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All people could do was speculate on the fate of those who vanished - strangers; seemingly random, unconnected: all plucked from their lives and never seen again. The notes found left behind, apparently describing some slender reason for their removal, were all that linked them. They were all delivered by one man. Rodney Moon had admitted seeing those who had been disappeared and to passing the notes, but denied any involvement beyond that. Who wrote the letters, then? Moon shrugged during the trial: 'It has no name,' he said. 'It's a bogeyman. A monster.' He was not mourned when the vengeful bereft finally found him. Some years later, four strangers; seemingly random, unconnected, all take the last train home. But something each of them has forgotten - or is trying to forget - is catching up with them; with a terrible, inexorable purpose. The devil is in the detail, as they say.
Hannah Coulter is Wendell Berry’s seventh novel and his first to employ the voice of a woman character in its telling. Hannah, the now–elderly narrator, recounts the love she has for the land and for her community. She remembers each of her two husbands, and all places and community connections threatened by twentieth–century technologies. At risk is the whole culture of family farming, hope redeemed when her wayward and once lost grandson, Virgil, returns to his rural home place to work the farm.
Excitement is building for this year’s Twammies and Clementine Darling is hotly tipped to win Best Female Singer and Political Spokesperson! The government is embarrassed about the leak of a confidential email exchange, but have you heard about Clementine’s new beau Devon Ayre? Yes, human cloning appears to have been legalised, but wasn’t Devon once together with Clementine’s arch rival Coral Jerome? And does it really matter what dubious corporate connections helped get this bill into place while Clementine and Coral are locking horns in a violent feud? Livestock is a razor-sharp satire on our relationship with the media from critically acclaimed graphic novelist Hannah Berry. In the fight for the public’s attention, why let public interest get in the way?
Britten and his unconventional partner, Brulightly, take on the case of Berni Kudos, a man who has committed suicide. At least, suicide was the official verdict. His fiancee, Charlotte Maughton, believes his death was something more sinister."
A graphic novel in collaboration with the Edinburgh International Book Festival to mark its 30th anniversary, IDP (short for 'internally displaced person or persons') imagines a Scotland 30 years in the future. Six teams of major names in European comics and graphics novels collaborate on a single narrative. Celebrated French graphic novelist and illustrator Barroux, Costa Award short-listed Mary Talbot and artist Kate Charlesworth, 'grandfather of British comics' and co-creator of 2000AD Pat Mills and graphic novelist Hannah Berry, enfant terrible of Scottish letters and author of Trainspotting Irvine Welsh and graphic artist Dan McDaid, graphic novelists Adam Murphy and Will Morris, have been brought together by story editor, crime writer and graphic novelist, Denise Mina. The story follows the catastrophic effects of a small rise in sea levels on the county's heavily populated low lying areas and how society reimagines itself in the face of a huge population shift in a world of scarce resources.
Everyone is talking about this darkly gripping story of hidden secrets, as seen on BBC2 Between the Covers Book Club. 'A gripping, intelligent, utterly-of-the-moment thriller' EMMA STONEX 'A captivating story of women's power, love and secrets' LARA PRESCOTT 'Compelling, atmospheric. It's BRILLIANT' MARIAN KEYES 'Fascinating, atmospheric, utterly gripping' LIZ HYDER 'Demands to be devoured in one sitting' GLAMOUR 'A gripping and moving debut' HARLAN COBEN 'Magnificent' CHARLOTTE PHILBY 'Spellbinding' JANE SHEMLIT 'Darkly compelling' STYLIST 'Richly imagined' THE TIMES _________ She's beautiful and beguiling... but can you trust her? Young London lawyer Laura flies to her parents' homeland fo...
Blackwood is a graphic novel mystery set in the small town of Hundersby, where two murders happen, many years apart. Peg, and her great-grandson, Mason, hold clues to the town's secrets, but does anyone want to know?
Nathan Coulter, Wendell Berry’s first book, was published in 1960 when he was twenty–seven. In his first novel, the author presents his readers with their first introduction to what would become Berry’s life’s work, chronicling through fiction a place where the inhabitants of Port William form what is more than community, but rather a “membership” in interrelatedness, a spiritual community, united by duty and bonds of affection for one another and for the land upon which they make their livelihood. When young Nathan loses his grandfather, Berry guides readers through the process of Nathan's grief, endearing the reader to the simple humanity through which Nathan views the world. Echoing Berry's own strongly held beliefs, Nathan tells us that his grandfather's life “couldn't be divided from the days he'd spent at work in his fields.” Berry has long been compared to Faulkner for his ability to erect entire communities in his fiction, and his heart and soul have always lived in Port William, Kentucky. In this eloquent novel about duty, community, and a sweeping love of the land, Berry gives readers a classic book that takes them to that storied place.
Hannah Lowe taught for a decade in an inner-city London sixth form. At the heart of this book of compassionate and energetic sonnets are 'The Kids', her students, the teenagers she nurtured. But the poems go further, meeting her own child self as she comes of age in the riotous 80s and 90s, later bearing witness to her small son learning to negotiate contemporary London. Across these deeply felt poems, Lowe interrogates the acts of teaching and learning with empathy and humour. Social class, gender and race - and their fundamental intersection with education - are investigated with an ever critical and introspective eye. The sonnet is re-energised, becoming a classroom, a memory box and even a mind itself as 'The Kids' learn and negotiate their own unknown futures. These boisterous and musical poems explore and explode the universal experience of what it is to be taught, and to teach, ultimately reaching out and speaking to the child in all of us. The poems in the first section of the book draw on Hannah Lowe's experiences as a teacher in the 2000s, but the scenarios are largely fictitious, as are the names of the students. The Kids is a Poetry Book Society Choice.
These stories portray people consumed by yearning, but devoid of hope.