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Cranial Osteopathy: Principles and Practice - Volume 1
Taking a detail-oriented, yet holistic approach to the body is the underpinning of craniosacral osteopathy. This richly illustrated guide, which focuses on the jaw joint, TMJ and mouth disorders disorders, and the facial skull, will help you understand how specific dysfunctions arise, but also how they interrelate to wider patterns of dysfunction. Further chapters cover palpatory procedures, including examples of best practice, and guidance in training your palpatory perception. With precise anatomical diagrams to illustrate each craniosacral technique, this resource provides a strong foundation for any successful cranial osteopathic practice.
Behind the Legends
Stefan Heym's very beginnings as a writer were a direct response to the threat of Fascism and the mass veneration of Hitler, and in his American exile he was to encounter the marketing and image machinery of capitalism and democratic politics. After arriving in the GDR in the wake of McCarthyism he was then confronted with the Stalin cult and the stark contradiction between the personality cult and the purported aims of the Communist vision. This book examines Heym's response to a problem that did not die out with the collapse of the Soviet bloc and which he treated as a universal phenomenon, and probes the extent to which he employed various publicity techniques to shape his own reception as a writer. In this analysis of an often controversial figure, the author draws on much uncovered archive material, and places close readings in a broad context; this is one of few studies that deal with Heym's career as a whole, from his beginnings in the Weimar Republic and Czechoslovakia and his overnight success in America through to his eminence as an intellectual public figure in the GDR and the reunified Germany.
Voices of Rebellion
The German Revolution of 1848-49 offered a significant literary opportunity for all those interested in politics in general and the progress of women in society in particular. This book explores the work of a number of women who took up the challenge of breaking into the decidedly male preserve of political writing in this period. The focus is on women with very different concerns: Malwida von Meysenbug, the aristocrat who supported the democratic cause, the assimilated Jew Fanny Lewald; the housewife, musician, composer and teacher Johanna Kinkel; and the radical feminist Louise Aston. The work examines the strategies these women employed to negotiate potentially explosive issues such as the politics of the day, class, religion and gender, as well as the way traditional images like the father-child relationship are exploited to express new thoughts. Using a combination of close textual reading and thematically based analysis the book illuminates the authors' individual works and explores underlying issues that are common to all.
From the Past to the Future
The call by German Early Romantic writers for a new mythology is one of the boldest and most unusual demands by any literary theorist. This study asks how an age which variously saw mythology as a historical phenomenon or a collection of artistically useful images came to see the need for its renewal at all. The author traces the evolving role of mythology in the writings of Winckelmann, Herder, Moritz and Schiller and argues that the late eighteenth century saw the emergence of a new conception of mythology which depended less on an established iconography and cultural context and more on the poetic and linguistic functions of mythology. This dehistoricized view of mythology formed the basis of the Romantic project and the author examines the works of Friedrich Schlegel and Schelling as well as the Älteste Systemprogramm des deutschen Idealismus against that background.
Jews in Business and Their Representation in German Literature, 1827-1934
The emancipation of Jews that commenced in Germany in the early 19th century pushed many Jews into urban commerce, industries, and intellectual professions. The ongoing modernization and the Jewish prominence in business brought about an anti-Jewish reaction. Jews were seen as the incarnation of the new materialistic "Zeitgeist", dishonest merchants pursuing non-German business practices, and usurpers of economic power. The Jews represented an alien, unwanted economic system. The backlash against the Jewish businessman was reflected in contemporary literature, from Wilhelm Hauff's "Jud Süß" (1827) to the Nazi novel "Shylock unter Bauern" by Felix Nabor (1934). Examines the representation o...
Cranial Osteopathy: Principles and Practice - Volume 2
Taking a detail-oriented, yet holistic approach to the body, is the underpinning of craniosacral osteopathy. This richly illustrated guide, which focuses on the special sense organs, orofacial pain, headaches and cranial nerves, will help you understand how specific dysfunctions arise, but also how they interrelate to wider patterns of dysfunction. Further chapters cover palpatory procedures, including examples of best practice, and guidance in training your palpatory perception. With precise anatomical diagrams to illustrate each craniosacral technique, this resource provides a strong foundation for any successful cranial osteopathic practice.
Vilna as a Centre of the Modern Jewish Press, 1840-1928
Vilna (Polish Wilno), modern Vilnius and capital of Lithuania, was the traditional spiritual and intellectual centre of Jewish thought in the Russian Empire. It was often referred to as the 'Jerusalem of Lithuania', a term that has now come to stand for the lost world of Jewish life in Europe. Most people today learned what they know about this Vilna from autobiographies or personal memoirs. This book takes a more objective look at how Vilna became a uniquely important centre of the Jewish press. In particular it follows the development of the Jewish press within the context of modernising Imperial Russia during the second half of the nineteenth century. Vilna is revealed as an important centre for the Jewish Socialist movement, the Bund, towards the turn of the nineteenth century and in the years running up to the 1905 Revolution. Bundist journalism is discovered to be the sponsor of a Jewish cultural ideology called Yiddishism.
Landmarks in the German Novel
There is a large pool of German novelists in whose oeuvre we may look for works of landmark significance, and at certain periods of its history German fiction is particularly rich. Yet although the novel begins to assert itself in the seventeenth century, we have to wait until the late eighteenth, and Goethe's first major prose work, Werther, to see it truly rise to the level of other genres. The thirteen novels featured in this collection have all proved milestones in the development of the form, and there is heavy prominence given to works by Goethe himself and by Thomas Mann. Through these, as well as those by such figures as Kafka, Hesse, and Günter Grass, we can trace the development of the novel to its far more 'self-conscious' form, ranging through the social studies of the nineteenth to works which treat a variety of intellectual, psychological and philosophical issues in the twentieth. A second volume will cover landmarks published between 1959 and the present day. These essays, all by specialists in the relevant field, were originally delivered as lectures in the University of Cambridge.
Landmarks in German Women's Writing
This volume focuses on twelve women writers from the Middle Ages to the present day who have made a major contribution to German literature. The essays place the writers in the context of their period and examine how their position as women affected what they wrote and the reception of their texts.
A National Repertoire
Friedrich Schiller had a difficult relationship with the theatre world and wrote plays that, though successful on stage, ran counter to contemporary trends. This study sets Schiller in the context of the theatre history of his period by examining the impact on his dramatic production of the circumstances of the two theatres with which he was closely involved, the Mannheim National Theatre and the Weimar Court Theatre, where Goethe was Director. Born in the same year as Schiller, August Wilhelm Iffland was the most prominent actor of his generation and a prolific playwright, whose early career at the Mannheim theatre made him Schiller's rival. Yet later, as Director of the Berlin National Theatre, Iffland helped create a national repertoire with Schiller's dramas as its cornerstone. By analysing the theatrical careers of Schiller and Iffland in parallel, this study explores the developing belief in theatre as a cultural institution. It also illuminates the relationship between Schiller and Goethe as theatre practitioners.
