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'Hannah August's intelligent and humane study illuminates, sometimes uncomfortably, the ways in which our demographics are changing and our attitudes are not. This is public intellection that is curious, rigorous, and highly relevant to our time.' Eleanor Catton In 2013, there were over 66,000 more women between the ages of 25-49 living in New Zealand than there were men. This so-called ‘man drought’ is a hot topic for journalists and academics alike, who comment on how the situation might affect New Zealand women’s chances of finding love. Yet they rarely stop to ask women their own opinions on the matter. In this BWB Text, Hannah August does just that, integrating interview material, statistics and cultural commentary in order to demonstrate why we need to talk differently about the ‘man drought’.
This book is the first comprehensive examination of commercial drama as a reading genre in early modern England. Taking as its focus pre-Restoration printed drama’s most common format, the single-play quarto playbook, it interrogates what the form and content of these playbooks can tell us about who their earliest readers were, why they might have wanted to read contemporary commercial drama, and how they responded to the printed versions of plays that had initially been performed in the playhouses of early modern London. Focusing on professional plays printed in quarto between 1584 and 1660, the book juxtaposes the implications of material and paratextual evidence with analysis of historical traces of playreading in extant playbooks and manuscript commonplace books. In doing so, it presents more detailed and nuanced conclusions than have previously been enabled by studies focused on works by one author or on a single type of evidence.
The New Oxford Shakespeare edition of Romeo and Juliet provides a fresh and authoritative introduction to one of Shakespeare's most famous tragedies.
Born into an upper middle class family in 1843, Hannah Preston grows up knowing the advantages of music, books and education in the settled life of a farming community near Chicago. Her life changes irrevocably when Robert Cargill, a restless Scots-Irish immigrant, sweeps into it like a strong wind off Lake Michigan. Marriage to Robert brings her separation from a comfortable life with parents, siblings, and friends and carries her on a journey across prairies and mountains by emigrant train to a small ranch in California. There the hardships of raising seven children begin in a two-room adobe house where water had to be hauled daily from a neighbor’s well. During the following quarter century, Hannah sees her children educated beyond the local country school by sending them to San Jose. She helps her husband claim a homestead some twenty miles away. Often apart from him for days or weeks, she finds it necessary to care for family at home while Robert works on the homestead. Through births, deaths, separations, and physical hardships, Hannah gains strength while retaining her faith, her love for family, and her spirit of gratitude and deep joy.
From the first battle at Bull Run to the surrender of Lee's army at Appomattox four years later, only one federal infantry brigade experienced the entire Civil War as a cohesive unit. While most units were composed of regiments from different states that were disbanded after three years, the First New Jersey Brigade was the enduring exception. Despite the group's remarkable coherency, it started as many military units did during the early stages of the war-a disorganized ragtag outfit that was poorly trained and ill-prepared for battle. This quickly changed, however, with the appointment of General Philip Kearny in the fall of 1861. Kearny transformed the troops, making them among the most d...