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The Literary Life of Cairo
Readings from literary works that re-construct a century of Cairo's changing social life. Unlike The Literary Atlas of Cairo, which focuses on the literary geopolitics of the cityscape, this companion volume immerses the reader in the complex network of socioeconomic and cultural lives in the city. The seven chapters first introduce the reader to representations of some of Cairo's prominent profiles, both political and cultural, and their impact on the city's literary geography, before presenting a spectrum of readings of the city by its multiethnic, multinational, and multilingual writers across class, gender, and generation. Daunting images of colonial school experiences and startling cont...
The Scents of Marie-Claire
A Tunisian novel shortlisted for the International Prize for Arabic Fiction (the ‘Arabic Booker’) This novel from one of Tunisia’s leading writers, the first of his works to be translated into English, narrates a love story in all its stages, in all its glorious and inglorious details. Moment by moment we become acquainted with the morning rituals, the desires of the flesh, the turbulence of the spirit, and even a few unattractive personal habits. It is a journey that takes us inside the nuances of what passes between two lovers, from the first glances of attraction to the final words of anger. It is a journey filled with all the hallmarks of the complex relationship between one man and one woman--the mystery and the ambiguity, the intricacy and the confusio--which, in the end, serve to expose its fragility. This is an intimate tale that manages to tell not only the story of two individuals, but also that of the collision of two cultures.
Brains Confounded by the Ode of Abū Shādūf Expounded, with Risible Rhymes
Witty, bawdy, and vicious, Yūsuf al-Shirbīnī’s Brains Confounded pits the “coarse” rural masses against the “refined” urban population. In Volume One, al-Shirbīnī describes the three rural “types”—peasant cultivator, village man-of-religion, and rural dervish—offering anecdotes testifying to the ignorance, dirtiness, and criminality of each. In Volume Two, he presents a hilarious parody of the verse-and-commentary genre so beloved by scholars of his day, with a 47-line poem supposedly written by a peasant named Abū Shādūf, who charts the rise and fall of his fortunes. Wielding the scholarly tools of elite literature, al-Shirbīnī responds to the poem with derision ...
Chaos of the Senses
Ahlam Mosteghanemi's second novel picks up where Memory in the Flesh left off, with the story of love set in the battered and bruised Algeria of the1990s. Mosteghanemi takes her readers through the streets of suspicion and suspense, and the ups and downs of a forbidden love affair, through a story within a story, as a writer stuck in a loveless marriage to an important military man inadvertently writes what eventually comes true. She begins--after a period of not writing--by penning the narrative of a mysterious man who courts the object of his desire through deceptive words, then she helplessly follows the path of her fictitious character only to find that the mystery man exists and it is he who has led her to his door and into his life. One twist leads to the next, as the question remains of which man the writer was destined to meet and fall in love with--the mysterious artist or the doomed journalist. This lyrical adventure teases the reader with facts for fiction and fiction for facts. The backdrop of political chaos creates a sense of foreboding and fear for two powerless lovers. But where is reality and where is fantasy?
Brains Confounded by the Ode of Abū Shādūf Expounded
Unique in pre-twentieth-century Arabic literature for taking the countryside as its central theme, Yūsuf al-Shirbīnī’s Brains Confounded combines a mordant satire on seventeenth-century Egyptian rural society with a hilarious parody of the verse-and-commentary genre so beloved by scholars of his day. In Volume One, al-Shirbīnī describes the three rural “types”—peasant cultivator, village man-of-religion and rural dervish—offering numerous anecdotes testifying to the ignorance, dirtiness, illiteracy, lack of proper religious understanding, and criminality of each. He follows it in Volume Two with a 47-line poem supposedly written by a peasant named Abū Shādūf, who charts the...
Homecoming
"Johnson-Davies, a distinguished translator from Arabic, has produced a collection of nearly 60 Egyptian short stories that usefully adds to the growing corpus of Arab literature available in English."—Choice Short story writing in Egypt was still in its infancy when Denys Johnson-Davies, described by Edward Said as “the leading Arabic–English translator of our time,” arrived in Cairo as a young man in the 1940s. Nevertheless, he was immediately impressed by such writing talents of the time as Mahmoud Teymour, Yahya Hakki, Yusuf Gohar, and the future Nobel literature laureate Naguib Mahfouz, and he set about translating their works for local English-language periodicals of the time. ...
The Great Social Laboratory
The Great Social Laboratory charts the development of the human sciences—anthropology, human geography, and demography—in late nineteenth- and twentieth-century Egypt. Tracing both intellectual and institutional genealogies of knowledge production, this book examines social science through a broad range of texts and cultural artifacts, ranging from the ethnographic museum to architectural designs to that pinnacle of social scientific research—"the article." Omnia El Shakry explores the interface between European and Egyptian social scientific discourses and interrogates the boundaries of knowledge production in a colonial and post-colonial setting. She examines the complex imperatives of race, class, and gender in the Egyptian colonial context, uncovering the new modes of governance, expertise, and social knowledge that defined a distinctive era of nationalist politics in the inter- and post-war periods. Finally, she examines the discursive field mapped out by colonial and nationalist discourses on the racial identity of the modern Egyptians.
هز القحوف في شرح قصيد ابي شادوف
The Tale of the Persian Scholar -- Sermons by Country Pastors -- Further Anecdotes Showing the Ignorance of Country Pastors -- Funayn's Letter and Another Missive -- An Account of Their Poets and of Their Idiocies and Inanities -- The First of Their Verses: "My shirt kept trailing behind the plow"--The Second of Their Verses: "And I said to her, 'Piss on me and spray!'" -- The Verse of Shaykh Barakāt: "Barakāt was passin' by" -- The Third of Their Verses: "By God, by God, the Moighty, the Omnipotent
The Man from Bashmour
Egypt in the ninth century ad: an Arab, Muslim ruling class governs a country of mostly Coptic-speaking Christians. After an exorbitant land tax imposed by the caliph's governors sparks a peasant revolt, Budayr is dispatched to the marshlands of the Nile Delta as an escort for a church-appointed emissary whose mission is to persuade the rebels to lay down their arms. But he is soon caught up in a swirl of events and concerns that alter the course of his life irrevocably, setting him on a path he could never have foreseen. The events that befall him and the insights he gains from them bring about a gradual but inexorable personal transformation, through which his eyes are opened to the fundamental commonalities-- practical, spiritual, and existential--that bind Muslims and Copts, and he emerges as an emissary of a new sort. Hailed as a groundbreaking treatment of otherwise neglected aspects of medieval history, The Man from Bashmour is an exploration of the Egyptian character past and present, and offers insights into Egyptian thought on everything from love, philosophy, and religion to life and death.
Memories of a Meltdown
In the spring of 1986, Mohamed Makhzangi was living in Kiev, an Egyptian doctor studying in the Ukraine. As a result, he--like thousands of others--found himself living a nuclear nightmare when the Chernobyl plant had a catastrophic meltdown. Despite numerous fail-safe protections, human error sent massive quantities of deadly radiation into the serene spring of the Soviet sky. In superbly crafted prose, Memories of a Meltdown describes the days that followed from Makhzangi's dual perspective, as both an outsider and a victim. Described by the author as an 'anti-memoir, ' this assemblage of impressions in the aftermath of the meltdown offers a searing account of factual events distilled thro...
