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Also available as "World Biographical Index" Online and on CD-ROM
Dervish Dust is the authorized biography of "cool cat" actor James Coburn, covering his career, romances, friendships, and spirituality. Thoroughly researched with unparalleled access to Coburn's friends and family, the book's foundation is his own words in the form of letters, poetry, journals, interviews, and his previously unpublished memoirs, recorded in the months before his passing. Dervish Dust details the life of a Hollywood legend that spanned huge changes in the entertainment and filmmaking industry. Coburn grew up in Compton after his family moved from Nebraska to California during the Great Depression. His acting career began with guest character roles in popular TV series such a...
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Saïd Amir Arjomand's Kings and Dervishes is a pioneering study of the emergence and development of Sufism during the formation of the Persianate world. Whereas Sufi doctrine was expressed in the New Persian language, its social organization was detached from the civic movement among the urban craftsmen and artisans known as the fotovva(t) and was politically shaped by multiple forces--first by the revival of Persian kingship, and then by the emergence of the Turko-Mongolian empires. The intermingling of Sufism's developmental path with the transformation of the Persianate political regimes resulted in the progressive appropriation of royal symbols by the Sufi shaykhs. The original Sufi world renunciation gave way first to world accommodation and the medieval love mysticism of Jalāl al-Din Rumi and Hāfez of Shiraz, and then to world domination. This comprehensive work of historical sociology traces these spiritual and political evolutions over the course of some six centuries, showing how the Sufi saints' symbolic sovereignty was eventually made real in the imperial kingship of the Persianate world's early modern empires.
Caught in a Whirlwind: A Cultural History of Ottoman Baghdad as Reflected in its Illustrated Manuscripts focuses on a period of great artistic vitality in the region of Baghdad, a frontier area that was caught between the rival Ottoman and Safavid empires. In the period following the peace treaty of 1590, a corpus of more than thirty illustrated manuscripts and several single page paintings were produced. In this book Melis Taner presents a contextual study of the vibrant late sixteenth-century and early seventeenth-century Baghdad art market, opening up further avenues of research on art production in provinces and border regions.