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Intertitles
  • Language: en

Intertitles

  • Type: Book
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  • Published: 2021
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  • Publisher: Unknown

Intertitles is an anthology of work situated at the intersection of writing and the visual arts. The anthology aims to explore their confluence and is conceived in response to a twofold observation: the increased presence of written, spoken and performed language in the work of visual artists and the simultaneous increase in visibility and circulation of the work and voices of writers in the visual arts arena. Bringing together a substantial and significant collection of work, the anthology recognises that both writers and artists are attracted to the possibilities of language as a material. Through essays, performance texts, scores, poetry and more, Intertitles plots a course through contem...

All This Stuff
  • Language: en
  • Pages: 254

All This Stuff

  • Categories: Art

Introduced by Clive Phillpot, and including artists and writers such as Gustav Metzger, Bruce McLean, Barbara Steveni, John Latham, Barry Flanagan, Edward Burra, Penelope Curtis, and Neal White, "All This Stuff "breaks new ground in the field of archive theory. It documents the innovative ways in which the arts are challenging the distinctions, processes, and crossovers between artworks and archives. This critical reexamination exemplifies how the field of art archiving is changing theory and practice as well as our understanding of what an archive is, or could be. Valuable insights are given into the archival process and the book also explores how archives can be made accessible and the unpredictable ways in which they may be explored and reinterpreted in the future.

Contemporary Exhibition-Making and Management
  • Language: en
  • Pages: 115

Contemporary Exhibition-Making and Management

This book provides a unique insight into contemporary curation and management in an innovative London-based gallery. Using a critical in-depth case study exploration of IMT art gallery’s ‘successes’ and ‘failures’, it illustrates and evaluates contemporary issues and challenges in curatorial initiatives and exhibition-making strategies. IMT operates as a ‘hybrid space’, combining characteristics of both the commercial gallery sector with non-profit artist-led or garage spaces while retaining affiliations to academic teaching and research. This book explores its structure, behaviour, history, partnerships and exhibition programme through a variety of disciplinary lenses, bringing together cultural, creative, economic, and pedagogical perspectives, as well as the effect of recent sociocultural impacts of the global financial crisis, and the COVID-19 pandemic. Research-based and thought-provoking, this study will be of great interest to researchers, advanced students and professionals in curatorial studies, museum and gallery management, and art markets.

Artistic Creation and Ethical Criticism
  • Language: en
  • Pages: 289

Artistic Creation and Ethical Criticism

Artistic Creation and Ethical Criticism, a study in philosophical aesthetics, investigates an idea that underpins the ethical criticism of art but that is rarely acknowledged and poorly understood - namely, that the ethical criticism of art involves judgments not only of the attitudes a work endorses or solicits, but of what artists do to create the work. The book pioneers an innovative production-oriented approach to the study of the ethical criticism of art - one that will provide a detailed philosophical account of the intersection of ethics and artistic creation as well as conceptual tools that can guide future philosophizing and criticism. Ted Nannicelli offers three arguments concernin...

The Annotated Reader
  • Language: en

The Annotated Reader

  • Type: Book
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  • Published: 2018
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  • Publisher: Unknown

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Brother Poem
  • Language: en
  • Pages: 90

Brother Poem

  • Type: Book
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  • Published: 2023-03-02
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  • Publisher: Granta Books

A speculative-poetic work from the Forward Prize-winning, T.S. Eliot shortlisted author of RENDANG At the heart of Brother Poem is a sequence addressed to a fictional brother. Through these fragments, Will Harris attempts to reckon with the past while mourning what never existed. The text moves, cloud-like, through states of consciousness, beings and geographies, to create a moving portrait of contemporary anxieties around language and the need to communicate. With pronominal shifts, broken dialogisms, and obsessive feedback loops, it reflects on the fictions we tell ourselves, and in our attempts to live up to the demands of others. From a dimension uncannily like our own, intuited through signs, whispers, and glitches, Brother Poem is shadowed by the loss of what can't be seen. Telling stories of bizarre familial reckonings and difficult relationships, about love and living with others, it is a deeply sensitive coming-of-age poetics.

How to Write About Contemporary Art
  • Language: en
  • Pages: 228

How to Write About Contemporary Art

  • Categories: Art

This is the definitive guide to writing engagingly about the art of our time. Invaluable for students, arts professionals and other writers, it brims with practical tips that range across the full spectrum of art-writing including academic essays; press releases and news articles; texts for auction and exhibition catalogues, gallery guides and wall labels; op-ed journalism and exhibition reviews and writing for websites and blogs. Gilda Williams, a London correspondent for Artforum, points to the power of close looking and research, showing how to deploy language effectively; how to develop new ideas; and how to construct compelling texts. Includes a bibliography, advice on the use and misuse of grammar and tips on how to construct your own contemporary art library.

Laure Prouvost
  • Language: fr
  • Pages: 96

Laure Prouvost

  • Categories: Art
  • Type: Book
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  • Published: 2018-10-10T00:00:00+02:00
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  • Publisher: Palais de Tokyo

Généreux et plein d’humour, le travail de Laure Prouvost examine les relations entre langage, image et perception, plaçant le visiteur dans des situations de doute et d’incompréhension, mais aussi d’émerveillement intellectuel et sensoriel. Ces situations deviennent des installations immersives qui invitent à l’évasion et dans lesquelles dialoguent films, sculptures, peintures, tapisseries, performances. Son exposition au Palais de Tokyo, « Ring, Sing and Drink for Trespassing », est une ode aux chemins de traverse et au dépassement des limites, à la joie de se faufiler à travers un grillage pour découvrir un terrain vague ou un jardin aujourd’hui abandonné. Livre publié à l'occasion de l'exposition personnelle de Laure Prouvost au Palais de Tokyo, « Ring, Sing and Drink for Trespassing », 22.06 – 09.09.2018

The Magpie & the Wardrobe
  • Language: en

The Magpie & the Wardrobe

The Magpie and the Wardrobe - A Curiosity of Folklore, Magic and Spells, is a lovingly curated compendium of time-honoured traditions and curious customs that have bewitched us for generations.Discover simple magic, heirloom recipes and forgotten fairytales in this eclectic treasury. The twelve chapters, representative of the seasons, present the celebrations, superstitions and folklore that shape our year. From cherished traditions like Valentine’s Day to the lost excitement of May Day, The Magpie and the Wardrobe reveals a calendar bursting with history, imagination and curious facts. Take a closer look at your favourite homespun rituals and the magic we conjure every day; make a candle wish, mix a moon oil elixir, and hang your romantic hopes on the predictions of an apple peel. Illustrated by a unique collection of ephemera and embellished with trinkets and charms, this sumptuous volume will appeal to the creative and curious.Digital version available in an enhanced eBook format.

Curating Digital Art
  • Language: en
  • Pages: 256

Curating Digital Art

  • Type: Book
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  • Published: 2021-09-21
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  • Publisher: Unknown

What is the role of the curator when organizing digital art exhibitions in offline and online spaces? Analyzing the influence and impact of curating digital art, the book focuses on how the experiments of curators, artists and designers opened the possibility to reconfigure traditional models and methods for presenting and accessing digital art. In the process, it addresses how web-based practices challenge certain established museological values and precipitate alternative ways of understanding art's stewardship, curatorial responsibility, public access and art history. Through more than twenty interviews with artists and curators in the course of the last ten years, and flanked by an extensive timeline, the reader of this publication is given an insight into the discourse on digital art and its curation today.