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In this captivating book, activist and scholar Gill Hague recounts the inspiring story of the violence against women movement in the UK and beyond from 1960s onwards, examining the transformatory politics behind this movement through an important historical and international lens.
’Honour'-based violence is a form of intimate violence committed against women (and some men) by husbands, fathers, brothers and male relatives. A very common social phenomenon, it has existed throughout history and in a wide variety of societies across the world, from white European to African cultures, from South and East Asia to Latin America. The most extreme form of Honour-based violence - 'honour' killing - tragically remains widespread. Over the last decade, national and international efforts, including new policy development and activist campaigns, have begun to challenge the practice. Based on a pioneering and unique study, conducted collaboratively by the Centre for Gender and Violence Research, University of Bristol, the University of Roehampton and Kurdish Women's Rights Watch, this book is at the forefront of this new and challenging policy direction.
Domestic violence is in the public eye as never before, but how often are abused women consulted or involved in the new services and policies? This book investigates, and reveals that the voices of survivors of domestic violence are often simply not heard; silenced, the women themselves become invisible. Is Anyone Listening? draws on the experiences of other service user movements to provide a strong conceptual framework for thinking about abused women's participation in policy and service development. It discusses empowerment issues and the women's movement against gender violence, exploring how far refuge organisations and other women's movement services have influenced statutory services ...
This book uncovers the experiences of disabled women who have suffered domestic violence, drawing on the first UK national study conducted in this area. It discusses the nature of violence perpetrated against disabled women and the range of its impacts, and outlines how services can be developed and improved, pointing to examples of good practice.
`The research methodology and the problems encountered when studying a subject such as domestic violence, coupled with the ethical problems of researching with children, are discussed at length in the book. This gives a good insight into the intricacies of conducting such a research study. The research looked not only at children who were known to have direct contact with domestic violence, but also what children in general thought and felt about domestic violence. The presentation of the findings, both in tabular and narrative form, was well presented' - Accident and Emergency Nursing Journal `This book offers accessible and interesting reading. It is well written as one would expect from t...
Domestic violence experienced in childhood continues to have an enduring emotional impact into adulthood. The scars it leaves can impact on family lives, employment, and long-term emotional and mental health. This book explores the experiences of adult survivors of domestic violence in childhood. The authors draw on many years' experience at the forefront of the field to bring together current research, best practice guidance for those working with both adults and children, personal testimonies and creative writing from survivors. The book addresses how to work with children exposed to domestic violence to address the issues before they grow up, as well as guidance on working with adult survivors. The personal accounts and poems make real the research and practice guidance. This important book will be essential reading for all those working with survivors of domestic violence in childhood, including counsellors, social workers and therapists, as well as students, academics and policy makers.
An Essay on Typography was first published in 1931, instantly recognized as a classic, and has long been unavailable. It represents Gill at his best: opinionated, fustian, and consistently humane. It is his only major work on typography and remains indispensable for anyone interested in the art of letter forms and the presentation of graphic information. This manifesto, however, is not only about letters "š€š" their form, fit, and function "š€š" but also about man's role in an industrial society. As Gill wrote later, it was his chief object "to describe two worlds "š€š" that of industrialism and that of the human workman "š€š" and to define their limits." His thinking about type is still provocative. Here are the seeds of modern advertising: unjustified lines, tight word and letter spacing, ample leading. Here is vintage Gill, as polemical as he is practical, as much concerned about the soul of man as the work of man; as much obsessed by the ends as by the means.
This practical guide to the basics of market research takes a clear, concise step-by-step approach. It describes and explains the various tools and techniques available to market researchers. Comparative examples and real-life international case studies help make the basics of market research straightforward and accessible. Market Research in Practice assumes no previous knowledge of the subject and offers guidance for the reader who is either studying or completely new to market research. The book also outlines data protection legislation and details the professional ethics incorporated in the MRS Code of Conduct. Contents include: the role of market research market research design desk research focus groups and in-depth interviews sampling questionnaire design interviewing self-completion questionnaires and e-surveys data analysis report findings Part of the new Market Research in Practice series and published in association with the Market Research Society, Market Research in Practice is an invaluable guide for students, researchers, marketers and users of market research.
In this captivating book, activist and scholar Gill Hague recounts the inspiring story of the violence against women movement in the UK and beyond from 1960s onwards, examining the transformatory politics behind this movement through an important historical and international lens.
More than fifty specialists have contributed to this new edition of volume 4 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.