an entertaining play for today's readers and prospective audiences. .This is the first edition of the play since its original publication in 1675. The editors offer a modernised text, with abundant critical notes and an introduction which places it in its literary and theatrical context.
In a series of ten historical and literary studies, this volume analyses the complex narrative of changing political identities in early modern Europe and maps out some of the dominant ways in which 'European-ness' was articulated in documents of the period. As the collection unfolds, its contributors explore these themes from a whole range of geographical perspectives, including not only accounts of British culture, but also those describing cultural relations and political identities with regard to Italy, Spain, France, the Papacy, the Netherlands, Bohemia and the Americas, for example. Concentrating upon early modern nations at a time when they were just beginning to formulate recognizable collective identities, the studies contained in this volume offer a clear picture of the ways in which current literary and historical scholarship may yield penetrating insights into the broader question of how the very idea of Europe evolved amongst its native inhabitants during the fifteenth, sixteenth and seventeenth centuries.
"This book offers the fullest critical account to date of the literary career of Mark Akenside (1721-1770). In the course of the discussion, Akenside's literary achievements and his contributions to the vibrant cultural scene of the mid-eighteenth century are amply demonstrated, as well as his intellectual originality, his inventive use of source material, and his influence on poets and philosophers in the late eighteenth century and the Romantic period."--Publisher's website.