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Class, Culture and Tragedy in the Plays of Jez Butterworth
Jez Butterworth is undoubtedly one of the most popular and commercially successful playwrights to have emerged in Britain in the early twenty-first century. This book, only the second so far to have been written on him, argues that the power of his most acclaimed work comes from a reinvigoration of traditional forms of tragedy expressed in a theatricalized working-class language. Butterworth’s most developed tragedies invoke myth and legend as a figurative resistance to the flat and crushing instrumentalism of contemporary British political and economic culture. In doing so they summon older, resonant narratives which are both popular and high-cultural in order to address present cultural crises in a language and in a form which possess wide appeal. Tracing the development of Butterworth’s work chronologically from Mojo (1995) to The Ferryman (2017), each chapter offers detailed critical readings of a single play, exploring how myth and legend become significant in a variety of ways to Butterworth’s presentation of cultural and personal crisis.
Edward Bond: Bondian Drama and Young Audience
'Edward Bond: Bondian Drama and Young Audience' focuses on one of the most influential playwrights of Britain, Edward Bond, and his plays for young audiences. The chapters examine the theatrical and pedagogical prospects of the plays on young people which have been mostly staged since 1990s, throughout the globe. The issues covered in this book involve interdisciplinary studies such as theatre, pedagogy, ethics, children, culture, politics, among others. These topics have crucial importance for the production of plays for young audiences. Apart from this, the book focuses on Bondian Drama and its relation with the dramatic child, involving most of his plays for young audiences. The authors in this volume examine theatrical and pedagogical backgrounds of the plays, discussing critical issues, by questioning the specialities of Bondian drama and present future implications of this for young audiences. This volume presents substantial and elaborate information on crucial issues, and enable detailed discussions from various perspectives on theatre.
Reassembling Pain, Reassembling the Reading of Fiction
The present book deals with Sarah Kane’s dramatic text Cleansed to show a specific negotiation of violence, pain, life and death – one that is not necessarily causal or dichotomous. Instead, a new mode of reading, based on Bruno Latour’s take on Actor-Network-Theory, helps to make fictional worlds simultaneously intelligible in a mediate and in an immediate way. This results in an unprecedented understanding of how language can influence and modify ontological configurations. Eventually, this allows for a re-evaluation of political problems that occur in the 20th and 21st century.
49 Company Book - SOIL PRODUCTS
This book is the largest referral for Turkish companies.
Kente Klark Çeken Öyküler
20 yazarın 21 öyküsü KENTE KLARK ÇEKEN ÖYKÜLER başlığı altında karşında. Bu öykülerin 20'si bu kitap için yazıldı. Kitabın içine daldığında niteliğin niceliğin önüne geçtiğini fark edecek merak ve keyifle sayfalar arasında gezineceksin.
The Life and Legacy of Gokhan Acikkollu
I will never stop seeking for justice and trying to hold those perpetrators accountable for their crimes, both in this world and the next. I will never say “Well, it is just fate, and there is nothing we can do about it.” No, I will not step aside! I will demand justice until justice is done! Yes, I believe firmly in destiny and the Hereafter, but I also believe that if I let those perpetrators get away with their horrendous crimes, shame on me! Yes, shame on me! Until my last breath, I will chase the murderers and their bosses! I will do everything in my power, and if I cannot get any results in this world… There is a God! There is a Hereafter! There is Divine Justice! I fully believe!
ÖĞRETMEN GÖKHAN AÇIKKOLLU
Adalet aramaktan ve işlenen bu cinayetin faillerini hem bu dünyada hem de öbür dünyada işledikleri suçlardan sorumlu tutmaya çalışmaktan asla vazgeçmeyeceğim. Asla “Kader böyleymiş, yapabileceğim bir şey yok” demeyeceğim. Hayır, kenara çekilmeyeceğim! Adalet yerini bulana kadar adalet talep edeceğim! Evet, kadere ve Ahirete kesinlikle inanıyorum... ama aynı zamanda bu korkunç suçları işleyenlerin cezasız kalmalarına seyirci kalırsam, yazıklar olsun bana! Son nefesime kadar katillerin ve onları bu cinayetlere teşvik edenlerin peşlerinde olacağım! Elimden gelen her şeyi yapacağım... Bu dünyada bir sonuç alamam belki... Ne gam? Allah var! Ahiret var! İlahi Adalet var!
