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The great Shakespeare Jubilee festival was held at Stratford, under the direction of David Garrick. The occasion was the dedication of the new town hall and the presentation by Garrick of a statue of Shakespeare. Immense interest, enthusiasm, and controversy were aroused by the plans, which involved not only theatrical and rhetorical festivities but fireworks, processions and a horserace. This book was originally published in 1964 to coincide with the 400th anniversary of Shakespeare’s birth. It describes the festival, which touched heights of success and depths of disaster, its impact on Stratford, its after effects in London, especially theatrical London, where rival managers tried to cash in on Garrick’s idea and where Garrick turned the Stratford failure into resounding success at Drury Lane. The author quotes entertainingly from newspapers, memoirs, and plays, and illustrates her book with contemporary engravings and portraits.
David Garrick (1717-79) is synonymous with the golden age of English theatre. Widely acclaimed as an actor, he went on to become a shrewd theatre manager at Drury Lane. His years in charge of the Theatre Royal ensured its dramatic ascendancy and burnished his own considerable celebrity. These letters, first published in 1831, reveal Garrick's gregarious nature and shed light on his many friendships with leading ladies, fellow actors, contemporary playwrights, and members of high society. His love of Shakespeare's work is also evident, highlighting Garrick's pivotal role in ensuring the plays became established in the national consciousness. This two-volume collection was edited by James Boaden (1762-1839), who published several theatrical biographies (also reissued in this series). Volume 2 contains letters from the final years of Garrick's life, notably his correspondence in French with influential figures in Parisian theatre.
In contrast to each other, Volume 5 is a sociological portrait of mostly little people in their tragic and comic efforts to achieve fame on the London stage during the Restoration and eighteenth century, whereas Volume 6 is dominated by the glamour of David Garrick, Nell Gwyn, and Joseph Grimaldi, the celebrated clown. Some 250 portraits individualize the great and small of the theatres of London.
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Vols. for 1871-76, 1913-14 include an extra number, The Christmas bookseller, separately paged and not included in the consecutive numbering of the regular series.